Sentient Dairy Products, Rogue Werewolf Soldiers, Robots Gone Wild, Sexy Cyborgs, Alien Spiders And Blood-thirsty Demons From Hell Converge In An 185-minute Genre Orgy Of Stories Not Suitable For The Mainstream.
This spring, 18 animated short stories presented by Tim Miller (Deadpool, upcoming untitled Terminator sequel) and David Fincher (MINDHUNTER, Gone Girl, House of Cards) land on Netflix in it’s first ever animated adult anthology series. Love Death and Robots premieres March 15th only on Netflix.
The full roster of stories will cover a variety of adult topics including racism, government, war, free will, and human nature. The anthology collection spans the science fiction, fantasy, horror and comedy genres and each short has a unique animation style: from traditional 2D to photo-real 3D CGI. The creators were assembled for a global calling for best in class animators from all over the world including artists from France, Korea, Hungary, Canada and the US among others. The series draws inspiration from the eclectic and provocative comic book material from the 1970’s that influenced both Miller’s and Fincher’s formative interests in storytelling.
Technical Achievement Award (Academy Certificate): to Eric Dachs, Erik Bielefeldt, Craig Wood and Paul McReynolds for the design and development of the PIX System’s novel security mechanism for distributing media.
PIX System’s robust approach to secure media access has enabled wide adoption of their remotely collaborative dailies-review system by the motion picture industry.
PIX founder and CEO Eric Dachs thanked Ren Klyce, Ceán Chaffin and David Fincher (present at the ceremony): “your friendship, patience, and talents have had an enduring and measurable impact on our work, and more importantly, in filmmaking.”
Eric Dachs, Erik Bielefeldt, Craig Wood, and Paul McReynolds (Amy Sussman/Getty Images)
The familiar Pix app is one of the early tools with security features developed to improved communication and collaboration during production, which was initially conceived as filmmaking became more distributed geographically. After being used on more than 5,000 film and TV projects including Black Panther, Bohemian Rhapsody and Mindhunter, its developers will be among those honored Saturday at the Academy of Motion Picture Arts and Sciences’ annual Scientific and Technical Awards.
Pix founder/CEO Eric Dachs — who with director of R&D Erik Bielefeldt, technical director Craig Wood and Paul McReynolds will receive Technical Achievement Awards — started his career in sound and it was while working as an assistant to seven-time Oscar nominated sound designer Ren Klyce on David Fincher’s 2002 film Panic Room that the idea for Pix was born. “I got a look at how digital technology was changing motion picture postproduction, but I also saw the inefficiency from faxing notes when the work was distributed geographically,” Dachs tells The Hollywood Reporter. “I started writing a really simple prototype application for capturing David’s spotting notes and getting them distributed to the crew via a simple web application. So that [composer Howard Shore] could get the music notes in real time, and the different departments within sound were no longer having to wait for faxes.”
One afternoon during the final mix, Klyce showed Fincher the app and the technically-savvy director was impressed. In fact, he continues to use it today.
The Academy of Motion Picture Arts and Sciences (AMPAS) honored Eric Dachs ’98, the founder and CEO of PIX System, with a Technical Achievement Award at its Oscars 2019 Scientific and Technical Awards Presentation on Feb. 9, 2019.
Since its creation in 2003, PIX System has become the entertainment industry gold standard in providing secure communication and content management capabilities. Dachs, a theater major while at Wesleyan, designed and coded the initial software early in his career when he was an assistant to sound designer Ren Klyce for Panic Room. It was then that he saw the need for an easy, safe digital platform to share revisions and collaborate across locations.
Netflix announces Love, Death & Robots, an animated anthology series presented by Tim Miller (Deadpool, upcoming untitled Terminator sequel) and David Fincher (MINDHUNTER, Gone Girl, House of Cards).
Love, Death & Robots is a collection of animated short stories that span the science fiction, fantasy, horror and comedy genres. With a bold approach to each story’s narrative, episodes are intended to be easy to watch and hard to forget.
The series draws inspiration from the eclectic and provocative genre material that influenced both Miller’s and Fincher’s formative interests in storytelling. Miller says, “Love, Death & Robots is my dream project, it combines my love of animation and amazing stories. Midnight movies, comics, books and magazines of fantastic fiction have inspired me for decades, but they were relegated to the fringe culture of geeks and nerds of which I was a part. I’m so fucking excited that the creative landscape has finally changed enough for adult-themed animation to become part of a larger cultural conversation.”
