Time Hunters

David Fincher went looking for the 1970s — and found them in Pittsburgh. but that was just the start for the esteemed producer-director and his team, who recreated the era for Mindhunter, the Netflix series about two pioneering FBI profilers.

Liane Bonin Starr
April 13, 2018
Emmys (Television Academy) / Emmy Magazine

Watching the Netflix series Mindhunter, you may shudder as convicted serial killer Ed Kemper (Cameron Britton) casually chats about his string of brutal murders, or flinch when — spoiler alert! — a bird hits the fan courtesy of mass murderer Richard Speck (Jack Erdie).

What you’re less likely to notice is the precision with which the show’s late-’70s landscape has been created. David Fincher considers that a win.

“It’s really important that it feels like two people having a conversation — and that 40 people aren’t on their iPhones simultaneously just outside of frame,” says Fincher, who is executive-producing the series with Joshua Donen, Charlize Theron and Ceán Chaffin. “The great news is, I lived through the ’70s, so I remember what that looks like.”

Created by Joe Penhall — and based loosely on FBI agent John Douglas‘s book Mindhunter: Inside the FBI’s Elite Serial Crime Unit — the series explores the birth of criminal profiling.

Special agent Holden Ford (Jonathan Groff, playing a fictionalized version of Douglas) and his partner, Bill Tench (Holt McCallany), work alongside psychologist Wendy Carr (Anna Torv) to dig into what makes murderers tick. Shot in Pittsburgh, the show is a window on a time before the term serial killer had been coined, much less become the focus of TV shows and casual conversations.

While that seemingly more innocent time is reflected partly in the show’s relative lack of gore, the decade’s thornier complexities required a critical eye (or, in this case, eyes) to see past the polyester-covered clichés.

“David is the most holistic filmmaker I’ve ever met,” director of photography Erik Messerschmidt says. “The tone of every scene is important, and [so are] how the costumes and lighting and set decoration and everything play a part in creating the finished product.”

Fincher, who directed four of the first season’s 10 episodes, is famously meticulous, but he says the secret to getting it right is finding the right people.

“I don’t think you keep a project in a kind of design and aesthetic wheelhouse by being a dictatorial influence. Just stomping your feet and holding your breath is not going to make stuff work,” he says. “A lot of times, you have to empower people who are the advance troops and the follow-up troops to make decisions that are based on conversations that you have.”

In this case, one of the first decisions — where to shoot — was daunting.

“Our biggest issue,” Fincher says, “was: where do we find 1978?”

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Interiors: Steve Arnold, Mindhunter

InteriorsMehruss Jon Ahi and Armen Karaoghlanian
January 19, 2018
Interiors

The television show, Mindhunter, created by Joe Penhall and executive produced and directed by David Fincher, is one of the most visually distinctive shows and for good reason. David Fincher’s filmography has become something that we aren’t used to seeing. From the Cinematography to the Production Design, Fincher has achieved a level of mastery that other films and television shows do not seem to have.

Based primarily in Pittsburgh, Pennsylvania, the show depicts incredible locations and interior spaces, such as a variety of interrogation rooms that are both visually stunning and exceptionally detailed.

In an exclusive interview with Interiors, we spoke with Steve Arnold, who is the Production Designer for Mindhunter. The images are property of Steve Arnold and his team.

Read the full interview

Interiors. Dwight's House

2017 ADG Awards Presentations. Mindhunter, Steve Arnold

Art Directors Guild

2017 ADG Awards Presentations

Category I: One Hour Period or Fantasy Single-Camera Series

Mindhunter

S1:E1 Episode 1
S1:E4 Episode 4
S1:E9 Episode 9

2013 Steve Arnold
Steve Arnold
Production Designer
steve-arnold.com

Design Presentation (PDF):

Netflix Delivers a Killer Serial Killer Series: Production on David Fincher’s ‘Mindhunter’

In addition to serving as co-executive producer for Mindhunter, Fincher directed four hours of the 10-episode season.

By: Kevin H. Martin
10/26/2017
Creative Planet Network / Digital Video Magazine

The first masterpiece from filmmaker David Fincher was his feature film Se7en, a procedural featuring one of the most memorable serial killers ever committed to celluloid. Ten years ago he returned this dark territory with Zodiac, an adaptation of the true-life case involving a still-unknown killer who struck repeatedly throughout the San Francisco Bay area. In the years since, Fincher helped launch House of Cards (an adaptation of the successful UK series) for Netflix. He comes back to the crime investigation genre with Mindhunter, a 10-part streaming series that launched on Netflix on Oct. 13.

[…]

In addition to serving as co-executive producer for Mindhunter, Fincher directed four hours of the 10-episode season, with Christopher Probst shooting the pilot installment. The other directors were Asif Kapadia, Tobias Lindholm and Andrew Douglas.

Cinematographer Erik Messerschmidt shot part of episode two, along with the remaining eight episodes. Messerschmidt had served as gaffer on Fincher’s most recent feature, Gone Girl. He pulled double duty on this fall’s Granite Mountain, gaffing and shooting 2nd unit—the latter a duty he performed for next year’s Sicario follow-up, Soldado, as well. “Fincher was very involved in the process, which is to be expected. He was there every day,” Messerschmidt says.

Read the full article

2018-04 ICG Magazine - Mindhunter 11 (Patrick Harbron)
Patrick Harbron / Netflix

Crime Scenes: Evolving the Postproduction Process on ‘Mindhunter’

I recently spoke with Tyler Nelson, one of the four series editors, who was given the opportunity to move from the assistant chair to that of a primary editor on ‘Mindhunter.’

By: Oliver Peters
10/26/2017
Creative Planet Network / Digital Video Magazine