The Team Deakins podcast is an ongoing conversation between acclaimed cinematographer Roger Deakins and James Deakins, his collaborator, about cinematography, the film business and whatever other questions are submitted. We start with a specific question and end….who knows where! We are joined by guests periodically. Followup questions can be posted in the forums at rogerdeakins.com.
Team Deakins talks with cinematographer Darius Khondji (Uncut Gems, Alien Resurrection, Se7en). We talk a lot about light, specifically learning how to light and how he started to learn with natural light. He shares the experience of working with David Fincher on the film Se7en and how their collaboration allowed him to take risks. He speaks about how important it is to get to understand the director and how he sees visual style as a house that you have to find the key to unlocking and that he usually finds this key through the character. Darius tells us about working on the movies Lost City of Z, Uncut Gems, My Blueberry Nights, and Amour. He also shares his thoughts on working in features and television. A wonderful glimpse into the eye of a great cinematographer!
We are so psyched to welcome transformational actor Damon Herriman to the show! Mr. In Between fans will know him as Freddy the Strip Club owner, but there rest of the world knows him for tons of other roles including playing Charles Manson (twice) in Mindhunter and Once Upon A Time in Hollywood, Dewey from Justified, Kim from Secret City and so many others. Damon talks about working with Scott Ryan and Nash Edgerton, about his background growing up in the business as a child actor and so much more!
Catch Ian, Liam, Ellie, Ethan, and Georgia (who was only in about 90% fangirl mode) as we were lucky enough to sit down with an extremely talented actor, writer, and producer whose credits range from Mank to Shipwrecked Comedy to podcasting and even all the way to Cougar Town. Revelations from the interview include:
Hearing how Sean got his start in Los Angeles
Sean talks about the development of the podcast he does with his sister, Sinead: Make Sean & Sinead Love Movie
Sean discussing the difference between being a producer on his own material and a day player on a big tv or film project
A small anecdote about what Gary Oldman is really like
Sean discusses his writing process and how it differs depending on the project
We learn about how to shoot in black and white
The BFE lot pitch their own film choices that most people hate but we can’t help but love
Sean reveals his best film ever and cuts down someone for hating a classic film
Whether Sean would turn down a call from Marvel boss, Kevin Feige
Pets on both side of the video call make their presence known
Sean teases a big announcement dropping for Shipwrecked Comedy on June 15th
Bonus Episode: We speak with 2021’s Oscar Nominee’s Kimberley Spiteri & Colleen LaBaff about the Hair & Makeup work on the film Mank. Unfortunately the Makeup Designer Gigi Williams could not be with us for this interview.
Today, I sit down with legendary screenwriter Eric Roth.
We talk about his life and his craft and why we should all be more generous of spirit. Truth be told, Eric has been involved in creating so many iconic films that it would have been impossible to try… so I asked him about the films of his that meant the most to me, and he held court and digressed in the loveliest of ways. I hope you have as much fun listening as I did recording this interview. Enjoy!
Eric’s credits include: The Nickel Ride, The Drowning Pool, The Onion Field, Forrest Gump (for which he won an Oscar), The Postman (for which he won a Razzie), The Horse Whisperer, and then one of my favorite films ever, The Insider, followed by Ali, Munich, The Good Shepherd, and The Curious Case of Benjamin Button. He’s also worked in Television, and seen not one but two sea changes, first with HBO, and then with Netflix and House of Cards. And much more recently he wrote A Star Is Born, Dune, and the new Western being Directed by Martin Scorsese, Killers of the Flower Moon. He was also a producer on the Oscar nominated Mank, directed by David Fincher, from a script by Fincher’s father.
Because We Love Making Movies is an ongoing conversation with filmmakers who work behind the scenes to make the movies we love. These are the invisible warriors we don’t think of: Production & Costume Designers, Cinematographers, Editors, Producers, and the whole family of artists who make movies with their hands and hearts.
Today I talk with Gigi Williams, an Oscar Nominated Makeup Artist, and longtime collaborator with the brilliant David Fincher. Her credits are very long, but to name a few: Rock N’ Roll High School, The Howling, The Professional, as well as Single Man, Argo, The Master & Inherent Vice, not to mention her work with Fincher: Gone Girl, Mindhunter, and now Mank.
We talk about going through doors in life when they open, how her craft is misunderstood, how she cherishes working with Actors, and how she doesn’t do personal makeup, she does the movie. We also talk about Gigi’s incredible beginnings in the New York fashion world before she became a Makeup-Artist, which included working with Andy Warhol & Diane Von Furstenberg… She’s had quite a journey, and she’s still on it. It’s an amazing talk so check it out and share!
