The Creator of Netflix’s ‘Mindhunter’ Is Already Thinking Past Season 2

“We’re working as fast as we can,” Joe Penhall tells Inverse.

Jake Kleinman
January 17, 2019
Inverse

Joe Penhall has been keeping busy. In between researching and writing Mindhunter Season 2, he also had time to pen King of Thieves, a new movie out next week about a group of elderly British burglars. But we couldn’t resist asking about his hit Netflix show, and, in an interview, Penhall tells Inverse approximately when we can expect Mindhunter Season 2 to arrive along with his plans for Season 3 and beyond. (Listen to the interview in the video above, if you can stand the sound of my rapid note-taking throughout.)

You might think that, as series creator, Penhall would be heavily involved with the editing process, but once filming wrapped in December 2018 he was essentially finished with Mindhunter Season 2.

“The editing process is quiet for me because David Fincher locks himself away and doesn’t really want to share with anybody,” Penhall says. “And I don’t particularly need to see things half finished.”

He added that Season 1 took about “6 months of 8 months” to edit, suggesting that Mindhunter Season 2 could see a similar timeline, only faster.

“We’re working as fast as we can,” he says. “There’s only eight episodes in this one [down from 10 in Season 1]. So he doesn’t have quite as much to do.”

Read the full profile and listen to the interview

When will Mindhunter season 2 be released? Here is what its creator told us

Joe Penhall also talks Charles Manson, his 5 season plan and admits he almost passed out at FBI’s museum of death.

Gregory Wakeman
January 22, 2019
Metro (US)

Mindhunter creator Joe Penhall is hopeful that the second season of the Netflix show will be released by the end of 2019, although he admits that all depends on director David Fincher.

Shooting on Mindhunter season 2 finished “about a month ago,” but when it comes to its release date Penhall says, “I don’t know because that’s always up to David. He kind of goes into editing and he doesn’t talk to anybody until he comes out again.”

“I would hope that would be by the end of this year but I just don’t really know. Yeah and he’s a rule breaker and he wants to do it on his own with his own schedule.”

Read the full profile

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Fincherphilia & Beyond

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Just a small sample of all the precious filmic resources bestowed by Cinephilia & Beyond:

1993. Alien3 01

Alien3: “Take all of the responsibility, because you’re going to get all of the blame”

1995. Se7en

Se7en: A Rain-Drenched, Somber, Gut-Wrenching Thriller that Restored David Fincher’s Faith in Filmmaking

1995. The Game

Downwards Is the Only Way Forwards: Welcome to David Fincher’s The Game

1999. Fight Club

Fight Club: David Fincher’s Stylish Exploration of Modern-Day Man’s Estrangement and Disillusionment

2007. Zodiac

Fincher’s Zodiac As Easily One Of The Best Thrillers Of The Millennium So Far

1982. David Fincher at ILM

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Zodiac

Steven Benedict
October 28, 2018

When a film breaks with tradition, it is often rejected by audiences. Which may be why Zodiac was not recognised as the groundbreaking masterpiece it is.

Listen to the podcast

More David Fincher related podcasts and video essays by Steven Benedict:

Se7en
Credits
Fight Club
The Social Network
House of Cards
Gone Girl

Other mentions

In Conversation with Jennifer Haley, Writer (Mindhunter)

Jennifer Haley (Peter Konerko)

 

Pop Culture Confidential. Episode 90: Jennifer Haley – Writer, Mindhunter

2018. Pop Culture Confidential (Podcast)

Christina Jeurling Birro
November 29, 2017
Pop Culture Confidential

Thrilling, dark, gripping and tense are just some of the words used to describe the hit Netflix series Mindhunter. Playwright Jennifer Haley is a writer and co-producer on the series, and joins us this week to share her experience getting into the minds of FBI agents and serial killers.

