It’s Showtime! When Steven Soderbergh joins Rob, the two friends get to ask the questions they’ve never asked one another. In this episode find out about Steven’s new film Kimi, and how he thinks Sex, Lies, and Videotape now feels like a Jane Austen novel.
Join your Season 2 hosts, Mario Sikora and TJ Dawe, as well as their special guest hosts throughout the season, as they discuss how the themes of the Enneagram are reflected in the work of great film directors such as Clint Eastwood, Martin Scorsese, Steven Spielberg, Wes Anderson, Michael Mann, and others.
Mario and TJ analyze the films of David Fincher in two episodes to explore Enneagram Type 5, “Striving to Feel Detached.” They discuss “Seven”, “Fight Club”, The Social Network” and “Girl with a Dragon Tattoo.”
David Fincher: Mind Games is the definitive critical and visual survey of the Academy Award– and Golden Globe–nominated works of director David Fincher. From feature films Alien 3, Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network, The Girl With the Dragon Tattoo, Gone Girl, and Mank through his MTV clips for Madonna and the Rolling Stones and the Netflix series House of Cards and Mindhunter, each chapter weaves production history with original critical analysis, as well as with behind the scenes photography, still-frames, and original illustrations from Little White Lies‘ international team of artists and graphic designers. Mind Games also features interviews with Fincher’s frequent collaborators, including Jeff Cronenweth, Angus Wall, Laray Mayfield, Holt McCallany, Howard Shore and Erik Messerschmidt.
Grouping Fincher’s work around themes of procedure, imprisonment, paranoia, prestige and relationship dynamics, Mind Games is styled as an investigation into a filmmaker obsessed with investigation, and the design will shift to echo case files within a larger psychological profile.
In this episode, we’re joined by one of the world’s greatest Cinematographers, Jeff Cronenweth. Born into the film business, he grafted his way through the rungs of the camera department and music video scene of the 1990s, until he got the call from David Fincher to take the reins of Fight Club. From there it’s been a run of legendary movies including, One Hour Photo and Gone Girl, as well as The Social Network and The Girl With The Dragon Tattoo both of which he picked up Oscar nominations.
What you’ll learn from Jeff:
Jeff’s opinion on whether film school is still necessary
Whether music videos are still useful starting grounds for DPs
How Jeff get imposter syndrome on Fight Club
What it’s like to work with Aaron Sorkin
How does the DP Director relationship work
Jeff’s opinion on the film fanboys that constantly copy the ‘Fincher/Cronwneth aesthetic!’
Whether Jeff has taught David Fincher anything
What a day of prep is like for Fincher and Jeff
And of course in our quick-fire: Jeff’s no 1 piece of advice, favourite film, book to read, person to work with, and more.
On History of the 90’s we’ll travel back in time through the stories that defined a decade. The last 10 years of the 20th century was a time like no other, from Columbine to Ruth Bader Ginsburg to Seinfeld, Air Jordan, and the Spice Girls… if it happened in the 90’s you’ll hear about it on this podcast. Join Kathy Kenzora as we journey through the History of the 90’s every other Wednesday.
In the 1990’s director David Fincher brought us classic movies like Seven and Fight Club, making his mark on the industry as one the best film makers of his generation. But Fincher’s impact on the decade stretches beyond movies. Through dozens of TV commercials and music videos Fincher helped style the 90s.
Riverside Chats is a series of conversations hosted by Tom Knoblauch exploring culture of all kinds, broadcast from the Heartland. Listen on KIOS 91.5 Omaha Public Radio on Mondays and Saturdays or on your favorite podcast app.
Adam Nayman is a critic at The Ringer and Cinema Scope and he is also the author of The Coen Brothers: This Book Really Ties the Room Together and Paul Thomas Anderson: Masterworks, which he discussed in an earlier episode of this show.
