Colorist Podcast: Ian Vertovec, from Light Iron

2018-01-16 Colorist Podcast - Episode 20. Ian Vertovec

Episode 20

January 16, 2018
Colorist Podcast

This episode is sponsored by Colorist Society International and Mixing Light.

On this episode of the colorist podcast, I talk with Ian Vertovec, Co-Founder, and Senior Colorist at Light Iron.

Ian has colored major films “The Social Network,” “The Girl with the Dragon Tattoo,” and “Gone Girl.” And more recently, he has colored the TV shows “Baskets” for FX and “Glow” on Netflix.

Originally from Chicago, Ian focused on photography, then moved on to digital compositing. He later co-founded two post facilities in Los Angeles: Plaster City, then Light Iron. Out of necessity, he moved on to color at his company. He found his combination of photography and compositing matched perfectly for a career as a colorist.

In this podcast, we talk about:

  • Coloring David Fincher films and working with extremely dark images
  • The challenges of working on VFX heavy projects
  • Making HDR look both cinematic and realistic
  • Advantages of working with high-end systems like Quantel Pablo
  • The difference between working on TV and films
  • How experience with compositing served him as a colorist
  • Bringing life to images using texture
  • Using film emulation LUTs in his workflow
  • Comparing different cameras as a colorist
  • Using ACES in a color managed workflow
  • Keeping grades simple, clean, and efficient

Listen to the interview

Tech Media Planet: The Social Network

Episode 22

December 6, 2010
Tech Media Planet

Colorist Ian Vertovec from Light Iron Digital takes us through the ins and outs of color grading one of this year’s biggest hit films “The Social Network”.

Listen to the interview

Dolby: Ian Vertovec and Michael Cioni, from Light Iron

September 2, 2011
Dolby (YouTube)

Playlist:

Thanks to Joe Frady

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Asif Kapadia on the music of Mindhunter, Amy and Senna

2018-02-09 Soundtracking with Edith Bowman (Audioboom) - Episode 76. Asif Kapadia on The Music of Mindhunter, Amy and Senna

Edith Bowman
February 9, 2018
Soundtracking with Edith Bowman (Audioboom)

Another week, another Oscar winner chats to Soundtracking in partnership with the EE BAFTAs.

These days, the quality and quantity of original programming on streaming services is quite astounding – with A-list talent delivering high-class drama time and time again.

One of Netflix‘s standout series of 2017 was Mindhunter. Overseen by David Fincher, it tells the story of how the FBI’s profiling unit came into being in the 1970s. By turns dark, funny, moving, cool and brutal, it also makes great use of contemporary pop & rock.

So it’s with great pleasure that we welcome Asif Kapadia to the show, who directed two episodes of the first season.

Asif has won numerous awards for The Warrior, Senna and Amy, with the latter scooping the Oscar for Best Documentary. There will, of course, be plenty of examples of Amy Winehouse‘s music throughout the course of the conversation, as well as composer Antonio Pinto‘s work on both Amy and Senna.

The “FINCHER App”

Interview with Alec Gillis and Tom Woodruff, Jr. of Studio ADI

JM Prater
January 15, 2018
Perfect Organism: The Alien Saga Podcast

As Alien fans, we’ve become used to change. Different directors; different scripts; different planets; different eras; different timelines; even different film studios. With everything so constantly in flux, it’s easy to forget that Alec Gillis and Tom Woodruff, Jr. have been there since nearly the very beginning. From their pioneering work on Aliens, to the foundation of the legendary Amalgamated Dynamics, Inc., Gillis and Woodruff have been at the vanguard of the effects industry for more than three decades.

In this exclusive, unprecedented interview, our very own JM Prater visited Gillis and Woodruff at Studio ADI in Hollywood for a sit-down conversation about their love for the Alien Saga, their relationships with the fans, and much, much more.

Listen to the full interview (01:18:40)

Mindhunter director Asif Kapadia on Ed Kemper and learning David Fincher’s style

Christopher Hooton
Nov 6, 2017
Kernels (Independent)

How do films make you feel? The Independent gets personal about cinema and TV with actors, directors, cinematographers and other people from the continually evolving world of “content” in a new fortnightly podcast hosted by Culture Editor Christopher Hooton.

Netflix‘s new original series Mindhunter has enrapt a legion of viewers with its smart, reserved style. Chris sits down with episodes 3 and 4 director Asif Kapadia to look at how it came together, how Brad Pitt‘s DVD of Senna led to his signing, directing an actor as serial killer Ed Kemper, learning from David Fincher on set, and how a season of TV’s episodes are carved up for different directors.

Listen to the interview

The Empire Film Podcast – David Fincher Interview Special

John Nugent
19 Oct 2017
Empire

David Fincher is one of the greatest filmmakers working in Hollywood, with a CV that includes some of the best dramas and thrillers of the past thirty years, from Seven to Fight Club to Gone Girl to The Social Network. Now he’s returned to the small screen with Mindhunter, a tough new Netflix TV drama that deals with the FBI agents trying to get under the skin of serial killers. To mark the occasion, we sat down with the man for a forty-minute conversation about his approach, his style, and his future projects.

You can listen to the Empire Podcast via our iTunes page, our SoundCloud page, or by pressing play below.