Mank. An Original Screenplay by Jack Fincher

Jack Fincher (Author)

David Fincher’s Mank recreates 1930s Hollywood through the eyes of scathing wit and alcoholic screenwriter Herman J. Mankiewicz as he races to finish Citizen Kane. Starring Gary Oldman as Mankiewicz, Amanda Seyfried as Marion Davies, Charles Dance as William Randolph Hearst and Tom Burke as Orson Welles.

Formats

Imprint: Bloomsbury Academic
Publisher: Bloomsbury Publishing
Publication Date: July 29, 2021

PAPERBACK
Edition: 1st
Extent: 160 pages
ISBN: 9781350244856
Dimensions: 7 x 5 inches
BUY: UK, US, CA, AU

EBOOK (Epub & Mobi)
Edition: 1st
Extent: 160 pages
ISBN: 9781350244863
BUY: UK, US, CA, AU, IN

EBOOK (PDF)
Edition: 1st
Extent: 160 pages
ISBN: 9781350244894
BUY: UK, US, CA, AU, IN

Passion and Persistence: Bringing Mank From Script to Screen

SLM/Co-Producer Bill Doyle partners with director David Fincher to bring  Hollywood’s Golden Age to life

Shaun O’Banion
July 2021
LMGI Compass Magazine (Location Managers Guild)

Mank, director David Fincher’s much anticipated take on the behind-the-scenes drama that shaped the making of Citizen Kane, was released last November after a journey to get it made that began almost two decades ago.

Is there any reason to believe that a story about the making of a movie about the making of a movie is any less intriguing than that of its fabled subject?

In terms of finding classic locations in Los Angeles that have survived the moving hands of time, Fincher couldn’t have found a better guy for the job than LM William “Bill” Doyle/LMGI. L.A. is a classic example of a city in a near-constant state of reinvention, but despite the years, some amazing original sites still remain, and Doyle knows most of them.

“I’ve always loved reading about how cities develop,” Doyle says. “Understanding a city… How it was developed or why it was founded, how it was built and when it expanded… Knowing how these things happened can help you make sense of any city anywhere in the world when you’re looking for something specific.”

Read the full profile:

Location Managers Guild
LMGI Compass Magazine

Best Film Ever Podcast: Actor Sean Persaud

June 12, 2021
Best Film Ever (Twitter, Facebook, Instagram)

Catch Ian, Liam, Ellie, Ethan, and Georgia (who was only in about 90% fangirl mode) as we were lucky enough to sit down with an extremely talented actor, writer, and producer whose credits range from Mank to Shipwrecked Comedy to podcasting and even all the way to Cougar Town.  Revelations from the interview include:

  • Hearing how Sean got his start in Los Angeles
  • Sean talks about the development of the podcast he does with his sister, Sinead: Make Sean & Sinead Love Movie
  • Sean discussing the difference between being a producer on his own material and a day player on a big tv or film project
  • A small anecdote about what Gary Oldman is really like
  • Sean discusses his writing process and how it differs depending on the project
  • We learn about how to shoot in black and white
  • The BFE lot pitch their own film choices that most people hate but we can’t help but love
  • Sean reveals his best film ever and cuts down someone for hating a classic film
  • Whether Sean would turn down a call from Marvel boss, Kevin Feige
  • Pets on both side of the video call make their presence known
  • Sean teases a big announcement dropping for Shipwrecked Comedy on June 15th

Listen to the podcast:

Best Film Ever (PodBean)
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Subscribe to Shipwrecked Comedy at their YouTube page

Check out Sean Persaud on his new film review podcast (with his sister, Sinead)

The Last Looks Podcast: Bonus Oscar’s Special 2021. Mank

Jaime Leigh
April 11, 2021
The Last Looks Podcast (Facebook, Instagram, YouTube)

Bonus Episode: We speak with 2021’s Oscar Nominee’s Kimberley Spiteri & Colleen LaBaff about the Hair & Makeup work on the film Mank. Unfortunately the Makeup Designer Gigi Williams could not be with us for this interview.

This episode was brought to you by HASK Beauty.

