Love, Death + Robots. Virtual Panel

June 2, 2021
Netflix

Love, Death + Robots creator and Executive Producer Tim Miller, Executive Producer David Fincher, Supervising Director Jennifer Yuh Nelson and Director of “IceRobert Valley discuss Vol. 2 of the adult animated anthology.

Tim Miller, David Fincher, Jennifer Yuh Nelson and Jerome Denjean Talk ‘Love, Death & Robots’ Season 2 from Annecy

Jamie Lang
June 15, 2021
Variety

On Tuesday afternoon, the Annecy International Animation Film Festival streamed a candid, hour-long conversation between four of the key minds behind Netflix’s second season of “Love, Death & Robots.” Creator and executive producer Tim Miller (“Deadpool,” “Terminator: Dark Fate”), executive producer David Fincher (“The Social Network,” “Fight Club”), supervising director Jennifer Yuh Nelson (“Kung Fu Panda2 and 3) and visual effects supervisor Jerome Denjean from France’s Blur Studio engaged in an unmoderated conversation about the adult animation series, from its origins to its upcoming third season.

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Tim Miller: “Netflix Was the One That Was Willing to Take a Chance”

Tim Miller Talks ‘Love, Death & Robots,’ ‘Heavy Metal,’ and Deadpool in the MCU

Dais Johnston
May 27, 2021
Inverse

Tim Miller has always been a fan of short stories.

“My father read a lot, which is where I got my habit,” he tells Inverse in a recent interview.

Before the Deadpool director reimagined adult animation by co-creating the Netflix anthology series Love, Death & Robots with David Fincher (Season 2 is out now), he was in his father’s library.

It was there where he found a book called Chronopolis and Other Stories by J. G. Ballard. The short story book included “The Drowned Giant,” which tells the story of a dead human giant who washes up on the beach.

“I read it and I loved it. I even did an illustration for a fanzine in high school.”

“The Drowned Giant” is the standout episode from Love, Death & Robots Season 2, but the path to production wasn’t easy.

“Ballard is no longer with us, but his daughters are around. I asked them if I could do it Season 1, and they said no,” Miller says.

“I proceeded to send 50 emails begging them, and in one I said ‘Look, I’ve loved this story for years,’ and I sent them the illustration.”

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RedditLive AMA with Love, Death + Robots Creator Tim Miller and Supervising Director Jennifer Yuh Nelson

May 15, 2021
r/LoveDeathAndRobots (Netflix)

Watch the full livestream

Read the series guides:

2019. LOVE DEATH + ROBOTS. Volume 1

2021. LOVE DEATH + ROBOTS. Volume 2

LOVE DEATH + ROBOTS. Volume 2: Official Red Band Trailer

May 10, 2021
Netflix

Do you realize what you’re doing is illegal? The adult animated anthology returns with a vengeance. Love, Death + Robots Volume 2 coming May 14. Consume Irresponsibly. Presented by Tim Miller, David Fincher, Jennifer Miller, and Joshua Donen.

Global release date of Volume 3: 2022

More details, including an interview and an Episode Guide

Watch LOVE DEATH + ROBOTS on Netflix

SBIFF 2021: Producers Panel

Glenn Whipp
April 3, 2021
Santa Barbara International Film Festival (SBIFF)

The Santa Barbara International Film Festival annual Producers Panel moderated by the Los Angeles TimesGlenn Whipp, assembles top producers to dig into the business and creative sides of producing the year’s top films. Panelists include multi-hyphenate Shaka King (“Judas and the Black Messiah“), Christina Oh (“Minari“), Ceán Chaffin (“Mank“), Dan Janvey (“Nomadland“), David Parfitt (“The Father“), Josey McNamara (“Promising Young Woman“), Marc Platt (“The Trial of the Chicago 7“), and Sacha Ben Harroche (“Sound of Metal“).

LOVE DEATH + ROBOTS. Volume 2: Official Trailer, Poster & Release Date

Otherworlds, naked giants and robots-gone-wild clash in this anthology of adult animated stories executive produced by Tim Miller, David Fincher, Jennifer Miller, and Joshua Donen.

April 19, 2021
Netflix

LOVE DEATH + ROBOTS is a blast of the future with its roots deep in the past. Show creator Tim Miller teamed up with director David Fincher after years of wanting to make adult animated features and short films at his animation house Blur Studio.

When his directorial debut Deadpool hit big, they saw their opportunity and the anthology series found a natural home at Netflix. “We couldn’t have been happier at the response to the show,” recalls Miller, of the excitement around season one and the appetite for more. “It was exactly the kind of passionate reception from animation fans David and I hoped for, but for many long years had been told wouldn’t happen.”

