Paramount Pulls The Plug On David Fincher’s ‘World War Z’ Sequel

Rodrigo Perez
February 6, 2019
The Playlist

“Movement is life,” Brad Pitt‘s Gerry Lane famously said, advising survivors in Paramount‘s 2013 zombie/outbreak movie “World War Z.” Momentum is everything in Hollywood, and perhaps a lack of it hurt “World War Z”‘s chances for a sequel, because it’s now curtains for the followup film. Sources close to the project for years tell us that Paramount Pictures pulled the plug on director David Fincher‘s film last night.

The film’s budget was definitely an issue but only to a degree. Fincher and his team were proposing something less than the budget of the original ($190 million according to Box Office Mojo, before the costly reshoots). However, Paramount’s known about this figure since at least last year and had hemmed and hawed about the project for months. One might think it not entirely coincidental that Paramount, which makes far fewer films than the average studio, just designated a lot of money for two significant blockbusters: “Mission Impossible 7” & ‘8‘ which will arrive in the summer of 2021 and 2022, according to their official release dates.

Paramount simply dragged their heels, at one point eyeing a 2018 or 2019 summer release, but never feeling bold enough to put it back on the schedule. Pitt, who has worked with Fincher several times, began to court Fincher for the job back in August of 2016 and a few months later the director agreed and started to look for writers to develop a new script. Dennis Kelly, the creator and writer of the original U.K. “Utopia” series—which Fincher almost adapted himself for HBO— was hired to rewrite the script from Steven Knight.

The officially untitled “World War Z 2” was roughly aiming for a summer shoot—Fincher is currently still busy editing “Mindhunter” season two for Netflix—but the writing might have been on the wall given how tentative Paramount was with the project.

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Paramount Scraps David Fincher’s ‘World War Z 2’ over Budget Concerns

Adam Chitwood
February 6, 2019
Collider

Andrew Dominik and Carl Franklin, new Directors for MINDHUNTER, Season 2

2007. The Assassination of Jesse James

2002. High Crimes

Rodrigo Perez has revealed on The Playlist the new two directors that will accompany David Fincher in the directorial labors for the eight episodes of the second season of MINDHUNTER (and confirmed its release in early 2019).

Fincher will direct the two-hour long season premiere and finale:

Andrew Dominik (“The Assassination of Jesse James,” “Killing Me Softly”) will helm another two, and filmmaker Carl Franklin (“Devil In A Blue Dress,” “One False Move”), who’s become something of a journeyman director on TV in recent years (“House Of Cards,” “The Leftovers,” “13 Reasons Why,” “Vinyl” and more), will direct the rest and bulk of the show.

Fincher is currently in Pittsburgh doing prep on season two which starts at the end of the month. It should keep him busy for most of the year and regardless, I’m told Netflix intends to hold it for an early 2019 release. The “Mindhunter” filmmaker directed all the reshoots for every episode of season one and he’ll be doing the same for season two; they’ll be baking in time for that as well.

Dominik was apparently a big fan of Fincher, and their connection is through Brad Pitt who starred in the aforementioned ‘Jesse James’ and has obviously led many a Fincher movie including “Seven,” and “Fight Club,” “The Curious Case of Benjamin Button,” and possibly the “World War Z” sequel if they can ever figure out the script.

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This means the “Worl War Z” sequel shooting has been, once again, postponed:

‘World War Z 2’ Not Shooting This Fall; David Fincher’s ‘Mindhunter’ Season 2 Is Next

Rodrigo Perez
April 19, 2018
The Playlist

David Fincher Enlists ‘Tron: Legacy’ VFX Supervisor For ‘World War Z’ Sequel

Academy Award®-winning Visual Effects Supervisor Eric Barba joined Industrial Light & Magic’s Vancouver studio as Creative Director in 2016 (Industrial Light & Magic)

Christopher Marc
December 12, 2017
Omega Underground

There is a bit of an update as they’ve hired a Visual Effects Supervisor. Oscar-winner Eric Barba, who is best known for his work on The Curious Case of Benjamin Button, Tron: Legacy and Oblivion has joined the film. His other work for David Fincher includes Zodiac, The Girl With The Dragon Tattoo, and Gone Girl.

