Billy Peake & Tyler Nelson, “MINDHUNTER” Post-Production Team
April 9, 2018
Adobe Creative Cloud (YouTube)
Dispatch by PIX System
Adobe Premiere Pro by Adobe Creative Cloud
Thanks to Jonny Elwyn
NAB 2018 – An Interview with the MINDHUNTER post-production team
Tyler Nelson and Billy Peake made extensive use of the Adobe suite including Premiere Pro
April 18, 2018
I don’t do a lot of interviews with editors, that’s the domain of Steve Hullfish and his legendary ART OF THE CUT series but when I saw that Adobe had some editors available for a chat at NAB 2018 I thought … why not. I had done some audio interviews before at NAB and I figured posting an audio interview to Soundcloud was a lot more likely to happen during a busy NAB week than trying to shoot and edit video (I did that one year with an iPad) or take a lot of photos and write up articles on what I saw.
Listen to the full interview
Watch the video
David Fincher‘s new Netflix series is edited with an all-Adobe workflow, including Premiere Pro and After Effects, bringing VFX and editorial under one roof.
Netflix Series Mindhunter Brings Filmmaking Savvy to Episodic TV
October 23, 2017
Adobe Creative Cloud
David Fincher is known for directing many successful films, including Gone Girl, The Social Network, The Girl with the Dragon Tattoo, and The Curious Case of Benjamin Button, as well as the Netflix hit series House of Cards. With each new project, he mesmerizes audiences with his unique storytelling and visual style. His latest project, the 10-episode Netflix series Mindhunter, is no exception.
One of the keys to David Fincher’s success is a talented post-production team that shares his work ethic, passion for filmmaking, and willingness to push boundaries. Peter Mavromates has served as a producer and post-production supervisor on multiple Fincher projects, while Editors Kirk Baxter and Tyler Nelson, along with Assistant Editor Billy Peake and In-house VFX Compositor Christopher Doulgeris, are all veterans on the team.
Read the full article