The Art of the Frame Podcast brings in-depth conversations with the top creators of your favorite films and shows into your car, living room and beyond. In each episode, we talk with creators ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors, cinematographers, directors and more about their careers and about their work on some of the biggest films and TV shows of the year.
On todays episode of the Art of the Frame Podcast, Damian Allen talks with Cassidy Shipley about his work on the Oscar winning film “Mank.” Cassidy has had an illustrious career having worked as a set designer on films such as “La La Land”, and the upcoming film “Thor: Love and Thunder” as well as shows like “Mindhunter”, “Them” and the new Amazon series “Solos.”
Make sure to check out Cassidy’s full IMDb for more info about his career and head over to Amazon to watch “Solos!”
Todays episode of the Art of the Frame Podcast is brought to you by Filmtools.com, Hollywoods trusted one-stop shop for all things production and post.
David Prior got his break directing DVD special features for such David Fincher films as “Zodiac” and “The Social Network.” He obviously drew on that work experience in writing and directing his debut horror feature film, “The Empty Man.”
“Any time you spent hanging around the set with David Fincher or Peter Weir or any number of the other people that I’ve been able to hang around the set with, it’s always going to be valuable,” Prior said.
“The Empty Man” focuses on an ex-detective named James Lasombra. James is grieving the deaths of his wife and son. He helps his friend Nora whose daughter has gone missing.
James’s investigation leads him to a sinister organization called The Pontifex Institute, which turns out to be a cult. The film stars James Badge Dale, and chameleon-like actor Stephen Root who delivers a great performance as the cult’s leader.
The movie also became embroiled in a mega media merger that delayed and botched its release. “The Empty Man” features an impending sense of dread and doom and themes of guilt, grief, the meaning of existence and mind control. Prior explains to WPR‘s “BETA” why he wanted to include such big ideas in his film.
David Prior is an American writer and director who made his feature directorial debut with The Empty Man, an epic in the world of horror, one of the most criminally overlooked horror movies of 2020, and one of the most ambitious horror movies of recent years . It has the scope and execution of a Chris Nolan movie while mixing elements of cults, quantum horror, and creepypastas into an extremely unique mythology that is all its own.
The story behind the making of The Empty Man is very harrowing. In the middle of shooting in South Africa, it was temporarily shut down due to weather conditions, during which a key studio executive who greenlit the film left the studio, essentially leaving the movie abandoned. If that wasn’t enough, once the movie finally got finished, David had to endure a series of calamities, including negative test screenings and studio interference which kept the movie in limbo for years. If that wasn’t enough, once the movie was finally released, it was in theatres during the height of the pandemic only to get largely negative Rotten Tomato reviews (which were very unjust) and thus be completely buried.
However, as of the past few weeks, The Empty Man has been seeing a major resurgence as a number of outspoken critics have been singing the praises of the movie and thus causing it to get the attention it deserves. The story behind The Empty Man brings to light the many issues that can befall a movie but also shows the power of the internet to champion a movie when it belongs in the spotlight. I’m personally thrilled that The Empty Man is getting the viewership that it has been; it’s a must-see, and I’m convinced it will be considered a horror epic for years to come.
In this conversation with David, we got into the whole story behind The Empty Man, his directorial processes, and what he learned observing directors like David Fincher, Tim Burton, and Peter Weir when he visited them on set while producing special features for multiple DVD titles. All of this and so much more on today’s episode of The Nick Taylor Horror Show.
Writer-editor Nicolas Rapold talks with guests about the movies they’ve been watching. It’s as simple as that. From home viewing to the latest from festivals. Named one of the 10 Best Film Podcasts by Sight & Sound magazine.
For this special episode I talk with director David Fincher and production designer Don Burt about Mank, a black-and-white evocation of Hollywood through the jaded eyes of one Herman J. Mankiewicz, as he writes the screenplay for Citizen Kane. If you’ve seen any Fincher films since Zodiac, you’ve also seen Burt’s beautiful work, which won him an Academy Award for The Curious Case of Benjamin Button. We talk about the conception of Mank‘s particular spaces; the techniques behind designing for a black-and-white film; the eagle-eyed capabilities of digital cameras; and whether Mank is intended to be a political film. Mank has received 10 Academy Award nominations, including best picture, director, and production design.