Play, Watch, Listen: Troy Baker talks Love, Death + Robots’ episode Bad Travelling

Alanah Pearce, Troy Baker, Mike Bithell, and Austin Wintory
June 10, 2022
Play, Watch, Listen (Alanah Pearce)

Join Alanah Pearce (game writer), Troy Baker (voice actor), Mike Bithell (game director), and Austin Wintory (game composer) as they talk about all the games, movies, TV and ‘whatever else’ that took their interest that week, from four unique perspectives in the games industry.

Play, Watch, Listen is also available on Apple Podcasts, Google Podcasts, Stitcher, Spotify, and more. Follow it on Twitter and Instagram.

Alanah Pearce: Twitter, YouTube, Instagram, Twitch, Facebook, Patreon
Troy Baker: Twitter, YouTube
Mike Bithell: Twitter, Steam
Austin Wintory: Twitter

The David Fincher Process: 1st Assistant Editor’s POV

Sven Pape, ACE
June 11, 2022
This Guy Edits

The editing and post-production of David Fincher‘s Mank.

Netflix’s Mank was leading 2021 Oscars nominations with 10 nominations, including Best Picture and Best Director. First assistant editor Ben Insler opens up the editing timeline of the film and shares insights on the editing and workflow process.

The first 1000 people to use the link will get a one-month free trial of Skillshare Premium Membership.

Grab my Secret Editing Hacks for FREE.

This Guy Edits on Patreon, YouTube, Instagram, Twitter, Facebook.

Pixel Perfection

Jarred Land / RED Digital Cinema

Adrian Pennington
April 2022
British Cinematographer

Jarred Land has spent his career in close collaboration and connection with filmmakers, supporting the execution of their vision with powerful and ground-breaking tools.

Jarred Land runs RED Digital Cinema, the company whose 4K camera went from scepticism to admiration on a run of prestige movies like David Fincher’s Oscar-winning Mank and series like The Queen’s Gambit. Since 2013, Land has led a team focused on precedent-setting technology for filmmakers.

Land didn’t found RED but joined Jim Jannard before the launch of the first camera and during the hardcore, technology banging sleepless nights part of the story, where a small group failed, learned, succeeded. From the first conversation Land had with Jannard and still today, the focus is on providing a more complete tool for filmmakers.

Born in Edmonton, Canada, Land’s father ran gas stations and shopping malls, imbuing in him an entrepreneurial spirit. The teenage Land’s passion was mountain biking which he segued into his own bike courier company in Vancouver.

A chance encounter with a client inspired him to take up videography using the Panasonic tape camcorder DVX100. “I couldn’t go to film school because I was running my company and biking 100km a day, so I set up a bulletin board for help,” he says.

Read the full profile

Soundstage Access: Gwen Yates Whittle, Supervising Sound Editor

Brando Benetton
June 6, 2022
Soundstage Access

For this masterclass on the Art of Sound in film and TV, we welcome on the show Gwen Yates Whittle, a 2-time Oscar-nominated sound professional whose credits include this summer’s Jurassic World: Dominion, Saving Private Ryan, Top Gun: Maverick and the upcoming Avatar: The Way of the Water.

In today’s conversation, the Skywalker Sound member and I break down some of Hollywood’s biggest sound moments. We discuss Gwen’s beginning in the industry and why the prospect of sound editing intrigued her in ways that sound mixing never did; her relationship with detail-oriented directors like Steven Spielberg, James Cameron, and David Fincher (Fight Club, Panic Room, Zodiac, Benjamin Button, Gone Girl); the process of layering animal sounds to create the dinosaur voices in the Jurassic World franchise—as well as how the pandemic suddenly impacted Gwen’s work. All of this… and much more!

Gwen’s newest movies Jurassic World: Dominion and Top Gun: Maverick are now in theaters across the world, with Avatar: The Way of the Water opening in December 2022.

Listen to the podcast on:

Apple Podcasts
Spotify

Soundcloud
Google Podcasts
Stitcher

Soundstage Access on Facebook, Twitter, and Instagram.

Conversations with Sound Artists: Dialogue Editing and ADR with Gwen Whittle

Glenn Kiser, Director of the Dolby Institute
September 21, 2015
SoundWorks Collection / The Dolby Institute

Editing dialog and working with the original recordings from the set is one of the most under-appreciated arts in cinema sound. In this episode of “Conversations with Sound Artists,” two-time Academy Award nominee Gwen Yates Whittle talks with the Dolby Institute’s Glenn Kiser about why George Lucas thinks dialog editing is one of the most important parts of the process, why she loves working on low-budget independent films (“They talk more,”), and why David Fincher and Meryl Streep love doing ADR.

