LOVE DEATH + ROBOTS: Official Trailer, Poster & Release Date

February 14, 2019
Netflix

Sentient Dairy Products, Rogue Werewolf Soldiers, Robots Gone Wild, Sexy Cyborgs, Alien Spiders And Blood-thirsty Demons From Hell Converge In An 185-minute Genre Orgy Of Stories Not Suitable For The Mainstream.

This spring, 18 animated short stories presented by Tim Miller (Deadpool, upcoming untitled Terminator sequel) and David Fincher (MINDHUNTER, Gone Girl, House of Cards) land on Netflix in it’s first ever animated adult anthology series. Love Death and Robots premieres March 15th only on Netflix.

The full roster of stories will cover a variety of adult topics including racism, government, war, free will, and human nature. The anthology collection spans the science fiction, fantasy, horror and comedy genres and each short has a unique animation style: from traditional 2D to photo-real 3D CGI. The creators were assembled for a global calling for best in class animators from all over the world including artists from France, Korea, Hungary, Canada and the US among others. The series draws inspiration from the eclectic and provocative comic book material from the 1970’s that influenced both Miller’s and Fincher’s formative interests in storytelling.

Watch LOVE DEATH + ROBOTS on Netflix

Thanks to Sebastian Björk.

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PIX System: Introduction to PIX

February 8, 2019
PIX System (YouTube)

At PIX System, we help create entertainment and media by bringing creativity, collaborators and assets together. For 16 years, we’ve been creating and innovating ways to give the top creative talent, studios, mini-majors, networks, indie productions, and online content providers the time and resources they need to create. Better. Faster. More reliably.

Our industry leading platform is an open sandbox and secure home base, viewer, community workspace, media mine, think tank and muse – a place on the digital frontier where creative and strategic content and communication are safe and tidy and easily found, shared and worked on alone or together.

PIX Wins Technical Oscar: Our Conversation

Nick Dager
February 11, 2019
Digital Cinema Report

On Saturday night at its annual Scientific and Technical Awards Presentation, the Academy of Motion Picture Arts and Sciences honored PIX with a Technical Achievement Award. The award recognized Eric Dachs, founder and CEO; Erik Bielefeldt, director of research and development; Craig Wood, technical director; and Paul McReynolds for the design and development of the industry leading security mechanism for distributing media. Prior to the awards ceremony, Digital Cinema Report spoke exclusively with Bielefeldt and Wood to talk about the company’s continued innovation in the evolving world of content collaboration from film to digital to next-generation data rich requirements.

Read the full interview

PIX, the only addiction I have left.”
— David Fincher

PIX System

PIX System honored at the Academy of Motion Picture Arts and Sciences’ Scientific and Technical Awards

February 9, 2019
Oscars.org

Technical Achievement Award (Academy Certificate): to Eric Dachs, Erik Bielefeldt, Craig Wood and Paul McReynolds for the design and development of the PIX System’s novel security mechanism for distributing media.

PIX System’s robust approach to secure media access has enabled wide adoption of their remotely collaborative dailies-review system by the motion picture industry.

Scientific & Technical Awards 2018 | 2019

February 10, 2019
Oscars (YouTube)

PIX founder and CEO Eric Dachs thanked Ren Klyce, Ceán Chaffin and David Fincher (present at the ceremony): “your friendship, patience, and talents have had an enduring and measurable impact on our work, and more importantly, in filmmaking.”

Eric Dachs, Erik Bielefeldt, Craig Wood, and Paul McReynolds
(Amy Sussman/Getty Images)

SciTech Awards

Carolyn Giardina
February 9, 2019
The Hollywood Reporter

How David Fincher and ‘Panic Room’ Helped Launch a SciTech Award Recipient

Pix was initially developed to help ‘Panic Room‘s’ sound team.

Carolyn Giardina
February 9, 2019
The Hollywood Reporter

The familiar Pix app is one of the early tools with security features developed to improved communication and collaboration during production, which was initially conceived as filmmaking became more distributed geographically. After being used on more than 5,000 film and TV projects including Black Panther, Bohemian Rhapsody and Mindhunter, its developers will be among those honored Saturday at the Academy of Motion Picture Arts and Sciences’ annual Scientific and Technical Awards.

Pix founder/CEO Eric Dachs — who with director of R&D Erik Bielefeldt, technical director Craig Wood and Paul McReynolds will receive Technical Achievement Awards — started his career in sound and it was while working as an assistant to seven-time Oscar nominated sound designer Ren Klyce on David Fincher’s 2002 film Panic Room that the idea for Pix was born. “I got a look at how digital technology was changing motion picture postproduction, but I also saw the inefficiency from faxing notes when the work was distributed geographically,” Dachs tells The Hollywood Reporter. “I started writing a really simple prototype application for capturing David’s spotting notes and getting them distributed to the crew via a simple web application. So that [composer Howard Shore] could get the music notes in real time, and the different departments within sound were no longer having to wait for faxes.”

One afternoon during the final mix, Klyce showed Fincher the app and the technically-savvy director was impressed. In fact, he continues to use it today.