Mindhunter is a meticulously paced crime drama based on the writings of the pioneering serial killer profiler John E Douglas. Along with his team, they interviewed the likes of Ted Bundy, Charles Manson, and Ed Kemper during the seventies and eighties which resulted in a redefining of criminal profiling forever.

The series has wonderful casting, beautiful cinematography, and some of the creepiest conversations you will hear this year. Lead by David Fincher who is Executive Producer and director of four of the episodes, the writers on Mindhunter have delivered an amazing array of characters.

 

L.A. Not So Confidential. S1 Ep. 4: Writing Minds – Jennifer Haley Interview

2018. L.A. Not So Confidential (Podcast).jpg

Dr. Scott & Dr. Shiloh
December 3, 2017
L.A. Not So Confidential

Forensic psychologists, Dr. Scott and Dr. Shiloh, interview award-winning playwright Jennifer Haley who was a writer on Season 1 of Netflix‘s 2017 hit Mindhunter. In their first interview episode, they dive into the excitement and obstacles of bringing John Douglas‘ book to life and dish on several story arcs that leave us not-so-patiently waiting for Season 2! What’s with Wendy and that cat? Will there be a musical episode to see Jonathon Groff in action?

Listen to the full interview

L.A. Not So Confidential: S1 Ep. 3: Hunting Minds

Dr. Shiloh and Dr. Scott dissect their new favorite show, Netflix’s Mindhunter, and compare their own first experiences interviewing and working with the criminal population.

 

2012. Jennifer Haley - The NetherJennifer Haley .com

Cameron Britton on Channeling the “Intellectual Creepiness” of a Real-Life Serial Killer

Patrick Harbron / Netflix

The Netflix series’ breakout guest actor reveals what it took to pull off his haunting performance as the murderous Ed Kemper (hint: lots and lots of director David Fincher’s infamous takes).

Daniel Fienberg
August 17, 2018
The Hollywood Reporter

You can’t always pinpoint exactly the moment when a show makes its big qualitative leap, but with Netflix‘s Mindhunter, it’s easy. Holden Ford (Jonathan Groff), an FBI agent experiencing frustration at his colleagues’ antiquated approach to murder investigation, goes to prison to visit a notorious killer and comes face-to-face with Ed Kemper (Cameron Britton).

Towering in stature, soft-spoken, viewing the world inquisitively through thick glasses, Kemper is intellectually vicious, yet unfailingly polite. By the end of one 10-minute conversation, we understand completely why Holden has been pulled into Kemper’s gravity and how this giant has instantly transformed his worldview.

It’s a show-changing character and a career-changing performance for Britton, making his first major TV role and earning his first career Emmy nomination. The actor talked with The Hollywood Reporter about his approach to the real-life killer, director David Fincher‘s notoriously exacting standards and more.

Read the full interview

 

Meet Your Nominee: Cameron Britton on ‘Mindhunter’s’ Lone Emmy Nomination & Future of The Show

The Hollywood Reporter (YouTube)
August 7, 2018

2018 ‘Mindhunter‘ star and the show’s only Emmy nominee, Cameron Britton, joins THR for Meet Your Nominee!

 

Cameron Britton (‘Mindhunter’): It was difficult to get into the mind of a killer

Gold Derby (YouTube)
August 6, 2018

Cameron Britton (‘Mindhunter’) chats with Gold Derby editor Daniel Montgomery: It was difficult to get into the mind of a killer, and to get out of it.

Complete Interview Transcript

 

How Ice Cream and The Beatles Helped Cameron Britton Destroy a Killer

TV Guide (YouTube)
August 15, 2018

Mindhunter’s Cameron Britton tells us how he was able to get into the mind of serial killer Ed Kemper, the toll it took on him, and how he ultimately got him out of his system.

 

Emmy-Nominee Cameron Britton On Becoming Ed Kemper In ‘Mindhunter’

Mindhunter‘s Cameron Britton talks to Awards Daily about how he became serial killer Ed Kemper, how the role impacted his life, and what his Emmy nomination means to him.

