Click to enjoy the images in glorious 5K, full quality, and full screen view:
𝙸𝚗 𝚜𝚎𝚕𝚎𝚌𝚝 𝚝𝚑𝚎𝚊𝚝𝚎𝚛𝚜 𝙽𝚘𝚟𝚎𝚖𝚋𝚎𝚛 𝚊𝚗𝚍 𝚘𝚗 Netflix 𝙳𝚎𝚌𝚎𝚖𝚋𝚎𝚛 𝟺
“Excited to share these images which I have been working on for the past year in support of Mank. Thank you to David Fincher and Ceán Chaffin for the opportunity to witness and photograph the production of this incredibly unique film. Scorsese said that the most personal is the most creative, and as such, Mank is Fincher’s best film yet.” [1]
“I shot everything digitally, 95% of it on a Leica Q2. I spent a lot of time making everything look like 4×5 – scanning vintage negatives to place around the images, decreasing depth of field/softening the photos by adding Gaussian blur in Photoshop, adding shadow and highlight halation, dodging and burning every image to get the best tonality out of the files while emulating panchromatic film, adding vignetting, and the right amount of grain. I could never have achieved these shots using 4×5, and it was David Fincher’s idea to do this all digitally, and in the process make something that looks even better than film.”
“The reason I chose the Q2 was for its high resolution, as well as its ability to achieve shallow depth of field on a wide angle lens, which I then augmented even further in post.”
“I didn’t push the ISO very often, shooting at f1.7 helped. I don’t like to go above base (50) on the Q2. For Mindhunter I used the Q, as the Q2 wasn’t out yet.” [2]
“The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics“. By Sydney Ladensohn Stern:
One of his most-repeated wisecracks originated at a dinner party hosted by Arthur Hornblow Jr., a cultured and talented producer so sophisticated that he and Myrna Loy celebrated their divorce with a party at the Mocambo nightclub. The elegant Hornblow was known for lavishing care on his food and wine, but on that occasion, Herman drank so much that he had to bolt from the table to vomit. “Don’t worry, Arthur,” he airily told his host afterward. “The white wine came up with the fish.”
thewhitewinecameupwiththefish.com
Images by Miles Crist
Additional images by Gisele Schmidt & Gary Oldman, Nikolai Loveikis
𝙸𝚗 𝚜𝚎𝚕𝚎𝚌𝚝 𝚝𝚑𝚎𝚊𝚝𝚎𝚛𝚜 𝙽𝚘𝚟𝚎𝚖𝚋𝚎𝚛 𝚊𝚗𝚍 𝚘𝚗 Netflix 𝙳𝚎𝚌𝚎𝚖𝚋𝚎𝚛 𝟺
Design by Neil Kellerhouse
Key Art by Anna Park (Instagram)
Netflix International Pictures Presents
Gary Oldman in
Amanda Seyfried
Lily Collins – Arliss Howard
Tom Pelphrey – Sam Troughton – Ferdinand Kingsley
Tuppence Middleton – Tom Burke – Joseph Cross
Jamie McShane – Toby Leonard Moore – Monika Gossmann
and Charles Dance
Casting by Laray Mayfield
Sound Supervised by Ren Klyce
Music by Trent Reznor & Atticus Ross
Gowns and Costumes by Trish Summerville
Film Edited by Kirk Baxter, A.C.E.
Production Designed by Donald Graham Burt
Photographed in Hi-Dynamic Range by Erik Messerschmidt, ASC
Produced by Ceán Chaffin, Eric Roth, Douglas Urbanski
Screen Play by Jack Fincher
Directed by David Fincher
MPPDA – Recorded in Mon((o))scape – I.A.T.S.E. – Rated R. Some Language
𝙸𝚗 𝚜𝚎𝚕𝚎𝚌𝚝 𝚝𝚑𝚎𝚊𝚝𝚎𝚛𝚜 𝙽𝚘𝚟𝚎𝚖𝚋𝚎𝚛 𝚊𝚗𝚍 𝚘𝚗 Netflix 𝙳𝚎𝚌𝚎𝚖𝚋𝚎𝚛 𝟺
Herman ‘Mank’ Mankiewicz (Gary Oldman) drunkenly harangues the dinner guests at Hearst Castle
Directed by: David Fincher
Produced by: Ceán Chaffin, Eric Roth, and Douglas Urbanski
Written by: Jack Fincher
Score by: Trent Reznor & Atticus Ross