Read the full profile

PIX, the only addiction I have left.”
David Fincher

PIX System

25th Anniversary of the AT&T “You Will” Ad Campaign

AT&T (YouTube)
November 28, 2018

25 Years Ago, AT&T Predicted the Future We’re Living Now

      Matt Stevenson
      November 25, 2018
      Wired

How AT&T Predicted the Future In 1993

      November 25, 2018
      Wired

Watch the original campaign:

1993. AT&T – You Will (series)

Fincherphilia & Beyond

Cinephilia & Beyond - Logo

Just a small sample of all the precious filmic resources bestowed by Cinephilia & Beyond:

1993. Alien3 01

Alien3: “Take all of the responsibility, because you’re going to get all of the blame”

1995. Se7en

Se7en: A Rain-Drenched, Somber, Gut-Wrenching Thriller that Restored David Fincher’s Faith in Filmmaking

1995. The Game

Downwards Is the Only Way Forwards: Welcome to David Fincher’s The Game

1999. Fight Club

Fight Club: David Fincher’s Stylish Exploration of Modern-Day Man’s Estrangement and Disillusionment

2007. Zodiac

Fincher’s Zodiac As Easily One Of The Best Thrillers Of The Millennium So Far

1982. David Fincher at ILM

David Fincher’s Favorite Movies

Cinephilia & Beyond, one of the finest websites dedicated to the art and craft of Film, is struggling financially and needs your support: DONATE

Cameron Britton on Channeling the “Intellectual Creepiness” of a Real-Life Serial Killer

Patrick Harbron / Netflix

The Netflix series’ breakout guest actor reveals what it took to pull off his haunting performance as the murderous Ed Kemper (hint: lots and lots of director David Fincher’s infamous takes).

Daniel Fienberg
August 17, 2018
The Hollywood Reporter

You can’t always pinpoint exactly the moment when a show makes its big qualitative leap, but with Netflix‘s Mindhunter, it’s easy. Holden Ford (Jonathan Groff), an FBI agent experiencing frustration at his colleagues’ antiquated approach to murder investigation, goes to prison to visit a notorious killer and comes face-to-face with Ed Kemper (Cameron Britton).

Towering in stature, soft-spoken, viewing the world inquisitively through thick glasses, Kemper is intellectually vicious, yet unfailingly polite. By the end of one 10-minute conversation, we understand completely why Holden has been pulled into Kemper’s gravity and how this giant has instantly transformed his worldview.

It’s a show-changing character and a career-changing performance for Britton, making his first major TV role and earning his first career Emmy nomination. The actor talked with The Hollywood Reporter about his approach to the real-life killer, director David Fincher‘s notoriously exacting standards and more.

Read the full interview

 

Meet Your Nominee: Cameron Britton on ‘Mindhunter’s’ Lone Emmy Nomination & Future of The Show

The Hollywood Reporter (YouTube)
August 7, 2018

2018 ‘Mindhunter‘ star and the show’s only Emmy nominee, Cameron Britton, joins THR for Meet Your Nominee!

 

Cameron Britton (‘Mindhunter’): It was difficult to get into the mind of a killer

Gold Derby (YouTube)
August 6, 2018

Cameron Britton (‘Mindhunter’) chats with Gold Derby editor Daniel Montgomery: It was difficult to get into the mind of a killer, and to get out of it.

Complete Interview Transcript

 

How Ice Cream and The Beatles Helped Cameron Britton Destroy a Killer

TV Guide (YouTube)
August 15, 2018

Mindhunter’s Cameron Britton tells us how he was able to get into the mind of serial killer Ed Kemper, the toll it took on him, and how he ultimately got him out of his system.

 

Emmy-Nominee Cameron Britton On Becoming Ed Kemper In ‘Mindhunter’

Mindhunter‘s Cameron Britton talks to Awards Daily about how he became serial killer Ed Kemper, how the role impacted his life, and what his Emmy nomination means to him.

Clarence Moye
August 20, 2018
Awards Daily

Cameron Britton is having a very, very good year.

When Netflix’s Mindhunter premiered last fall, critics and audiences alike approached the dramatic series with respect and awe, thanks to the influence of the great director David Fincher. But everyone, literally everyone, was talking about Cameron Britton. His take on infamous serial killer Edmund Kemper captivated audiences. If you were talking about Mindhunter, then you were talking about Cameron Britton’s brilliant performance.

Here, Cameron talks to Awards Daily about how he wrestled with Edmund Kemper. He dove so deeply into Kemper that it took time to exorcise the role from his system. He also talks about what the role meant for his career and how he prepped for it by running lines with his close friends. It’s a fascinating conversation with an actor clearly on the rise in Hollywood.

Listen to the full interview

Neville Pierce on Seven

SOMEONE ELSE’S MOVIE is just what it says on the label: Each week, an actor, director, screenwriter, critic or industry observer will discuss a film that he or she admires, but had no hand in making.

Hosted as genially as possible by Norm Wilner.

July 31, 2018
Someone Else’s Movie

Neville Pierce

The show returns to London so journalist and filmmaker Neville Pierce — whose latest short, Promise, just arrived on Vimeo — can discuss the life-changing impact and technical virtuosity of David Fincher‘s Seven. Your genial host Norm Wilner believes in the second part.

Listen to the conversation

Previous episodes discussing Fincher films:

Jeffrey P. Nesker on Alien 3
Mark O’Brien on The Game
Jean Grae on Fight Club

The Pitch (vimeo)
July 20, 2018

Promise (2017)

A Syrian refugee can only stay in Britain if she becomes a surrogate mother for a desperate couple, but their illicit pact has dark consequences.

Stars: Rebecca Callard, Nabil Elouahabi, Lara Sawalha
Directed by Neville Pierce
Written by Hannah Lee
Produced by Luke Walton & Neville Pierce

“Superbly done” – Mark Romanek

Promise is a haunting film of loss and hope which takes an old story and sets it in contemporary Britain. “Pregnant with resonances, both biblical and political” – Projected Figures

Promise was made as part of The Pitch, a competition which offers its winner a £30,000 production budget and a trip to Hollywood.

Read an interview with Promise screenwriter and Pitch finalist Hannah Lee.