For season two Miller was joined by Jennifer Yuh Nelson as Supervising Director. The Oscar-nominated director has vast animation experience – having worked in the industry for years and helmed Kung Fu Panda 2 and 3. Together they sought talented and diverse animation directors from around the world, for a blend of styles and stories ranging from violent comedy to existential philosophy. “It’s a tonal and stylistic Jenga game,” says Jennifer Yuh Nelson, “Trying to figure out which director might best handle what story.”

Global release date: May 14, 2021

Global release date of Volume 3: 2022

More details, including an interview and an Episode Guide

Watch LOVE DEATH + ROBOTS on Netflix

Neil Kellerhouse (Netflix)

In conversation with Donald Graham Burt, Erik Messerschmidt and Ren Klyce

John Horn
April 13, 2021
Netflix Awards FYC

A conversation with Production Designer Donald Graham Burt, Cinematographer Erik Messerschmidt and Sound Designer Ren Klyce on behalf of Mank. Moderated by John Horn.

Watch the full conversation

The Backdrop with Donald Graham Burt

April 9, 2021
Netflix Film Club (YouTube)

Oscar®-winning Mank production designer Donald Graham Burt breaks down a few key sets from the film, including the ranch house where Herman Mankiewicz sets up shop in order to grind through the first draft of Citizen Kane, and the immaculate recreation of William Randolph Hearst‘s San Simeon castle.

Netflix Presents a Women in Film Conversation

Jazz Tangcay, Senior Artisans Editor at Variety
March 24, 2021
Netflix Film Club (YouTube)

Join a who’s who of behind-the-scenes talent for a Women in Film discussion about their work on Netflix‘s Oscar®-nominated slate this year, including:

  • Animated Short Producer Maryann Garger (If Anything Happens I Love You)
  • Costume Designer Trish Summerville (Mank)
  • Hair-and-Makeup Artisans Mia Neal, Matiki Anoff and Jamika Wilson (Ma Rainey’s Black Bottom)
  • Songwriter Diane Warren (“Io Sí” from The Life Ahead)
  • Supervising Sound Editor Renée Tondelli (The Trial of the Chicago 7)

Interview on Mount Olympus

Eric Roth with co-producer Douglas Urbanski and cinematographer Erik Messerschmidt on the set of Mank (Gisele Schmidt-Oldman / Netflix)

Producer and Black List founder Franklin Leonard asks Eric Roth about his career as a celebrated screenwriter and his experience producing David Fincher’s Mank.

Franklin Leonard
March 26, 2021
Netflix Queue

Gary Larson has a Far Side cartoon that will stick with me for the rest of my days. In the single panel, aptly captioned “God at His computer,” a white-maned Creator sits at his desktop. On the screen, we see a piano hanging above a dopey-looking man. God’s right index finger hovers over a key labeled “SMITE,” and we can all assume what happens from there.

That cartoon dropped into my psyche at roughly the same moment I internalized the notion that every movie I’d ever seen was — first — the product of a writer doing much the same thing. I regard writers like gods. That’s part of the reason why I founded the Black List and started our annual survey of the best unproduced screenplays. Writers sit, often alone, and will entire worlds into existence.

What a joy, then, to take a virtual seat on Mount Olympus with Eric Roth, one of the greatest screenwriters of our time, to discuss his role as a producer on Mank. Directed by David Fincher and written by Fincher’s late father, Jack, Mank tells the story of how Herman Mankiewicz came to write the first draft of what would evolve into Orson Welles’s Citizen Kane. It was many years before Fincher found the opportunity to make the film, but when the moment came, he turned to his trusted collaborator Roth to produce.

“David said to me, ‘I’m not asking you to rewrite anything. Let’s leave it as it is for Jack, and let’s make the best of it,’” Roth recalls. “He said, ‘I want you for two reasons: You know what it feels like to be a screenwriter, and you know the inside-Hollywood thing.’”It’s an astute assessment, if highly abridged. Having won the Best Adapted Screenplay Oscar for Forrest Gump in 1995, Roth became the go-to writer for A-list directors like Robert Redford, Michael Mann, and Steven Spielberg, and he authored scripts including The Horse Whisperer, The Insider, Ali, Munich, and 2018’s A Star Is Born.

He first partnered with Fincher as the screenwriter on 2008’s The Curious Case of Benjamin Button, for which they both earned Academy Award nominations. That project also marked the start of a lasting friendship that is evident in their latest collaboration. With Mank, the pair worked together to deliver the soul of Jack Fincher’s script to the screen.

I spoke with Eric Roth about that experience and the craft we both revere.

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