His latest book, David Fincher: Mind Games is a critical and visual survey of the filmmaker behind incredibly influential works include Seven, Fight Club, The Curious Case of Benjamin Button, The Social Network, The Girl with the Dragon Tattoo, and Gone Girl, and more. Nayman gives context, analysis, links themes, and conducts interviews with various people involved across Fincher’s career, grouping Fincher’s work around themes of procedure, imprisonment, paranoia, prestige, and relationship dynamics. Today he talks about Fincher’s career and shifting place in the cinematic landscape.
In 1985, aspiring director David Fincher was tapped by the American Cancer Society to make a PSA. Riffing off Stanley Kubrick‘s “2001,” Fincher put forth one of the most provocative and memorable commercials ever featuring an in-utero fetus smoking a cigarette to demonstrate the dangers of pregnant smoking.
This PSA was just the beginning of Fincher’s ability to utilize the shared language and visuals of film to express a point. He would move next to directing music videos where he famously invoked Fritz Lang‘s “Metropolis” while directing Madonna’s 1989 video for “Express Yourself.”
Film critic Adam Nayman told WPR‘s “BETA” that Fincher’s cinematic ambition was present in all of this early work before he became a household name directing transcendent films like “Fight Club,” “Se7en,” “Zodiac” and “The Social Network.”
“I think that he was part of a cycle of music video directors who were drawing on movies for the music videos. So, by the time they ended up making feature films, the visual language and the ambition were already there,” Nayman said.
Cinematographer Jeff Cronenweth, ASC, is the son of Jordan Cronenweth, ASC, one of the most influential cinematographers in history, most notable for Blade Runner.
He worked with his father as a camera loader and second assistant camera during high school, graduated from the USC School of Cinematic Arts, and worked his way up to first assistant camera and then camera operator until the mid-1990s. He also worked for legendary Swedish cinematographer Sven Nykvist.
The first major motion picture where he acted as a DP was for David Fincher‘s Fight Club. Other notable feature films on which he worked as a DP are One Hour Photo, directed by Mark Romanek, K-19: The Widowmaker, Down With Love, The Social Network, Hitchcock, The Girl with the Dragon Tattoo, Gone Girl, and recently, Being the Ricardos, written and directed by Aaron Sorkin.
He was nominated twice for an Academy Award for Best Cinematography for his work on Fincher’s The Social Network (2010) and The Girl with the Dragon Tattoo (2011).
Sasha Stone’s episode of Voir, Summer of the Shark, directed by David Prior, is now streaming on Netflix, along with five other film essays: The Ethics of Revenge, The Duality of Appeal, Film vs. Television, by Tony Zhou and Taylor Ramos, But I Don’t Like Him by Drew McWeeney, and Profane and Profound by Walter Chaw.
On this episode of VFX Notes, Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters are joined by Craig Barron. Barron is creative director at Magnopus, and previously worked as a matte painter at ILM and co-founder and visual effects supervisor at Matte World Digital. Barron won a VFX Oscar for The Curious Case of Benjamin Button, and was also nominated for a VFX Oscar for Batman Returns.
They talk about his amazing career and his work in Zodiac, Casino, Empire Strikes Back, Batman Returns, and so much more, what those original days of matte painting in the optical era were like, and how the transition to digital happened. Matte World Digital’s work on Zodiac, amongst other films, was also discussed in a previous episode.
This episode is sponsored by ActionVFX Black Friday sale. It begins November 25th at 8 PM EST and will end on December 3rd at 11:59 PM EST. All VFX elements in the library will be 55% off the first 24 hours, & 50% off the remaining days of the sale. All Annual Subscription Plans (Individual & Studio Plans) purchased during the sale will receive 2x the amount of monthly elements. Learn more here.
Chapters: 00:00:00 – Intro 00:04:30 – David Fincher and DVD extras 00:05:35 – Craig’s career 00:08:16 – Ray Harryhausen and influences 00:12:08 – Matte paintings in Empire Strikes Back 00:18:13 – Physical correct vs artistic direction 00:32:07 – Matte paintings in Batman Returns 00:34:12 – Casino and the first radiosity render 00:43:37 – 3D projections in Zodiac 00:55:02 – Blade Runner VR 00:59:48 – The Criterion Collection and history 01:07:05 – Patreon, Twitch Subs and YouTube members credits