TIME 100 Most Influential People of 2022: Amanda Seyfried by David Fincher

Amanda Seyfried by Molly Matalon (The New York Times/Redux)

100 Most Influential People of 2022

David Fincher
May 23, 2022
TIME

When I lured Amanda Seyfried into Mank, her ability to be simultaneously knowing and warm opened that role to a (much) larger conversation than the script might have otherwise intimated. People may have thought of her as a rom-com-edienne, but she’s got a lot more going on under the hood. Including the rare ability to make one reassess one’s own imaginative shortcomings.

Read the full note on Amanda Seyfried by David Fincher

FilmLight Colour Awards: Eric Weidt with ‘Mank’

An interview with the winner for best colour grading in Theatrical Feature 2021

February 3, 2022
FilmLight

Presenting the winners of the FilmLight Colour Awards 2021.

Winner, Theatrical Feature: Eric Weidt, for ‘Mank

The award for the grading of a theatrical feature went to Eric Weidt, who worked with DoP Erik Messerschmidt on ‘Mank’. Shot on an 8K RED camera, the movie is striking for its 30s Hollywood look combined with the crystal-sharp resolution.

Weidt also talks about his projects with Fincher for 2022.

Watch the video on YouTube

Masters of Color: Eric Weidt

Cullen Kelly
December 2, 2021
Lowepost & Ravengrade

In this episode, we talk with director David Fincher’s favorite colorist Eric Weidt about the art and craft of color grading.

Eric has an incredible list of credits that includes Mank and Mindhunter. His works on these projects extend far beyond traditional tasks of color grading, incorporating complex look modeling and incredibly detailed adjustments on virtually every frame.

The techniques and insights he shares in this episode are unique and includes topics such as how to sculpt the viewers experience with textural and spatial tools, the lens treatment techniques used on Mindhunter, the process and swan curve treatment behind the day-for-night shots on Mank, advanced grain work and so much more.

This episode is sponsored by Pixelview, an industry standard and affordable streaming solution for editors and colorists.

Listen to the podcast:

Apple Podcasts
Spotify
Amazon Music
Google Podcasts
Lowepost (Premium membership videos)

I am Sitting in a Room, Listening to Mank

Cormac Donnelly
October 2021
Screenworks

This video essay examines the innovative use of sound recording and mixing in David Fincher’s Mank (2020). Whilst Mank received a limited theatrical release, the film is most widely available via the Netflix streaming platform. The essay takes as a starting point the rerecording and spatialisation of the soundtrack, with a focus on the home viewing experience. Donnelly argues that the re-recording process used on Mank’s soundtrack could potentially suggest a method by which films released into the domestic market could retain the reverberant sonic signature of cinematic exhibition. The published screenwork draws upon interviews with Fincher’s sound designer Ren Klyce, as well as the work of experimental composer, Alvin Lucier in order to better understand the experience of listening to Mank in our own rooms.

Watch the video essay and read the research statement

Read the original in-depth interview with Ren Klyce:

Making Mank’s Vintage Hollywood-Magic Sound

FilmLight Colour Awards Ceremony 2021

Daphné PolskiJacquie Loran
November 14, 2021
FilmLight

The winners of the first-ever FilmLight Colour Awards were announced at a special ceremony as part of EnergaCAMERIMAGE on Sunday, 14 November 2021.

The ceremony included a panel discussion with several of the winners in attendance and others joining in online, in a hybrid presentation watched live by many across the globe.

Eric Weidt‘s presentation on Mank starts at min. 43:36.

The Film Comment Podcast: The Mind Games of David Fincher

David Fincher by Michael Avedon

Devika Girish and Clinton Krute
November 23, 2021
Film Comment

This week’s conversation focuses in on David Fincher—a director whose decade-spanning body of gritty Americana—from the grim moral drama of Se7en to the revisionist Hollywood tale of the recent Mank—has inspired both obsessive fandom and derisive dismissal.

A new book by Adam NaymanDavid Fincher: Mind Games (out November 23 from Abrams Books), offers a canny and timely appraisal of the director’s filmography. Adam writes that, “Over the past thirty years, Fincher has cultivated and maintained a reputation that precedes him of formal rigor and technocratic exactitude, of moviemaking as a game of inches.” Film Comment editors Devika Girish and Clinton Krute invited Adam and critic, filmmaker, and former NYFF director, Kent Jones—who’s written about Fincher many times over the years in FC—for an illuminating deep-dive into the Fincherverse.

Listen to the podcast

Buy the book David Fincher: Mind Games. By Adam Nayman