Rick Baker’s Cinovation Studios deliver the aged Brad Pitt silicone heads by Kazu Hiro to Digital Domain to be digitally scanned. Top center: Kazu Hiro and Rick Baker. Top right: Eric Barba, Visual Effects Supervisor for Digital Domain (Kazu Hiro, 2006)
Sculptor and Special Make-Up Effects Artist Kazu Hiro (Make-Up Artist Magazine, 2018)
Are computer generated visual effects really ruining movies?
We believe that the reason we think all CG looks bad is because we only see “bad” CG. Fantastic, beautiful, and wonderfully executed CG is everywhere – you just don’t know it. Truly great visual effects serve story and character – and in doing so are, by their very definition, invisible.
Written and Narrated by Freddie Wong
Edited by Joey Scoma
Assistant Editor – Joshan Smith
ALIEN 3 celebrates its 25th anniversary this month, and to celebrate we present this gem from deep within the VHS vault–footage from the prep and rehearsals of the Bishop puppet shoot complete with direction from David Fincher. Despite the aged quality of the video, it’s still an interesting watch demonstrating the collaboration between director and effects crew on set.
As the 25th Anniversary of ALIEN 3 approaches, we could not ignore our contribution to the film’s title character: the Alien itself. Through the miracle of VHS and exclusive photographs, ADI takes you back to that year of hard work at Pinewood Studios. Enjoy the retrospective!
For Gone Girl’s memorable sex scene — its climax ending in a pool of blood — Neil Patrick Harris and Rosamund Pike spent a whole afternoon working through the scene with the “exacting” director David Fincher and, at one point, with Ben Affleck looking on. “[Fincher] was asking us to have unbridled sex — and my character is really into her so is very overwhelmed with — with great precision,” Harris said. He broke down the scene in a conversation at Vulture Festival, moment to moment: “We were just rehearsing porn for hours.”
Neil Patrick Harris Bares All About His Sex Scenes