The production of Love, Death & Robots united a global animation community, calling on the talents and unique perspectives of innovative animation studios, directors and artists from around the world. Eighteen stories in all, each film is painstakingly crafted, charged with a mix of energy, action and unapologetic dark humor.
Executive produced by David Fincher, Tim Miller, Jennifer Miller and Josh Donen, the series brings together world-class animation creators and captivating stories for the first anthology of short animated stories guaranteed to deliver a unique and visceral viewing experience.
Each episode in the series:
Is a succinct 5 to 15 minutes in length.
Has a unique animation style, from traditional 2D to photo-real 3D CGI.
Is created by a different team of filmmakers from around the world.
Is aimed at an adult audience.
About Blur Studio
Blur Studio is an award-winning animation production company that creates content for games, films, and television. Founded and led by “Deadpool” director Tim Miller, Blur has roots in making high-end trailers and cinematics for the game industry, visual effects for blockbuster features, and recently led the production of the Netflix animated anthology series “Love, Death & Robots.”
Netflix is the world’s leading internet entertainment service with 130 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any Internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
Two days ago, TheWrapbroke the news that Quentin Tarantino had cast Australian actor Damon Herriman as Charles Manson in Once Upon a Time in Hollywood, but sources say he wasn’t the first auteur to have that idea, as Collider has exclusively learned that David Fincher already cast Herriman as Manson in the upcoming second season of Netflix’s Mindhunter.
A representative for Netflix declined to comment.
Sources say that while Herriman will appear as a 1969-era Manson in the Tarantino film, his appearance in Mindhunter will be in the ’80s, when Manson was already behind bars. That lines up with previous reports that the second season will feature the Atlanta Child Murders, which took place between 1979 and 1981. Other serial killers expected to appear include the Son of Sam and, of course, the BTK Killer, who popped up throughout the first season, though he was never mentioned by name.
Sources say that while Herriman’s casting in the Tarantino film was announced first, he was actually cast in Mindhunter much earlier, and in fact, already shot his scenes in July. Either way, the fact that he booked projects from Fincher and Tarantino back-to-back should speak highly of his take on Manson. I mean, when masters of casting like Fincher and Tarantino vouch for you, who else do you need to impress in this town?
Season 1 brought us many familiar serial killer faces with the likes of Monte Ralph Rissell, Jerry Brudos (The Shoe Fetish Slayer), Richard Speck, Darrell Gene Devier, Edmund Kemper (the Co-Ed Killer), as well the murders of the Dennis Rader (the BTK Killer) subtly over-arch the season.
Mindhunter season 2 is setting itself up to be a doozy. Not only will we see interviews with more serial killers and the BTK Killer storyline continue to develop, but the show will also be taking on the Atlanta Child Murders; a string of 28 mostly child murders, that shook Atlanta from 1979-1981. These murders also spawned the “It’s 10 o’clock, do you know where your child is?” commercials.
Currently, the Mindhunters casting team is searching for actors to play the victims family members, Venus Taylor, Annie Rogers, D.A. Slaton, Mayor Maynard Jackson, Commissioner Lee Brown, and Deputy Police Chief Morris Redding.
Casting is also looking for Wayne Williams, a serial killer convicted of killing 2 men, but prosecutors believe he was responsible for murdered children because when Williams went to prison the child murders stopped.
Rumors and theories have been flying around the interwebs speculating which serial killers the show could possibly bring into season 2 for interviews or more. Well, we here at That Hashtag Show have that EXCLUSIVE information just for you!
Last March, during several promotional interviews for his new film Prodigy (1, 2, 3), veteran actor and voice actor Richard Neil talked about one his recent projects:
“I just voiced one of the lead roles in a graphic anthology series directed by Tim Miller, who directed Deadpool. That’s being produced by David Fincher and is supposed to debut on Netflix later this year or early next year.
I cannot even say the name of the series at this time.
In that, I took on a kind of Nick Nolte meets Tom Waits voice. You just have to make sure you can sustain it and not hurt yourself!”
According to Longmire TV series actor Adam Bartley:
“This year, since I’ve finished Longmire I’ve done two films and a motion-capture job, a David Fincher – Netflix untitled short.”
For details on the history of the Heavy Metal anthology project and his development (hell):