Killer Casting Podcast: Actor Damon Herriman

Lisa Zambetti, Brian Hill, Dean Laffan
July 9, 2021
Killer Casting Podcast (Facebook, Twitter, Instagram)

We are so psyched to welcome transformational actor Damon Herriman to the show!  Mr. In Between fans will know him as Freddy the Strip Club owner, but there rest of the world knows him for tons of other roles including playing Charles Manson (twice) in Mindhunter and Once Upon A Time in Hollywood, Dewey from Justified, Kim from Secret City and so many others. Damon talks about working with Scott Ryan and Nash Edgerton, about his background growing up in the business as a child actor and so much more!

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Starring as a Starlet, Amanda Seyfried Shines as Marion Davies in ‘Mank’

Mandalit Del Barco
April 13, 2021
All Things Considered (npr)

Citizen Kane is often regarded as the greatest film ever made. The fictionalized story of newspaper tycoon William Randolph Hearst didn’t win a Best Picture Oscar in 1942, but it did win a Best Original Screenplay award. Hollywood still loves a story about itself, and this year, Mank, a film about Citizen Kane‘s screenwriter, Herman Mankiewicz, earned 10 Oscar nominations, including Best Picture. It also received a nomination for Amanda Seyfried for Best Supporting Actress for her portrayal of Marion Davies.

In real life, as in Mank, Davies was a starlet who lived a life of luxury with Hearst. She was born in Brooklyn and went from the Ziegfeld Follies to Hollywood. She became a siren of the silent movies in the 1920s, and ironed out her accent as she moved into talking pictures.

“Marion was a really talented actor, she had incredible range, she was really funny, and she was able to lighten any scene that she was in,” says Seyfried. “She was very unfiltered like I am, and she was very allergic to being dishonest, which I am absolutely. You know, the Brooklynese was kind of, just, at the end of the day, when she took her shoes off and she grabbed her bottle of gin. She was exactly who she was and you know, she had no shame from where she came from.”

Read the full profile and listen to the story

David Fincher’s Casting Director, Laray Mayfield, on How to Get Cast by the Filmmaker

Raquel Aparicio

Elyse Roth
March 12, 2021
Backstage

Nobody but Laray Mayfield could have cast Netflix’s “Mank.” She saw the first version of the script back in the late ’90s thanks to her long-standing working relationship with director David Fincher, which dates back to making music videos in the ’80s. Her work in film alongside Fincher and beyond has earned Mayfield both critical and popular acclaim. An expert at building ensembles and finding new faces, she again worked her magic on “Mank,” which chronicles Herman J. Mankiewicz’s writing of “Citizen Kane.” Here, she shares her advice for actors and illuminates how she works with Fincher after all these years.

How did the ensemble for “Mank” come together?

We spent a lot of time reading and meeting actors. Of course, we offered it to Gary [Oldman] first, and that was a pivotal piece of our casting. And then we went to Charles Dance. For everything else, we  jumped in and started doing lots of auditions, running lists, and talking to David about different actors. We did that for seven months.

“If somebody really wants to be an actor, they should take acting classes. They should go to school for it. It’s a training. It’s like dancing, it’s like painting, it’s like playing football, it’s like playing guitar. You don’t just decide one day you’re going to be an actor.”

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Director David Fincher discusses Mank with Aaron Sorkin

A DGA Virtual Q&A

February 6, 2021
The Director’s Cut. A DGA (Directors Guild of America) Podcast

A disillusioned screenwriter in old Hollywood gets a shot at redemption in Director David Fincher’s biographical comedy-drama, Mank.

Fincher’s film takes place as film 24-year-old wunderkind Orson Welles hires scathing social critic and alcoholic screenwriter Herman J. Mankiewicz to write the screenplay for his masterpiece, Citizen Kane.

On February 6, Fincher discussed the making of Mank in a DGA Virtual Q&A moderated by Director Aaron Sorkin (The Trial of the Chicago 7).

During their conversation, Fincher spoke about his love for “the altar of cinema,” the communal aspect that can come through film. “For me, what I love about cinema is going into a big dark room with 700 people and through their laughter and through their surprise and through their shock and through their reactions you realize, I’m not alone. I’m the same. I’m wired into this group in the same way just organically and I’m picking up on all these other cues. That is what makes the cinema, or a great grand theater, an almost cathedral-like experience.”

Fincher’s other directorial credits include the feature films Se7enThe GamePanic RoomZodiacGone Girl; episodes of the television series House of Cards and Mindhunter; and countless commercials and music videos. He has been nominated for the DGA Award for Outstanding Directorial Achievement in Theatrical Feature Film for The Curious Case of Benjamin ButtonThe Social Network and The Girl with the Dragon Tattoo. In 2013, he was nominated for the DGA Award for Dramatic Series for House of Cards, “Chapter 1” and has twice been nominated for the DGA Award for his Commercial work with Anonymous Content in 2003 and 2008, winning the Award in 2003 for Beauty for Sale (Xelibri Phones), Gamebreakers (Nikegridiron.Com) and Speed Chain (Nike).

Fincher has been a DGA member since 1991.

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David Fincher: Maestro of Mank


Netflix Film Club (YouTube)
February 27, 2021

The cast and crew of Mank, including costume designer Trish Summerville and actors Gary Oldman, Amanda Seyfried, Tom Pelphrey and Charles Dance, speak to the focus and concentration that a David Fincher set demands. The acclaimed filmmaker himself, meanwhile, takes you through the process of crafting his examination of Hollywood’s Golden Age.