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David Fincher: ‘Moviemaking is a rat f*ck, every day is a skirmish’

Matt Thrift
November 12, 2017
Little White Lies

The alchemist behind Fight Club and Zodiac discusses his newest true crime saga, the Netflix Original series MINDHUNTER.

Netflix has come a long way since the launch of its flagship in-house production, House of Cards back in 2013. The first two episodes of that landmark series saw one of American cinema’s most fastidious craftsmen make his first foray into television. Now David Fincher is back and doubling down, helming four episodes of 2017’s most anticipated binge-fest, an adaptation of the memoir by FBI agent John Douglas, the criminal profiler who served as inspiration for Jack Crawford in Thomas Harris’ bestseller, ‘The Silence of the Lambs’. Fincher gave us a call for an epic conversation about all things MINDHUNTER.

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With Mindhunter, David Fincher’s killer completes their journey

Netflix’s newest crime drama series is the culmination of a career-long obsession for the director.

Brogan Morris
October 22, 2017
Little White Lies

Gone Girl Offers Insight and Hope for Fincher’s Future

Posted by David Hart | Aug 29, 2017
Audiences Everywhere

When one of the great directors of a generation announces their next project, the film world listens. It is rare, however, for said announcement to be puzzling. Martin Scorsese is creating his treatise on faith in Silence? Of course he is. Kathryn Bigelow is making the true story of the Detroit riots? Sure, why not? Paul Thomas Anderson’s next untitled film starring Daniel Day Lewis is about a dressmaker for the Royal Family? Sounds award worthy. I could go on, but I’m sure you get the point. And then there’s David Fincher.

As most know, Fincher certainly got off to a rough start as a director. After cutting his teeth on music videos, he was tapped to direct Alien 3. The tales of his struggles on that particular film are legendary at this point, and he has basically disowned the movie and refuses to speak about it. After a three-year hiatus, he returned with Se7en. This success helped launch his career to the next level. He is now seen as one of the best directors available, easily on par with the others previously mentioned. But unlike most top directors, Fincher does not seem to always reach for the brass ring. Instead, he seems to vacillate between premier projects, like The Social Network or The Girl With The Dragon Tattoo, to more eccentric choices, such as The Curious Case of Benjamin Button or Gone Girl.

Gone Girl may be Fincher’s oddest choice to date. The film, based on the best selling novel by Gillian Flynn, is nowhere near an awards contender or at least not at first glance. Any number of pseudo-negative descriptions have been used to chronicle the details of the book; trashy, over-the-top, a beach read, the list goes on and on. Given the stunning sales of Gone Girl, a film adaptation was inevitable. But to be directed by the creator of two films that arguably were the best of their respective years, in Zodiac and The Social Network? Very unlikely.

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How David Fincher’s ‘World War Z 2’ Can Resurrect The Zombie Sub-Genre In Hollywood

By Pramit Chatterjee, writer at CREATORS.CO
June 29, 2017
Movie Pilot

Before we can fully realize how Fincher can significantly change the zombie sub-genre’s current direction, it’s important to acknowledge how these brain-eating beasts are currently being used in American entertainment. […]

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Is David Fincher About to Make the Biggest Movie of His Career?

The director is in talks to helm a major sequel with longtime collaborator Brad Pitt.

by Yohana Desta
April 27, 2017
Vanity Fair

David Fincher may be circling his biggest project yet. Though the filmmaker has worked on plenty of big-budget pictures, he has yet to step into the franchise ring—preferring to make glossy adaptations of thrilling best-sellers, like Gone Girl and The Girl with the Dragon Tattoo. […]

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Paramount’s Jim Gianopulos on the status of the World War Z sequel

“We’re in advanced development. With David Fincher directing. And Brad Pitt”

Source:

Paramount’s Jim Gianopulos on Starting Over, His Fox Exit and Reviving a Struggling Studio

by Pamela McClintock
June 21, 2017
The Hollywood Reporter