Eric Weidt has worked as a Colorist on impressive projects such as Mindhunter and Mank. He spent 15 years in Paris working with fashion photographers and filmmakers (developing look-up tables) and has a BA in theatre arts.
Eric has worked exclusively with director David Fincher since 2015. We delve into his relationship with the famous director and explore his process for his incredible Black & White work in the motion picture ‘Mank’. We even talk about the one film he would watch if he only had one choice (stuck on a desert island with electricity).
Eric Weidt: “I’m remastering some of his old classics right now. Like, I remastered The Social Network [in 4K], I’m in the process of remastering Panic Room, and I’m also just starting on Seven“.
Life in the Credits is an educational podcast where hosts Susan Swarner and Ben Blohm learn about the entertainment industry from the people who work in it. They discuss the guest’s career, a feature film, and play a game. For anyone who dreams of working on movies, wants to learn about film-making, or loves watching shows.
Danny González, Gaffer, joins Susan and Ben to discuss Mank, a 2020 biographical drama. Danny shares what it’s like having a career in the lighting department for movies, TV, and commercials. He discusses the process of building a lighting design for a show, the difference between lighting on a sound stage versus on location, executing a particularly difficult scene on the set of Devotion, and filming on Hawaii on the deck of Queen Anne’s Revenge from Pirates of the Caribbean: On Stranger Tides during a huge storm. We also get a behind-the-scenes look into Danny’s work on the Oscar-winning film Mank. Danny plays our “Fincher’s Familiar Films” game.
The immense director David Fincher granted us a 90-minute exclusive interview with Mouloud Achour. This new Clique X is a masterclass from the American genius about the secrets of his filmography that has become so emblematic over the years: Seven, Fight Club, Zodiac, The Social Network…
After making his name creating iconic music videos for some of the biggest pop stars of the 20th Century, including George Michael, Madonna,and Michael Jackson, David Fincher made his feature film debut to mixed results, directing the third installment in the Alien series in 1992. Our celebration of this exacting filmmaker’s work begins with the film that came next, Se7en (1995), an unforgettable serial killer horror whose influence in style and tone is still felt across film and TV today.
Fincher’s subsequent films have made him one of the most sought-after and critically acclaimed (and occasionally divisive) directors working today. With his new film The Killer, starring Michael Fassbender and Tilda Swinton, scheduled for release in late 2023, we are delighted to offer audiences a chance to dive into Fincher’s dark world on the big screen through March and April at GFT. The season includes several screenings on 35mm, our first chance to screen Fincher’s Oscar-winning Covid-era release Mank, and a special discussion around one of his most enduringly beloved and controversial films entitled ‘Yes, We Are Going to Talk About Fight Club’.
Se7en: 15 – 19 March Fight Club: 21 March – 26 March + panel discussion Panic Room: 5 April Zodiac: 29 March – 2 April The Curious Benjamin Button: 9 – 10 April The Girl with the Dragon Tattoo: 23 April The Social Network: 16 – 19 April Gone Girl: 26 April Mank: 30 April – 3 May
CineMasters: David Fincher Ticket deal
Buy tickets to 6 or more different titles in the season and get one of those tickets free. Add all tickets in one transaction and the discount will be automatically applied to your basket at checkout.
The critically acclaimed score for David Fincher‘s Mank from Academy Award™ winners Trent Reznor & Atticus Ross. Featuring 90 minutes of new compositions in the style of orchestral, big band, and foxtrot music of the 1940s.
3xLP pressed on 180-gram vinyl in a deluxe hinged box set. Foil-stamped canvas spine.
Tracklist
Side A 1. Welcome to Victorville 2. Trapped! 3. All This Time 4. Enter Menace 5. First Dictation 6. A Fool’s Paradise 7. Once More unto The Breach 8. About Something 9. Glendale Station 10. What’s at Stake? 11. Every Thing You Do
Side B 12. Cowboys and Indians 13. Presumed Lost 14. (If Only You Could) Save Me 15. Means of Escape 16. All This Time (A White Parasol) 17. M.G.M. 18. A Respectable Bribe 19. I, Governor of California 20. A Leaden Silence 21. San Simeon Waltz 22. Time Running Out
Side C 23. Mank-Heim 24. Lend Me A Buck? 25. You Wanted to See Me? 26. In Your Arms Again 27. The Dark Night of The Soul 28. Clouds Gather 29. Way Back When 30. An Idea Takes Hold 31. Marion’s Exit 32. Absolution
Side D 33. Scenes from Election Night 34. Election Night-Mare 35. All This Time (Dance Interrupted) 36. All This Time (Victorious) 37. I’m Eve 38. A Rare Bird 39. Look at What We Did 40. Menace Returns 41. Forgive Me 42. Final Regards 43. Where Else Would I Be?
