David Fincher’s Mank recreates 1930s Hollywood through the eyes of scathing wit and alcoholic screenwriter Herman J. Mankiewicz as he races to finish Citizen Kane. Starring Gary Oldman as Mankiewicz, Amanda Seyfried as Marion Davies, Charles Dance as William Randolph Hearst and Tom Burke as Orson Welles.
The Team Deakins podcast is an ongoing conversation between acclaimed cinematographer Roger Deakins and James Deakins, his collaborator, about cinematography, the film business and whatever other questions are submitted. We start with a specific question and end….who knows where! We are joined by guests periodically. Followup questions can be posted in the forums at rogerdeakins.com.
Team Deakins talks with cinematographer Darius Khondji (Uncut Gems, Alien Resurrection, Se7en). We talk a lot about light, specifically learning how to light and how he started to learn with natural light. He shares the experience of working with David Fincher on the film Se7en and how their collaboration allowed him to take risks. He speaks about how important it is to get to understand the director and how he sees visual style as a house that you have to find the key to unlocking and that he usually finds this key through the character. Darius tells us about working on the movies Lost City of Z, Uncut Gems, My Blueberry Nights, and Amour. He also shares his thoughts on working in features and television. A wonderful glimpse into the eye of a great cinematographer!
This month we’re joined by Netflix‘s Love, Death & Robots’ Executive Producer Tim Miller and Supervising Director Jennifer Yuh Nelson!
Learn about their journey from college illustration majors to sought-after filmmakers. They talk about the freedom granted with anthology storytelling and everything they read while working on the new volume of Love, Death & Robots. From priceless career advice and tales from the early days of computer animation, this is an episode you won’t want to miss.
We are so psyched to welcome transformational actor Damon Herriman to the show! Mr. In Between fans will know him as Freddy the Strip Club owner, but there rest of the world knows him for tons of other roles including playing Charles Manson (twice) in Mindhunter and Once Upon A Time in Hollywood, Dewey from Justified, Kim from Secret City and so many others. Damon talks about working with Scott Ryan and Nash Edgerton, about his background growing up in the business as a child actor and so much more!
Mank, director David Fincher’s much anticipated take on the behind-the-scenes drama that shaped the making of Citizen Kane, was released last November after a journey to get it made that began almost two decades ago.
Is there any reason to believe that a story about the making of a movie about the making of a movie is any less intriguing than that of its fabled subject?
In terms of finding classic locations in Los Angeles that have survived the moving hands of time, Fincher couldn’t have found a better guy for the job than LM William “Bill” Doyle/LMGI. L.A. is a classic example of a city in a near-constant state of reinvention, but despite the years, some amazing original sites still remain, and Doyle knows most of them.
“I’ve always loved reading about how cities develop,” Doyle says. “Understanding a city… How it was developed or why it was founded, how it was built and when it expanded… Knowing how these things happened can help you make sense of any city anywhere in the world when you’re looking for something specific.”
Catch Ian, Liam, Ellie, Ethan, and Georgia (who was only in about 90% fangirl mode) as we were lucky enough to sit down with an extremely talented actor, writer, and producer whose credits range from Mank to Shipwrecked Comedy to podcasting and even all the way to Cougar Town. Revelations from the interview include:
Hearing how Sean got his start in Los Angeles
Sean talks about the development of the podcast he does with his sister, Sinead: Make Sean & Sinead Love Movie
Sean discussing the difference between being a producer on his own material and a day player on a big tv or film project
A small anecdote about what Gary Oldman is really like
Sean discusses his writing process and how it differs depending on the project
We learn about how to shoot in black and white
The BFE lot pitch their own film choices that most people hate but we can’t help but love
Sean reveals his best film ever and cuts down someone for hating a classic film
Whether Sean would turn down a call from Marvel boss, Kevin Feige
Pets on both side of the video call make their presence known
Sean teases a big announcement dropping for Shipwrecked Comedy on June 15th
Bonus Episode: We speak with 2021’s Oscar Nominee’s Kimberley Spiteri & Colleen LaBaff about the Hair & Makeup work on the film Mank. Unfortunately the Makeup Designer Gigi Williams could not be with us for this interview.
Today, I sit down with legendary screenwriter Eric Roth.
We talk about his life and his craft and why we should all be more generous of spirit. Truth be told, Eric has been involved in creating so many iconic films that it would have been impossible to try… so I asked him about the films of his that meant the most to me, and he held court and digressed in the loveliest of ways. I hope you have as much fun listening as I did recording this interview. Enjoy!
Eric’s credits include: The Nickel Ride, The Drowning Pool, The Onion Field, Forrest Gump (for which he won an Oscar), The Postman (for which he won a Razzie), The Horse Whisperer, and then one of my favorite films ever, The Insider, followed by Ali, Munich, The Good Shepherd, and The Curious Case of Benjamin Button. He’s also worked in Television, and seen not one but two sea changes, first with HBO, and then with Netflix and House of Cards. And much more recently he wrote A Star Is Born, Dune, and the new Western being Directed by Martin Scorsese, Killers of the Flower Moon. He was also a producer on the Oscar nominated Mank, directed by David Fincher, from a script by Fincher’s father.