Mark your calendars, because director David Fincher’s latest film will be coming to IMAX theaters globally for an exclusive two-week run starting November 25, before debuting on Netflixon December 23.
Brad Pitt returns to his Academy Award-winning role as Cliff Booth, only this time it’s 1977 and it’s a very different Hollywood. Directed by David Fincher from a screenplay by Quentin Tarantino, the film also stars Elizabeth Debicki, Scott Caan, Carla Gugino, Yahya Abdul-Mateen II, Peter Weller, Matt Groove, JB Tadena, Corey Fogelmanis, and Karren Karagulian, and will be produced by Pitt and Ceán Chaffin.
In addition to Pitt and Chaffin, the film’s creative team includes Fincher’s longtime collaborators, like Erik Messerschmidt, ASC, as director of photography, and Donald Graham Burt as production designer. It’s edited by Kirk Baxter, ACE, with casting by Laray Mayfield. Trish Summerville is costume designer, Ren Klyce is sound designer, and Dave Macomber is stunt coordinator.
Come back to Tudum for more information on the movie before it comes to screens later this year.
Both rule number one and rule number two is you’re not supposed to talk about Fight Club, but those rules were broken in a fascinating way Wednesday night at the Academy Museum in Los Angeles, alongside the world premiere screening of the new 4K restoration of the beloved film, prior to its upcoming one-night nationwide theatrical screenings and debuting on disc and digital. The screening included an insider’s look back at the highly contentious debate over how to market the decidedly subversive and provocative film, which found the filmmakers and cast frequently at odds with the studio releasing the movie, 20th Century Fox (now 20th Century Studios).
As a longtime fan of Fight Club, it was a thrill to see it on a big screen again, with the new 4K transfer looking terrific and highly detailed but not, thankfully, causing a movie that purposely exists within a world filled with so much grit and grime to look too clean and pristine. The sound presentation was also better than ever, capturing every brutal punch — and eventually explosions — along the way as the Narrator (Edward Norton) and Tyler Durden (Brad Pitt) grow their following. The film’s examination of consumerism and angry and aimless disaffected men remains as compelling, satirical, and darkly witty as ever, and even though it’s been used in so many TV shows and films since, “Where is My Mind?” remains a perfect needle drop at the film’s conclusion.
The screening was presented by the Marketing and Public Relations Branch of the Academy, and thus the film’s marketing campaign was the focus of the pre-screening guest speaker presentation. Fight Club has an interesting place in cinema — and marketing — history, as in its initial 1999 release, it was highly divisive with critics and a box office bomb. However, it went on to became a sensation via the home video market, gaining an ever-growing cult following and a critical re-evaluation as the years went by.
As Academy Governor David Dinerstein noted in his intro at the screening, “When Fight Club was released in 1999 by 20th Century Fox, it posed a unique challenge… The film defied easy categorization. Was it a crime thriller, a dark comedy, a psychological drama? In truth, it was all of those and something else entirely. Marketing a film like Fight Club meant grappling with its tonal complexity, its subversive themes and, of course, its unforgettable twists – elements that made it compelling but also difficult to distill into a traditional marketing campaign.”
However, Dinerstein added, “In retrospect, the very elements that made Fight Club difficult to market — its audacity, its controversy, its refusal to conform — are precisely what cemented its lasting cultural impact. Fight Club is not just a movie, it has become a cultural event.”
The main speaker of the evening, Steve Siskind, was the head of Media at 20th Century Fox at the time Fight Club came out, which gave him plenty of insight into the struggle over how to market it. As he put it, “It’s not an exaggeration to say that Fight Club was one of the most contentious and fascinating marketing campaign processes I’ve ever witnessed.”
BURBANK, CA (February 19, 2026) – The first rule is back. New Regency‘s groundbreaking cultural landmark Fight Club returns in a definitive 4K presentation this spring, with a one-night-only nationwide theatrical event on April 22 ahead of its release to own on 4K Ultra HD Steelbook® and 4K Digital May 12.
Directed by acclaimed filmmaker David Fincher and based on the novel by Chuck Palahniuk, Fight Club remains one of the most provocative and influential films of its generation. Starring Brad Pitt, Edward Norton, and Helena Bonham Carter, the film redefined late-1990s cinema with its visceral style, razor-sharp social commentary, and subversive exploration of identity, consumerism, and modern masculinity.
Meticulously restored in 4K Ultra HD, this presentation brings renewed intensity and clarity to Fincher’s uncompromising vision, enhancing the film’s striking cinematography and immersive sound design for both longtime fans and first-time viewers. From its electrifying debut to its enduring legacy as a defining cult classic, Fight Club continues to spark conversation and inspire generations of filmmakers and audiences alike.