Costumes by: Trish Summerville
Edited by: Kirk Baxter, ACE
Production Design by: Donald Graham Burt
Photography by: Erik Messerschmidt, ASC
Co-Produced by: Peter Mavromates & William Doyle
Marion Davies (Amanda Seyfried) sits in growing horror as her dinner party is disturbed by Mank
Cast:
Gary Oldman as Herman J. Mankiewicz
Amanda Seyfried as Marion Davies
Lily Collins as Rita Alexander
Arliss Howard as Louis B. Mayer
Tom Pelphrey as Joe Mankiewicz
Sam Troughton as John Houseman
Ferdinand Kingsley as Irving Thalberg
Tuppence Middleton as Sara Mankiewicz
Tom Burke as Orson Welles
Joseph Cross as Charles Lederer
Jamie McShane as Shelly Metcalf
Toby Leonard Moore as David O. Selznick
Monika Gossmann as Fraulein Freda
and Charles Dance as William Randolph Hearst
William Randolph Hearst (Charles Dance) beside MGM’s Louis B. Mayer (Arliss Howard)
Gary Oldman as Herman Mankiewicz (Gisele Schmidt/NETFLIX)
Gary Oldman (as Herman Mankiewicz), Sean Persaud (as Mank’s colleague Tommy), and Gaffer Danny Gonzalez, before a LED backdrop of the desert (Gisele Schmidt/NETFLIX)
Gary Oldman (as Herman Mankiewicz) shot with the RED Monstro 8K Monochrome by Camera Operator Brian Osmond (Nikolai Loveikis/NETFLIX)
𝙸𝚗 𝚜𝚎𝚕𝚎𝚌𝚝 𝚝𝚑𝚎𝚊𝚝𝚎𝚛𝚜 𝙽𝚘𝚟𝚎𝚖𝚋𝚎𝚛 𝚊𝚗𝚍 𝚘𝚗 Netflix 𝙳𝚎𝚌𝚎𝚖𝚋𝚎𝚛 𝟺
“The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics“. By Sydney Ladensohn Stern:
Even before theatrical failures dimmed his dreams of escape, Herman had decided he could bring New York to Hollywood by importing some of his friends. If Ben Hecht couldn’t write him a good script, Herman told Schulberg, then Schulberg could tear up Herman’s two-year contract and fire them both. His boss could hardly refuse a bet like that, so Herman wired, “Will you accept three hundred per week to work for Paramount Pictures. All expenses paid. The three hundred is peanuts. Millions are to be grabbed out here and your only competition is idiots. Don’t let this get around.”
Hecht, who later claimed that Herman’s telegram arrived just in time to avert a financial disaster so severe that he had taken to his bed with Gibbon’s Decline and Fall of the Roman Empire, hurried west to enroll in what he called the Herman Mankiewicz School of Screenwriting.
Director: Kimb Luisi & Dan Young
Production Company: Sawhorse Productions
DP: Skyler Bocciolatt
Production Design: Sage Griffin
Storyboards: Andrew Paul
𝙸𝚗 𝚜𝚎𝚕𝚎𝚌𝚝 𝚝𝚑𝚎𝚊𝚝𝚎𝚛𝚜 𝙽𝚘𝚟𝚎𝚖𝚋𝚎𝚛 𝚊𝚗𝚍 𝚘𝚗 Netflix 𝙳𝚎𝚌𝚎𝚖𝚋𝚎𝚛 𝟺
1930s Hollywood is reevaluated through the eyes of scathing wit and alcoholic screenwriter Herman J. Mankiewicz as he races to finish Citizen Kane.
Starring: Gary Oldman, Amanda Seyfried, Charles Dance
Cast: Lily Collins, Arliss Howard, Tom Pelphrey, Sam Troughton, Ferdinand Kingsley, Tuppence Middleton, Tom Burke, Joseph Cross, Jamie McShane, Toby Leonard Moore, Monika Gossmann
2h 11m
Click to enjoy the images in glorious 5K, full quality, and full screen view:
𝚆𝙴𝙻𝙻𝙴𝚂
(𝚎𝚡𝚝𝚎𝚗𝚍𝚒𝚗𝚐 𝚑𝚊𝚗𝚍)
𝙼𝚊𝚗𝚔? 𝙸𝚝’𝚜 𝙾𝚛𝚜𝚘𝚗 𝚆𝚎𝚕𝚕𝚎𝚜.⠀
⠀⠀⠀⠀
𝙼𝙰𝙽𝙺
(𝚎𝚝𝚑𝚎𝚛𝚒𝚣𝚎𝚍)
𝙾𝚏 𝚌𝚘𝚞𝚛𝚜𝚎 𝚒𝚝 𝚒𝚜.
Orson Welles played by Tom Burke
𝙸𝚗 𝚜𝚎𝚕𝚎𝚌𝚝 𝚝𝚑𝚎𝚊𝚝𝚎𝚛𝚜 𝙽𝚘𝚟𝚎𝚖𝚋𝚎𝚛 𝚊𝚗𝚍 𝚘𝚗 Netflix 𝙳𝚎𝚌𝚎𝚖𝚋𝚎𝚛 𝟺
1930s Hollywood is re-evaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane for Orson Welles.
Click to enjoy the images in glorious 5K, full quality, and full screen view:
𝙼𝙰𝚈𝙴𝚁
𝚆𝚑𝚘 𝚠𝚊𝚜 𝚝𝚑𝚊𝚝 𝚊𝚐𝚊𝚒𝚗?
⠀⠀⠀⠀⠀
𝚃𝙷𝙰𝙻𝙱𝙴𝚁𝙶
𝙹𝚞𝚜𝚝 𝚊 𝚠𝚛𝚒𝚝𝚎𝚛.
