SoundWorks Collection: The Sound of MindHunter

Glenn Kiser
Director of the Dolby Institute
July 2, 2020
SoundWorks Collection / The Dolby Institute

Cinema director David Fincher created one of the first original streaming series with House of Cards, and his innovative spirit infuses the Netflix original series Mindhunter, now in its second season.

In this podcast episode, the sound team discuss Fincher’s unique approach to the sound of serial killer interrogation scenes, a hallmark of this fascinating, dark series. The team discuss setting the acoustic tone of the series, including the oppression of the FBI agents’ basement office (and a very special door), why it was important to Fincher to always hear trainee agents at Quantico at target practice, and the joy of receiving Fincher’s incredibly detailed mix notes.

Steve Bissinger – Sound Effects Editor
Scott Lewis – Re-Recording Mixer
Stephen Urata – Re-Recording Mixer

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Portbox: The Desire to Go Noir With Erik Messerschmidt

Madhav Goyal
June 29, 2020
Portbox

Erik Messerschmidt (Mindhunter) is an American cinematographer. Erik chats with Portbox about his transition into cinematography with Netflix Original Series: Mindhunter. Madhav inquires about how Erik studies human behavior, both professionally and personally. Erik highlights how working with great cinematographers and highly disciplined directors has informed his workflow and why director-cinematographer relationships work across different films. He also breaks down one of Madhav’s favorite scene from the second season of Mindhunter, while giving us details on his next project with David Fincher, Mank.

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Soundstage Access: Interview with Writer of “Zodiac” and Director James Vanderbilt

Brando Benetton
December 11, 2018
Soundstage Access

It was amazing to sit down and chat with Writer/Director/Producer James Vanderbilt, whose credits include Sony‘s ‘The Amazing Spiderman‘, ‘White House Down‘ and David Fincher‘s masterpiece ‘Zodiac.’

In our conversation we talk about James’ early success selling his first script just days away from graduating at USC, his relationship with pitching films to studios, becoming a first-time director on ‘Truth‘ and much more.

Make sure to find and follow the podcast on Facebook.

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Also:

Stephen Nakamura, Colorist (‘Fight Club‘, ‘IT: Chapter Two‘)
John Schwartzman, Cinematographer (‘Jurassic World: Dominion‘)

Through The Frame: Re-Animating Camera Moves For Live Action

Jesse Korosi
May 7, 2020
Through The Frame (HPA)

Learn how the new movement toward reanimating camera movement, stabilizing, and reframing shots in post is taking shape! Chad Peter and Tai Logsdon have been on the forefront of this change and will discuss how it all began and how it’s being done today, with lots of details and examples from Mind Hunter, Bird Man, Homecoming & Mr. Robot.

Writer / Director (DGA) / VFX Supervisor originally from Colorado – Chad Peter has worked as VFX supervisor & additional director (inserts) on the final season of “Mr. Robot”, as well as VFX Super on Amazon’s “Homecoming” season 1.  Previously, Chad had served as an in-house VFX on “Mindhunter” s1 & s2, “House of Cards” s2 thru s4, “Gone Girl” and more.

Tai Logsdon grew up in the Central Valley of California, graduated from Chapman University in 2006, and has worked as in-House VFX Manager for shows such as Amazon’s “Homecoming” and USA’s “Mr.Robot” (the final season).

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Art of the Shot: Jeff Cronenweth, ASC on Tales from the Loop & How Story Drives the Visuals

Derek Stettler
April 27, 2020
Art of the Shot

Welcome to the Art of the Shot podcast! Join writer and filmmaker Derek Stettler for conversations with the artists behind the camera on strikingly-shot films, series, music videos and commercials. Discover how they made their careers happen, hear about their creative process, and learn how they make the shots that make us say: wait, how did they do that?

For the third episode, Derek speaks with none other than Jeff Cronenweth, ASC!

Jeff is the two-time Oscar-nominated cinematographer behind many of David Fincher’s films, including The Social Network, The Girl with the Dragon Tattoo, and their first film together–and Jeff’s first feature film–Fight Club.

(And if you’re worried, no, they don’t talk about Fight Club… much.)

Jeff has also shot numerous commercials and music videos for some of the biggest artists, including Madonna, David Bowie, Shakira, Taylor Swift and Katy Perry.

And this month marked the release of Jeff’s first foray into television, with the pilot to the Amazon Prime original series, Tales from the Loop: a sci-fi anthology adapted from the paintings of Swedish artist Simon Stålenhag.

What you may not know is that Jeff Cronenweth is the son of legendary cinematographer Jordan Cronenweth, the eye behind the era-defining look of Blade Runner. Enjoy this in-depth conversation about everything from how Jeff forged his own path while following in his father’s footsteps, and his approach to lighting based on story, to working with David Fincher, his work on Tales from the Loop (including how he achieved a never-before-seen lighting effect), and his trick for making sure eye lights look more natural.

Note, due to the COVID-19 pandemic, this conversation was recorded remotely, but all efforts were made to ensure quality audio.

The Art of the Shot podcast is brought to you by Evidence Cameras, an outstanding rental house in Echo Park specializing in high-end digital cinema camera packages, lenses, support, and accessories.

If you like what you hear, please subscribe to be notified of future episodes, and share this podcast with others to help grow the show!

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Tales from the Loop trailer audio copyright Amazon.com, Inc. Used with permission courtesy of Amazon Studios.