Fight Club returns to theaters nationwide for a special one-night-only event on April 22, inviting fans to once again enter the underground world that changed cinema.
Fans and collectors can then bring the film home beginning May 12 on 4K Ultra HD Steelbook®, featuring premium packaging worthy of its iconic status, as well as on 4K Digital. This definitive home entertainment release preserves the film’s bold storytelling and groundbreaking craftsmanship in spectacular high definition for years to come.
New Regency and Insight Editions will release a companion Fight Club 25th Anniversary art book, featuring never-before-seen visuals, exclusive interviews, and behind-the-scenes content. This collector’s piece will offer fans the deepest look yet into the making of the film and its enduring legacy. More information on the book will be available soon at InsightEditions.com and @fightclubinsight on Instagram.
Specifications
Release Dates Digital: May 12, 2026 Physical: May 12, 2026
Product SKUs Digital: 4K UHD Physical: SteelBook 4K UHD + Blu-ray + Digital Code
Feature Run Time Approx. 139 minutes
Rating U.S.: Rated R for disturbing and graphic depiction of violent anti-social behavior, sexuality, and language.
Aspect Ratio Digital: 2:39:1 Physical: 2:39:1
Disc Size 4K UHD Blu-ray: 100GB Blu-ray: 50GB
Audio 4K: English 5.1 DTS-HDMA and Dolby 2.0 Digital Descriptive Audio, Spanish 5.1 Dolby Digital, and French 5.1 DTS Digital Surround Language Tracks Blu-ray: English 5.1 DTS-HDMA and Dolby 2.0 Digital Descriptive Audio, Spanish 5.1 Dolby Digital, and French 5.1 DTS Digital Surround Language Tracks
Subtitles 4K: English SDH, Spanish, and French Blu-ray: English SDH, Spanish, and French
Bonus Features
May vary by product and retailer.
4K ULTRA HD BONUS FEATURES
Commentary by Director David Fincher
Commentary by David Fincher, Brad Pitt, Edward Norton & Helena Bonham Carter
Writers’ Commentary by Chuck Palahniuk and Jim Uhls
Technical Commentary by Alex McDowell, Jeff Cronenweth, Michael Kaplan & Kevin Haug
BLU-RAY BONUS FEATURES
Commentary by Director David Fincher
Commentary by David Fincher, Brad Pitt, Edward Norton & Helena Bonham Carter
Writers’ Commentary by Chuck Palahniuk and Jim Uhls
Technical Commentary by Alex McDowell, Jeff Cronenweth, Michael Kaplan & Kevin Haug
A Hit in the Ear: Ren Klyce and the Sound Design of Fight Club
Flogging Fight Club Featurette
Insomniac Mode: I Am Jack’s Search Index
Work Behind-the-Scenes Vignettes with Multiple Angles and Commentary
Deleted and Alternate Scenes
Publicity Material Trailers, TV, and Internet Spots
The Boy in the Iron Box is making his way to the screen.
Guillermo del Toro and Chuck Hogan’s serialized novel is getting a feature film adaptation from writer-director David Prior (Guillermo del Toro’s Cabinet of Curiosities, The Empty Man). Starring Rupert Friend, Kevin Durand, and Jaeden Martell, The Boy in the Iron Box is the pulse-pounding tale of a team of mercenaries who find themselves out of their depth on a remote summit. What they encounter there will give you nightmares.
After being optioned for an adaptation, things are moving quickly with Netflix’s adaptation of Guillermo del Toro and Chuck Hogan’s Audible series The Boy in the Iron Box, which is scheduled to begin filming in October 2025. David Prior, who has worked with GDT before, will be writing and directing the project, it has now been revealed.
Netflix has officially confirmed that The Boy in the Iron Box will be making its way onto our screens via a new feature film and has added three cast members ahead of filming commencing next month in Canada.
Dinosaur gladiators, messianic cats, string-puppet rock stars, it can only be LOVE DEATH + ROBOTS.
The fourth volume, presented by Tim Miller (Deadpool, Terminator: Dark Fate) and David Fincher (Mindhunter, The Killer), sees Jennifer Yuh Nelson (Kung Fu Panda 2, Kill Team Kill) return as supervising director for ten startling shorts showcasing the series’ signature, award-winning style of bleeding-edge animation, horror, sci-fi and humor. Buckle up.