𝙼𝙰𝚁𝙸𝙾𝙽
𝙸 𝚓𝚞𝚜𝚝 𝚜𝚊𝚠 𝟺𝟸𝚗𝚍 𝚂𝚝𝚛𝚎𝚎𝚝.
(𝙱𝚛𝚘𝚘𝚔𝚕𝚢𝚗-𝚎𝚜𝚎) 𝙸𝚝 𝚋𝚕𝚎𝚠 𝚖𝚢 𝚠𝚒𝚐.
⠀⠀⠀⠀⠀
𝙼𝙰𝙽𝙺
𝚈𝚘𝚞 𝚌𝚊𝚗 𝚝𝚊𝚔𝚎 𝚝𝚑𝚎 𝚐𝚒𝚛𝚕 𝚘𝚞𝚝 𝚘𝚏
𝙱𝚎𝚍𝚜𝚝𝚞𝚢…
𝙹𝙾𝙴 (𝚅.𝙾.)
𝚆𝚘𝚛𝚍 𝚘𝚗 𝚝𝚑𝚎 𝚜𝚝𝚛𝚎𝚎𝚝 𝚒𝚜 𝚛𝚊𝚍𝚒𝚘’𝚜
𝙶𝚘𝚕𝚍𝚎𝚗 𝙱𝚘𝚢 𝚠𝚊𝚗𝚝𝚜 𝚝𝚘 𝚐𝚘 𝚝𝚘𝚎-𝚝𝚘-𝚝𝚘𝚎
𝚠𝚒𝚝𝚑 𝚆𝚒𝚕𝚕𝚒𝚎 𝙷𝚎𝚊𝚛𝚜𝚝, 𝚊𝚗𝚍 𝚢𝚘𝚞’𝚛𝚎
𝚑𝚎𝚕𝚙𝚒𝚗𝚐 𝚒𝚗 𝚝𝚑𝚎 𝚔𝚒𝚝𝚌𝚑𝚎𝚗.
𝙼𝙰𝚈𝙴𝚁
𝚃𝚑𝚒𝚜 𝚒𝚜 𝚊 𝚋𝚞𝚜𝚒𝚗𝚎𝚜𝚜 𝚠𝚑𝚎𝚛𝚎 𝚝𝚑𝚎 𝚋𝚞𝚢𝚎𝚛
𝚐𝚎𝚝𝚜 𝚗𝚘𝚝𝚑𝚒𝚗𝚐 𝚏𝚘𝚛 𝚑𝚒𝚜 𝚖𝚘𝚗𝚎𝚢 𝚋𝚞𝚝 𝚊
𝚖𝚎𝚖𝚘𝚛𝚢. 𝚆𝚑𝚊𝚝 𝚑𝚎 𝚋𝚘𝚞𝚐𝚑𝚝 𝚜𝚝𝚒𝚕𝚕
𝚋𝚎𝚕𝚘𝚗𝚐𝚜 𝚝𝚘 𝚝𝚑𝚎 𝚖𝚊𝚗 𝚠𝚑𝚘 𝚜𝚘𝚕𝚍 𝚒𝚝.
𝚁𝙸𝚃𝙰
(𝚛𝚊𝚒𝚜𝚒𝚗𝚐 𝚑𝚎𝚛 𝚐𝚕𝚊𝚜𝚜)
𝙴𝚒𝚝𝚑𝚎𝚛 𝚢𝚘𝚞 𝚍𝚎𝚖𝚘𝚗𝚜𝚝𝚛𝚊𝚝𝚎 𝚢𝚘𝚞 𝚌𝚊𝚗
𝚑𝚊𝚗𝚍𝚕𝚎 𝚝𝚑𝚒𝚜, 𝙼𝚊𝚗𝚔𝚒𝚎𝚠𝚒𝚌𝚣, 𝚘𝚛 𝚠𝚎 𝚠𝚒𝚕𝚕
𝚊𝚕𝚕 𝚎𝚗𝚍 𝚞𝚙 𝚐𝚎𝚝𝚝𝚒𝚗𝚐 𝚜𝚊𝚌𝚔𝚎𝚍.
𝚆𝙴𝙻𝙻𝙴𝚂 (𝚅.𝙾.)
𝚁𝚎𝚊𝚍𝚢 𝚊𝚗𝚍 𝚠𝚒𝚕𝚕𝚒𝚗𝚐 𝚝𝚘
𝚑𝚞𝚗𝚝 𝚝𝚑𝚎 𝙶𝚛𝚎𝚊𝚝 𝚆𝚑𝚒𝚝𝚎 𝚆𝚑𝚊𝚕𝚎?
⠀⠀⠀⠀⠀
𝙼𝙰𝙽𝙺
𝙲𝚊𝚕𝚕 𝚖𝚎 𝙰𝚑𝚊𝚋.
𝚌𝚘𝚖𝚒𝚗𝚐 𝚜𝚘𝚘𝚗