Clarence Moye
August 20, 2018
Awards Daily

Cameron Britton is having a very, very good year.

When Netflix’s Mindhunter premiered last fall, critics and audiences alike approached the dramatic series with respect and awe, thanks to the influence of the great director David Fincher. But everyone, literally everyone, was talking about Cameron Britton. His take on infamous serial killer Edmund Kemper captivated audiences. If you were talking about Mindhunter, then you were talking about Cameron Britton’s brilliant performance.

Here, Cameron talks to Awards Daily about how he wrestled with Edmund Kemper. He dove so deeply into Kemper that it took time to exorcise the role from his system. He also talks about what the role meant for his career and how he prepped for it by running lines with his close friends. It’s a fascinating conversation with an actor clearly on the rise in Hollywood.

Listen to the full interview

Colorist Podcast: Ian Vertovec, from Light Iron

2018-01-16 Colorist Podcast - Episode 20. Ian Vertovec

Episode 20

January 16, 2018
Colorist Podcast

This episode is sponsored by Colorist Society International and Mixing Light.

On this episode of the colorist podcast, I talk with Ian Vertovec, Co-Founder, and Senior Colorist at Light Iron.

Ian has colored major films “The Social Network,” “The Girl with the Dragon Tattoo,” and “Gone Girl.” And more recently, he has colored the TV shows “Baskets” for FX and “Glow” on Netflix.

Originally from Chicago, Ian focused on photography, then moved on to digital compositing. He later co-founded two post facilities in Los Angeles: Plaster City, then Light Iron. Out of necessity, he moved on to color at his company. He found his combination of photography and compositing matched perfectly for a career as a colorist.

In this podcast, we talk about:

  • Coloring David Fincher films and working with extremely dark images
  • The challenges of working on VFX heavy projects
  • Making HDR look both cinematic and realistic
  • Advantages of working with high-end systems like Quantel Pablo
  • The difference between working on TV and films
  • How experience with compositing served him as a colorist
  • Bringing life to images using texture
  • Using film emulation LUTs in his workflow
  • Comparing different cameras as a colorist
  • Using ACES in a color managed workflow
  • Keeping grades simple, clean, and efficient

Listen to the interview

Tech Media Planet: The Social Network

Episode 22

December 6, 2010
Tech Media Planet

Colorist Ian Vertovec from Light Iron Digital takes us through the ins and outs of color grading one of this year’s biggest hit films “The Social Network”.

Listen to the interview

Dolby: Ian Vertovec and Michael Cioni, from Light Iron

September 2, 2011
Dolby (YouTube)

Playlist:

Thanks to Joe Frady

Asif Kapadia on the music of Mindhunter, Amy and Senna

2018-02-09 Soundtracking with Edith Bowman (Audioboom) - Episode 76. Asif Kapadia on The Music of Mindhunter, Amy and Senna

Edith Bowman
February 9, 2018
Soundtracking with Edith Bowman (Audioboom)

Another week, another Oscar winner chats to Soundtracking in partnership with the EE BAFTAs.

These days, the quality and quantity of original programming on streaming services is quite astounding – with A-list talent delivering high-class drama time and time again.

One of Netflix‘s standout series of 2017 was Mindhunter. Overseen by David Fincher, it tells the story of how the FBI’s profiling unit came into being in the 1970s. By turns dark, funny, moving, cool and brutal, it also makes great use of contemporary pop & rock.

So it’s with great pleasure that we welcome Asif Kapadia to the show, who directed two episodes of the first season.

Asif has won numerous awards for The Warrior, Senna and Amy, with the latter scooping the Oscar for Best Documentary. There will, of course, be plenty of examples of Amy Winehouse‘s music throughout the course of the conversation, as well as composer Antonio Pinto‘s work on both Amy and Senna.

The “FINCHER App”