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The Cinematography Podcast: Jeff Cronenweth

Jordan and Jeff Cronenweth on the set of Francis Ford Coppola‘s Gardens of Stone

Jeff Cronenweth, ASC on David Fincher, Fight Club, growing up in Hollywood, music videos, Mark Romanek, One Hour Photo, Gone Girl, The Social Network and the new Amazon series Tales from the Loop.

Ben Rock & Illya Friedman
April 22, 2020
The Cinematography Podcast (Cam Noir)

Jeff Cronenweth comes from three generations in the film business and followed his father, cinematographer Jordan Cronenweth (Blade Runner) into a career as a director of photography. Growing up on film sets and working alongside his father enabled Jeff to take a hands-on role in the camera department. He started as a loader and camera assistant, getting into the union while attending USC. He met David Fincher while working on the Madonna music video “Oh Father” as a camera assistant. Fincher gave Jeff his first opportunity to DP for the film Fight Club. Jeff’s collaboration with Fincher later earned him two Oscar nominations- one for The Social Network and one for The Girl with the Dragon Tattoo. He also began working with director Mark Romanek on music videos, such as EelsNovocaine for the Soul” and Nine Inch Nails’ “The Perfect Drug.” Jeff and Romanek also worked together on the feature film, One Hour Photo starring Robin Williams. The film presented many lighting challenges since the bulk of it takes place inside a store with flat white lights before the darker undertones of the movie are revealed.

Jeff also shot the pilot for Tales from the Loop with director Mark Romanek, streaming now on Amazon Prime.

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Jeff Cronenweth Discusses the Unique Job of a Cinematographer

Joey Magidson
April 2, 2020
HollywoodNews.com

Cinematography is a true art form. To compose a memorable shot is something that one really does need a skill for. That doesn’t even take into account how a cinematographer must work well with a director, have an understanding of their camera, and an infinite number of other assets necessary to help make a movie succeed. Earlier this week, we got a chance to talk with two time Academy Award nominated cinematographer Jeff Cronenweth, who was able to detail just some of what goes into being a quality DP.

Cronenweth has been cited by the Academy twice. Both times, collaborations with director David Fincher (The Social Network, followed by The Girl with the Dragon Tattoo) received Oscar nominations in Best Cinematography. Tomorrow, he ventures into television for the first time, collaborating with filmmaker Mark Romanek on an episode of the new Amazon Prime science fiction series Tales from the Loop. Generously chatting on the phone for nearly a half hour, Cronenweth details not just working on the show, but with Fincher as well. He even tells us a few interesting stories about his father Jordan Cronenweth, a famous cinematographer in his own right. It’s an informative and loose interview, so we hope you enjoy it…

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Fight Club Cinematographer Jeff Cronenweth, ASC

Jeff Cronenweth in the set of The Social Network (Merrick Morton, 2010)

Alan Schaller & Christopher Hooton
February 7, 2020
Candela: Photography & Cinematography masters

Fight Club cinematographer Jeff Cronenweth talks us through this iconic shot and many others in David Fincher‘s masterpiece. We also discuss how the relative naturalism of The Social Network was just as difficult to achieve, and whether something is lost with VFX even when it looks perfect.

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Murmur: Chuck Palahniuk. “Fight Club” @20

Robert Milazzo
November 2, 2019
Murmur (The Modern School of Film)

Where craft meets culture. Hosted by The Modern School of Film’s Robert Milazzo, Murmur is a prescient tour through our sight and sound culture; featuring scenes, songs, and an array of guest tour-guides from all sides of the brain:

Oh, F’it, let’s actually talk about the film Fight Club @ Twenty – still the smartest delinquent in the room – with the man whose book-as-rolling-ball-of-art-and-confusion began a movie birthed by an apropos society of full-throated artists: Chuck Palahniuk. The film still can’t drink, but it’s no less a danger to society. Its meta and mythos are more than meets the eye, and its fever-pitch lives in Chuck’s own agnostic baptisms. Write what you know, perhaps; film what’s to remain, please. Live from Cologne, Germany Live from Cologne, Germany, with an assist from Black Francis of The Pixies. Gleiten [Slide].

June 25, 2019
CCXP, Cologne (Germany)

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Score: The Podcast. Jeff Beal

Robert Kraft & Kenny Holmes
September 10, 2019
Score: The Podcast

Season 2 Episode 16 | Jeff Beal got fired from Monk, then won an Emmy for it

Robert and Kenny begin the show joined by Matt Schrader and Carol Kuswanto for the show’s annual Emmy predictions. The group makes predictions for seven categories: Drama Series, Comedy Series, Limited Series, Original Main Title Theme Music, Music – Limited Series, Music – Documentary Series, Music – Series.

Then 5x Emmy-winning composer and current Emmy nominee Jeff Beal joins the show telling the story of getting fired on his first TV show Monk, winning the Emmy for main title theme, then getting rehired. Jeff also discusses his working relationship with David Fincher on the Netflix hit series House of Cards and exclusively reveals his first sketch of the main title theme.

Lastly, Jeff join the guys for a special round of #NameThatScore with a “westerns” theme.

This episode is presented by Spitfire Audio.

Follow us on Twitter @ScoreThePodcast

Hosts: Robert Kraft & Kenny Holmes
Executive Producer: Matt Schrader
Coordinator: Carol Kuswanto

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Jeff Beal Explains The House of Cards Theme

April 14, 2015
Musicroom UK (YouTube)

Jazz/Classical hybrid composer Jeff Beal speaks to us about the musical inspiration behind his game changing soundtrack/opening to the award winning House of Cards series.