The Magic of the Movies: Behind the Scenes of David Fincher’s Mank


Netflix Film Club (YouTube)
February 28, 2021

Join acclaimed director David Fincher, actors Gary Oldman and Amanda Seyfried, and the cast and crew of Mank, for a peek behind the curtain of Netflix’s black-and-white ode to Hollywood’s Golden Age.

Mank, The Unmaking

January 28, 2021
Netflix

manktheunmaking.com

Text by:

Nev Pierce

Photography by:

Erik Messerschmidt
Miles Crist
Gisele Schmidt-Oldman
Gary Oldman
Ceán Chaffin
Nikolai Loveikis

David Fincher’s Longtime Casting Director Breaks Down Helmer’s Approach: “He Wants to Be Surprised”

Maya Tribbitt
January 23, 2021
The Hollywood Reporter

Laray Mayfield worked with the two-time Oscar-nominated director on his biggest features and has developed a great relationship as well as a shorthand with the auteur.

When he came back for his first feature film in a half-decade, Mank, David Fincher brought his trusted casting director Laray Mayfield into the fold. Over the past few decades, Mayfield has cast nearly all of the features (and even Fincher’s foray into television, Netflix‘s Mindhunter) that make up Fincher’s portfolio, including Fight ClubThe Social Network and Gone Girl. The pair is quick to praise each other’s style, work ethic and personality.

“Our working relationship is amazing. I am so fortunate to have worked with Dave for as long as I have. We have been working together since 1986. It is creative, lively, challenging in the best sense of the word and warm because we are also dear friends,” Mayfield says of Fincher. “We have a shorthand that has been developed over 35 years. I do usually have an idea of what David will like because we like the same things in actors, but I try to surprise him because Dave always gives me a safe place to experiment and really think outside the norm.”

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Essence and Embodiment | Casting David Fincher’s Mank

Netflix (YouTube)
January 13, 2021

The People Who Can See Inside David Fincher’s Head

The famously meticulous Mank director is surrounded by collaborators tasked with turning his most ambitious ideas into reality.

David Sims
December 9, 2020
The Atlantic

Early in Netflix’s Mank, the screenwriter Herman J. Mankiewicz (played by Gary Oldman) ambles onto an outdoor movie set, where he bumps into an array of glamorous characters. In a scene full of repartee with real-life figures such as the actor Marion Davies, the film honcho Louis B. Mayer, and the mogul William Randolph Hearst, the visual details of the environment might seem unimportant. But to Mank’s director, David Fincher, they mattered. “The grass was not to David’s liking, and the sky was not to his liking, so all that’s been replaced,” Peter Mavromates, his co-producer, told me. When making a movie, Fincher literally controls heaven and earth.

That example sums up the capricious-sounding, godlike power of a director, especially in the age of digital filmmaking, which allows for total command of every frame. But as with all of his movies, Fincher’s vision for Mank was realized by a group of dedicated collaborators, most of whom have worked with the director for many years across projects. This film, which Fincher mulled for nearly three decades, is unlike anything he has made before. An unusual-looking-and-sounding film set in the Golden Age of Hollywood, Mank reflects the aesthetic of the 1930s with its black-and-white cinematography; an echoey, old-fashioned sound mix; and a brassy, orchestral score. But Fincher also wanted it to be a distinctly modern film, which posed many unique and fascinating technical challenges to the creators charged with bringing his lofty ideas to life.

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David Fincher: Hollywood’s Most Disturbing Director

With films including Se7en, Zodiac and Fight Club, David Fincher has explored the darkest edges of humanity. Yet there’s more to his unique vision, writes Gregory Wakeman, as the director’s film Mank is released.

Gregory Wakeman
December 3, 2020
BBC Culture

David Fincher fans have had plenty to celebrate over the past few months. September marked the 25th anniversary of Se7en, Fincher’s deeply disturbing psychological thriller that established the then 33-year-old as one of the most iconoclastic young directors in Hollywood. Then, just a couple of weeks later, The Social Network, Fincher and screenwriter Aaron Sorkin’s searing exploration of Mark Zuckerberg and the origins of Facebook, turned 10. Most exciting of all for Fincher aficionados, though, is the fact that, more than six years after the release of his last feature film Gone Girl, Mank will finally arrive on Netflix on 4 December.

Fincher has waited around 20 years to find the perfect home for the film, which was originally written by his father Jack in the late 1990s. But while most major Hollywood studios were put off by the idea of a black and white biopic of Citizen Kane screenwriter Herman J Mankiewicz, Netflix gave Fincher carte blanche to fulfil his vision.

The early reviews for Mank have been extremely positive, and Fincher has immediately become one of the main contenders for the best director Oscar. Covid-19’s disruption of the 2020 cinematic calendar means that Fincher’s competition isn’t quite as strong as it could have been. But it’s to the Academy Awards’ great shame that this titan of modern filmmaking has somehow only received best director nominations for The Curious Case of Benjamin Button and The Social Network. Despite this oversight, Fincher’s place in the cinematic pantheon has long been secure. No other modern filmmaker has examined alienation, depression, obsession, and the dark side of intelligence like he has, while keeping a stylish, visceral, and, most importantly of all, entertaining approach. 

But what is it that sets Fincher’s work apart from that of his peers?