Listen to the podcast:

The Last Looks Podcast
Apple Podcast

Spotify
YouTube

Because We Love Making Movies: Screenwriter Eric Roth

Eren Celeboglu
May 22, 2021
Because We Love Making Movies (InstagramFacebook)

Today, I sit down with legendary screenwriter Eric Roth.

We talk about his life and his craft and why we should all be more generous of spirit. Truth be told, Eric has been involved in creating so many iconic films that it would have been impossible to try… so I asked him about the films of his that meant the most to me, and he held court and digressed in the loveliest of ways. I hope you have as much fun listening as I did recording this interview. Enjoy! 

Eric’s credits include: The Nickel Ride, The Drowning Pool, The Onion Field, Forrest Gump (for which he won an Oscar), The Postman (for which he won a Razzie), The Horse Whisperer, and then one of my favorite films ever, The Insider, followed by Ali, Munich, The Good Shepherd, and The Curious Case of Benjamin Button. He’s also worked in Television, and seen not one but two sea changes, first with HBO, and then with Netflix and House of Cards. And much more recently he wrote A Star Is Born, Dune, and the new Western being Directed by Martin Scorsese, Killers of the Flower Moon. He was also a producer on the Oscar nominated Mank, directed by David Fincher, from a script by Fincher’s father.

Listen to the podcast:

Because We Love Making Movies
Apple Podcasts

Spotify

Because We Love Making Movies: Makeup Artist Gigi Williams

Eren Celeboglu
May 16, 2021
Because We Love Making Movies (InstagramFacebook)

Because We Love Making Movies is an ongoing conversation with filmmakers who work behind the scenes to make the movies we love. These are the invisible warriors we don’t think of: Production & Costume Designers, Cinematographers, Editors, Producers, and the whole family of artists who make movies with their hands and hearts.

Today I talk with Gigi Williams, an Oscar Nominated Makeup Artist, and longtime collaborator with the brilliant David Fincher. Her credits are very long, but to name a few: Rock N’ Roll High School, The Howling, The Professional, as well as Single Man, Argo, The Master & Inherent Vice, not to mention her work with Fincher: Gone Girl, Mindhunter, and now Mank.

We talk about going through doors in life when they open, how her craft is misunderstood, how she cherishes working with Actors, and how she doesn’t do personal makeup, she does the movie. We also talk about Gigi’s incredible beginnings in the New York fashion world before she became a Makeup-Artist, which included working with Andy Warhol & Diane Von Furstenberg… She’s had quite a journey, and she’s still on it. It’s an amazing talk so check it out and share!

Listen to the podcast:

Because We Love Making Movies
Apple Podcasts
Spotify

The Evolution of Immersive Content in Dolby

June 8, 2021
Dolby Professional (Dolby)

Conversation Markers:

00:00:00: Introduction
00:06:41: Conversation with Victoria Alonso, EVP, Production at Marvel Studios
00:22:51: Conversation with Peter Mavromates, Co-Producer of Mank
00:36:18: Conversation with Aaron Lovell, SVP of Post Production at Boardwalk Pictures
00:45:49: Conversation with Florian Schneider, Producer of Freaks: You’re One of Us, Stephan Kuch, Colorist at PANOPTIMO, Andreas Rudroff, Sound Mixer at Orange Sound Studio
00:58:31: Conversation with Jessie Schroeder, VP, Post Production at Pixar Animation Studios and Kori Rae, Producer at Pixar Animation Studios

Thanks to all of those that joined Dolby and our special industry guests as we discussed the evolution of entertainment and explored how world-renowned content creators are using Dolby technologies to expand their creative palette and empower immersive storytelling.

This PGA members-only event was the first in a series of events designed to both inspire and educate producers in film, television, and new media to create future-forward, immersive experiences in Dolby Vision and Dolby Atmos. We hope those who attended the live event found it valuable. For those who were unable to attend or would like to see it again we have provided a recording of the event.

Learn more on how to Produce your amazing content in Dolby

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Art Of The Frame Podcast: “Mank” Set Designer Cassidy Shipley

Damian Allen
June 2, 2021
Art Of The Frame Podcast (ProVideo Coalition)

The Art of the Frame Podcast brings in-depth conversations with the top creators of your favorite films and shows into your car, living room and beyond. In each episode, we talk with creators ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors, cinematographers, directors and more about their careers and about their work on some of the biggest films and TV shows of the year.