Among the 10 shorts included in Volume 4 is an episode directed by David Fincher. The second short he has directed after Bad Travelling (Vol. 3) is titled Can’t Stop, and it is a throwback to his early work as a music video director. “A unique take on the Red Hot Chili Peppers’ legendary 2003 performance at Slane Castle, Ireland,” it features the band members as marionette puppets, with animation by Blur Studio.
Other shorts in this Volume directed by returning directors include Spider Rose by Jennifer Yuh Nelson, set in the fantastic cyberpunk universe of Swarm (Vol. 3). Oscar-winning Patrick Osborne directs two episodes: The Other Large Thing, about a cat plotting world domination, and Smart Appliances, Stupid Owners, about household tech that revolts. Tim Miller directs another two episodes: Golgotha, “a rare live-action entry” about “dolphin Jesus”, and The Screaming of the Tyrannosaur, set in an outer space gladiatorial arena where combatants ride genetically modified dinosaurs. And Robert Valley directs 400 Boys, about a post-apocalyptic city where warring gangs follow a bushido-like code of honor.
Dinosaur gladiators, messianic cats, string-puppet rock stars, it can only be Love, Death & Robots.
The fourth volume, presented by Tim Miller (Deadpool, Terminator: Dark Fate) and David Fincher (Mindhunter, The Killer), sees Jennifer Yuh Nelson (Kung Fu Panda 2, Kill Team Kill) return as supervising director for ten startling shorts showcasing the series’ signature, award-winning style of bleeding-edge animation, horror, sci-fi and humor. Buckle up.
Click in the gallery below to view five brand-new stills:
“If you look at when we traditionally released the show, you might have some clues as to when. But, yeah, we’re working on it and it’s going to be awesome. There are some big surprises there.”
Sony Pictures Home Entertainment has officially announced the standalone UHD HDR release of The Social Network, featuring the 2021 remaster in 4K supervised by David Fincher, previously only available in the Columbia Classics 4K Ultra HD Collection Volume 2 Limited Edition box set.
It will be available as a limited edition Steelbook on February 18, 2025.
The Social Network, directed by David Fincher, is the stunning tale of a new breed of cultural insurgent: a punk genius who sparked a revolution and changed the face of human interaction for a generation, and perhaps forever. Shot through with emotional brutality and unexpected humor, this superbly crafted film chronicles the formation of Facebook and the battles over ownership that followed upon the website’s unfathomable success. With a complex, incisive screenplay by Aaron Sorkin and a brilliant cast including Jesse Eisenberg, Andrew Garfield and Justin Timberlake, The Social Network bears witness to the birth of an idea that rewove the fabric of society even as it unraveled the friendship of its creators. Nominated for 8 Academy Awards, including Best Picture (2010).
Directed by: David Fincher Produced by: Ceán Chaffin, Scott Rudin, Dana Brunetti, Michael De Luca Written by: Aaron Sorkin, based Upon the Book “The Accidental Billionaires” by Ben Mezrich
Basics
Video: 4K UHD (2160p). 2.40:1 (OAR). HEVC/H.265 Codec HDR: Dolby Vision, HDR 10. Audio: Dolby Atmos / Dolby TrueHD 7.1 (48kHz, 24-bit), DTS-HD Master Audio 5.1 (48kHz, 24-bit) Languages: English, French, German, Italian, Spanish, and more Subtitles: English, English SDH, French, German, Italian, Spanish, and more Discs: 3-Disc Set
Run Time: 120 minutes Rating: PG-13 for sexual content, drug and alcohol use and language, and Unrated
4K ULTRA HD Disc
Feature presented in 4K resolution with Dolby Vision
Unrated Dolby Atmos English audio (with one extra “fuck”)
Unrated 5.1 DTS-HD Master Audio (with one extra “fuck”)
Theatrical 5.1 DTS-HD Master Audio
Optional English subtitles
Theatrical Trailers
Blu-Ray Disc
Feature presented in HD resolution
Theatrical 5.1 DTS-HD Master Audio
Optional English subtitles for the main feature
Commentary 1 by David Fincher
Commentary 2 by Aaron Sorkin & Cast
Blu-Ray Disc with Special Features
All previously available Special Features produced by David Prior.
How Did They Ever Make a Movie of Facebook?
David Fincher and Jeff Cronenweth on the Visuals
Angus Wall, Kirk Baxter, and Ren Klyce on Post
Trent Reznor, Atticus Ross, and David Fincher on the Score
Ruby Skye VIP Room: Multi-Angle Scene Breakdown
In the Hall of the Mountain King: Reznor’s First Draft
The Fincher Analyst 