In this episode, we talk with director David Fincher’s favorite colorist Eric Weidt about the art and craft of color grading.
Eric has an incredible list of credits that includes Mank and Mindhunter. His works on these projects extend far beyond traditional tasks of color grading, incorporating complex look modeling and incredibly detailed adjustments on virtually every frame.
The techniques and insights he shares in this episode are unique and includes topics such as how to sculpt the viewers experience with textural and spatial tools, the lens treatment techniques used on Mindhunter, the process and swan curve treatment behind the day-for-night shots on Mank, advanced grain work and so much more.
This episode is sponsored by Pixelview, an industry standard and affordable streaming solution for editors and colorists.
Ian Vertovec is Supervising Colorist at Light Iron, which he co-founded, a Panavision company specialized in dailies, digital intermediate, archival, and data services for projects originated on file-based motion cameras.
On this episode of the colorist podcast, I talk with Ian Vertovec, Co-Founder, and Senior Colorist at Light Iron.
Ian has colored major films “The Social Network,” “The Girl with the Dragon Tattoo,” and “Gone Girl.” And more recently, he has colored the TV shows “Baskets” for FX and “Glow” on Netflix.
Originally from Chicago, Ian focused on photography, then moved on to digital compositing. He later co-founded two post facilities in Los Angeles: Plaster City, then Light Iron. Out of necessity, he moved on to color at his company. He found his combination of photography and compositing matched perfectly for a career as a colorist.
In this podcast, we talk about:
Coloring David Fincher films and working with extremely dark images
The challenges of working on VFX heavy projects
Making HDR look both cinematic and realistic
Advantages of working with high-end systems like Quantel Pablo
The difference between working on TV and films
How experience with compositing served him as a colorist
Presented live at Camerimage 2017, this provocative presentation examines the psychology, physiology, and physical relationships between resolution and sharpness. Panavision and Light Iron experts Michael Cioni, Dan Sasaki, and Ian Vertovec present a fresh perspective on how the pursuit of cinematic smoothness is tied to the race for resolution.