Side E
44. The Organ Grinder 45. All This Time (Not No More) 46. Costume Party 47. Dulcinea 48. Shoot-Out at The Ok Corral 49. The Organ Grinder’s Monkey 50. An Act of Purging Violence 51. All This Time (Happily Ever After) 52. A Rare Bird (Reprise)
El director de fotografía Erik Messerschmidt, ASC, habla sobre su trabajo en Devotion (J. D. Dillard, 2022), Mank (2020), y la serie de TV Mindhunter (2017, 2019).
Entrevista en inglés con interpretación simultanea al español.
Director of Photography Erik Messerschmidt, ASC, talks about his work on Devotion (J. D. Dillard, 2022), Mank (2020), and the TV series Mindhunter (2017, 2019).
Interview in English with simultaneous interpretation to Spanish.
Durante el MicroSalón Madrid 2022 tuvimos la oportunidad de charlar con el invitado especial de la AEC, el director de fotografía Erik Messerschmidt ASC.
Os ofrecemos la conversación que mantuvo con Julio Gómez (al que hemos cortado porque no le pusimos micro) sobre sus trabajos con David Fincher (“Mank“, “Mindhunter“) y también trabajaos recientes en colaboración con Dana Gonzáles, como “Fargo” o “Legión“.
Entrevista filmada y montada por Juan Esparza Cevallos para Camera & Light.
Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan of OWL BOT. Each episode dives into the respective DP’s current and past work, as well as what influences and inspires them. These discussions are an entertaining and informative look into the world of making films through the lens of the people who shoot them.
In this episode, Kenny talks with cinematographer Erik Messerschmidt, ASC, about the new film “Devotion.” Erik has had a very interesting career including work on series such as “Mindhunter”, “Legion”, “Fargo” and as the DP of “Mank” for which he won an Oscar.
Frame & Reference is supported by:
Filmtools, the West Coast’s leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs.
ProVideo Coalition, a top news and reviews site focusing on all things production and post coming out of the industry.
Entrevistamos a Erik Messerschmidt, director de fotografía estadounidense, en el marco del evento MicroSalón AEC, con sede en Madrid. Messerschmidt es habitual colaborador del cineasta David Fincher y obtuvo un premio Óscar a la mejor fotografía por Mank.
Me gustaría preguntarte si consideras que el cine proviene de la fotografía, si te parece que el cine proporciona movimiento a las fotografías o si proviene de una transformación técnica más compleja.
Es una gran pregunta. Creo que el cine es storytelling extendido en el tiempo. Es esculpir en el tiempo, como decía Tarkovski. La fotografía tiene que ver con la historia de un momento singular. El cine manipula y hace progresar el tiempo. Tiene más en común con la literatura y los sueños que con la fotografía.
Award-winning director of photography Erik Messerschmidt, ASC has a natural eye for arresting and spellbinding images, thriving in a role that allows him to combine his love of art, craft and science. Recently, he lensed Devotion for director J.D. Dillard, based on the real-life story of a Black naval officer who befriends a white naval officer during the Korean War, with both becoming heroes for their selfless acts of bravery.
He also finished shooting Michael Mann’s biographical film Ferrari, starring Adam Driver, Shailene Woodley, and Penélope Cruz, and David Fincher’s The Killer, starring Michael Fassbender and Tilda Swinton.
Previously, Messerschmidt shot Fincher’s passion project Mank, chronicling the screenwriter Herman Mankiewicz’s turbulent journey to write Citizen Kane alongside Orson Welles. Messerschmidt’s meticulous and striking black and white recreation of the period’s aesthetic earned him the Academy Award for Best Cinematography, an ASC Award for Outstanding Cinematography in a Feature Film, a BSC Award for Best Cinematography in a Theatrical Feature Release, a BAFTA Award nomination for Best Cinematography, as well as Best Cinematography award nominations from the San Francisco Bay Area Film Critics Circle, the Broadcast Film Critics Association Critics Choice, and the Alliance of Women Film Journalists.
In addition, Messerschmidt co-lensed several episodes of the HBO Max original series Raised by Wolves from producer Ridley Scott. He also shot the first and second seasons of Fincher’s hit thriller series Mindhunter for Netflix, earning a 2020 Emmy Award nomination for Outstanding Cinematography for a Single-Camera Series (one-hour) for episode 206.
With a background in the fine arts world, Messerschmidt honed his skills while working with such renowned cinematographers such as Dariusz Wolski, ASC, Jeff Cronenweth, ASC, Phedon Papamichael, ASC, Claudio Miranda, ASC, and Greig Fraser, ASC. Messerschmidt now lives in Los Angeles and is a member of IATSE Local 600. He is represented by DDA.
The Fincher Analyst 