On todays episode of the Art of the Frame Podcast, Damian Allen talks with Cassidy Shipley about his work on the Oscar winning film “Mank.” Cassidy has had an illustrious career having worked as a set designer on films such as “La La Land”, and the upcoming film “Thor: Love and Thunder” as well as shows like “Mindhunter”, “Them” and the new Amazon series “Solos.”

Make sure to check out Cassidy’s full IMDb for more info about his career and head over to Amazon to watch “Solos!”

Todays episode of the Art of the Frame Podcast is brought to you by Filmtools.com, Hollywoods trusted one-stop shop for all things production and post.

Art Of The Frame Podcast is available on:

ProVideo Coalition
Apple Podcasts
Spotify
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If you like the podcast, make sure to subscribe on your favorite podcast app and tell a friend.

Creative COW with Erik Messerschmidt: A Labor of Light

Brie Clayton
May 14, 2021
Creative COW

Mank could have easily been a parody of old school Hollywood, but Erik Messerschmidt and David Fincher weren’t going to let that happen. They went for broke on thoroughly reproduced sets, meticulous lighting, smoke filled offices, energetic conversations, and characters that breathe.

Once Mank opens its first scene, the scenery and intelligent dialogue make it hard to look away. As much as I thought I knew about San Simeon, having grown up ten minutes away from Hearst Castle, it was exciting to look into the bygone era when this California location was a lively hotbed of social chemistry, and parties, and movie creation, rather than just a stale museum where no one can touch the furniture.

When preparing to speak with Erik Messerschmidt, I would almost get lost working back through the layers of filmmakers contributing to this story. Mank pays homage to the legend Gregg Toland’s game-changing eye for cinematography. The dynamism between Toland, Orson Welles and the writer Herman J. Mankiewicz would be recrafted 80 years later by this modern team of David Fincher and Erik Messerschmidt, with Jack Fincher writing the screenplay.

In mid April 2021 Erik Messerschmidt took the ASC Award for Outstanding Cinematography, and then in May, deservedly, the Best Achievement in Cinematography Oscar for his lensing of the period piece Mank.

Despite his youthful appearance, Erik’s film career has already spanned decades, working his way up through the ranks as a grip, an electrician, and a number of years as a gaffer. Some of his gaffer work included Gone Girl, as well as DP on Mindhunter, with Fincher, further developing that relationship till the day when David asked Erik if he wanted to shoot this next project, Mank, and Erik said “Of course I want to shoot the movie!”

Mank, Erik’s first cinematography role outside of television, his first movie as DP, has won multiple awards this year. What kind of heavenly dream must that be for any cinematographer? Who hits a grand slam at their first baseball game?

Read the full interview

‘Mank’ & David Fincher: From the Quest for Truth to a Deeper Humanity

A perspective on the latest film in the director’s filmography.

Andrew Sidhom
May 8, 2021
Frame Rated

Warning: This article spoils the ending of Mank.

There’s little doubt that David Fincher and many of the characters he’s interested in — detectives, investigative journalists, screenwriters — are concerned with the search for truth. A point repeatedly raised is how attainable truth really is. What if, asks Zodiac (2007), at the end of years of research, the truth remains, and will always remain, out of reach? What if, in The Social Network (2010), we approach the truth of the main character’s motivations by way of a variety of angles, depositions, and second-hand accounts, but leave significant gaps in that truth that linger beyond the final frame? What would be the effect on audiences? The concern with truth and with the lack of it runs through so much of the director’s work.

From that concern with attainability of truth, the negative inference that might follow when watching these films is that we can’t hope to know a great deal about anything or anyone. In highlighting people who are grasping in the dark and who, as a result, see their obsessive or destructive sides come out, Fincher’s films can be troubling. But they’re also too rich to stay at that.

What I propose in this piece is a different angle through which we can approach the question of truth — one I find more interesting, that emerges with just as much clarity from Fincher’s work, and that can give rise to a more positive perspective on these issues. It’s not a question of finding easy uplift, but the wrestled and difficult kind of move towards positive meaning that I think these works warrant.

Read the full essay