Emmy-winning animated anthology LOVE DEATH + ROBOTS returns with a third volume executive produced by Tim Miller (Deadpool, Terminator: Dark Fate) and David Fincher (MINDHUNTER, Mank). Terror, imagination and beauty combine in nine new episodes which stretch from uncovering an ancient evil to a comedic apocalypse, telling startling short stories of fantasy, horror and science-fiction with trademark wit and visual invention.
Director: David Prior Screenwriter: Sasha Stone Producers: David Prior and Sasha Stone Director of Photography: Martim Vian Editor: Keith Clark Production Designer: P.L. Jackson Cast: Eva Wild, Olive Bernadette Hoffman, Shannon Hayes, Molly Ann Grotha, Tea Jo Raza
102. Ethics of Revenge
Directors: Taylor Ramos and Tony Zhou Screenwriters: Taylor Ramos and Tony Zhou Producers: Taylor Ramos and Tony Zhou, and Nach Dudsdeemaytha Director of Photography: Alfonso Chin and Martim Vian
103. But I Don’t Like Him
Director: David Prior Screenwriter: Drew McWeeny Producers: David Prior and Drew McWeeny Director of Photography: Martim Vian
Otherworlds, naked giants and robots-gone-wild clash in this anthology of adult animated stories executive produced by Tim Miller, David Fincher, Jennifer Miller, and Joshua Donen.
LOVE DEATH + ROBOTS is a blast of the future with its roots deep in the past. Show creator Tim Miller teamed up with director David Fincher after years of wanting to make adult animated features and short films at his animation house Blur Studio.
When his directorial debut Deadpool hit big, they saw their opportunity and the anthology series found a natural home at Netflix. “We couldn’t have been happier at the response to the show,” recalls Miller, of the excitement around season one and the appetite for more. “It was exactly the kind of passionate reception from animation fans David and I hoped for, but for many long years had been told wouldn’t happen.”
For season two Miller was joined by Jennifer Yuh Nelson as Supervising Director. The Oscar-nominated director has vast animation experience – having worked in the industry for years and helmed Kung Fu Panda 2 and 3. Together they sought talented and diverse animation directors from around the world, for a blend of styles and stories ranging from violent comedy to existential philosophy. “It’s a tonal and stylistic Jenga game,” says Jennifer Yuh Nelson, “Trying to figure out which director might best handle what story.”
One of his most-repeated wisecracks originated at a dinner party hosted by Arthur Hornblow Jr., a cultured and talented producer so sophisticated that he and Myrna Loy celebrated their divorce with a party at the Mocambo nightclub. The elegant Hornblow was known for lavishing care on his food and wine, but on that occasion, Herman drank so much that he had to bolt from the table to vomit. “Don’t worry, Arthur,” he airily told his host afterward. “The white wine came up with the fish.”
Amanda Seyfried Lily Collins – Arliss Howard Tom Pelphrey – Sam Troughton – Ferdinand Kingsley Tuppence Middleton – Tom Burke – Joseph Cross Jamie McShane – Toby Leonard Moore – Monika Gossmann and Charles Dance
Casting by Laray Mayfield Sound Supervised by Ren Klyce Music by Trent Reznor & Atticus Ross Gowns and Costumes by Trish Summerville Film Edited by Kirk Baxter, A.C.E. Production Designed by Donald Graham Burt Photographed in Hi-Dynamic Range by Erik Messerschmidt, ASC Produced by Ceán Chaffin, Eric Roth, Douglas Urbanski Screen Play by Jack Fincher Directed by David Fincher
MPPDA – Recorded in Mon((o))scape – I.A.T.S.E. – Rated R. Some Language
Actors, producers, models, and other artists share, encourage, and reveal their professional experiences, failures, accomplishments and authentic selves.
‘Mindhunter‘ still & behind-the-scenes photographer, Miles Crist, shares his incredible path from knowing the right person at the right time to winning the 8-month job of photographing BTS of ‘Mindhunter‘ for Netflix, jumping from Columbia to Art Center, the demanding surprises of the profession, his passion for films, learning from David Fincher, and working for him again this winter.
Sentient Dairy Products, Rogue Werewolf Soldiers, Robots Gone Wild, Sexy Cyborgs, Alien Spiders And Blood-thirsty Demons From Hell Converge In An 185-minute Genre Orgy Of Stories Not Suitable For The Mainstream.
This spring, 18 animated short stories presented by Tim Miller (Deadpool, upcoming untitled Terminator sequel) and David Fincher (MINDHUNTER, Gone Girl, House of Cards) land on Netflix in it’s first ever animated adult anthology series. Love Death and Robots premieres March 15th only on Netflix.
The full roster of stories will cover a variety of adult topics including racism, government, war, free will, and human nature. The anthology collection spans the science fiction, fantasy, horror and comedy genres and each short has a unique animation style: from traditional 2D to photo-real 3D CGI. The creators were assembled for a global calling for best in class animators from all over the world including artists from France, Korea, Hungary, Canada and the US among others. The series draws inspiration from the eclectic and provocative comic book material from the 1970’s that influenced both Miller’s and Fincher’s formative interests in storytelling.
A craftsman with a camera and an artist with a vision. Frank W Ockenfels 3 takes us through his detailed story of his close relationship with the late David Bowie. A master of light and one of the industry’s most prolific photographers, this is ‘Magic Hour.’
Click for a full screen view:
The Curious Case of Benjamin Button (Design by P+A / Mojo, Photography by Frank Ockenfels 3)
The Social Network (Design by Neil Kellerhouse, Photography by Frank Ockenfels 3)
The Social Network (Frank Ockenfels 3)
The Social Network (Design by Neil Kellerhouse, Photography by Frank Ockenfels 3)
The Social Network (Frank Ockenfels 3)
2011-02-09. The Hollywood Reporter (Photography by Frank Ockenfels 3)
2011-02-09. The Hollywood Reporter (Photography by Frank Ockenfels 3)
2011-02-09. The Hollywood Reporter (Photography by Frank Ockenfels 3)
2011-02-09. The Hollywood Reporter (Photography by Frank Ockenfels 3)
Joe Fleming is a motion designer and animator based in New Orleans, LA. Originally from Omaha, NE, Joe has always had a passion for art and design. He developed his craft while studying Graphic Design at Loyola University in New Orleans. He fell in love with the city and its rich creative scene. While working with clients and colleagues from around the world, he is able to draw from their unique styles and techniques.
The Fincher Analyst 