VFX Notes: Fight Club 25th Anniversary. CGI, photogrammetry, fat suits and soap

Hugo Guerra & Ian Failes
October 15, 2022
Hugo’s Desk / befores & afters

David Fincher’s glorious, mysterious, spectacular Fight Club has just turned 25! A new VFX Notes episode with Hugo Guerra and Ian Failes looks back at the film, and breaks down the incredible, invisible visual effects work.

We dive deep into the photogrammetry side of things from BUF, and look at the variety of work from Digital Domain, the penguin from Blue Sky (!), plus VFX from other vendors. It was an extraordinary achievement from visual effects designer Kevin Tod Haug to oversee this work.

Check out the video below which includes a whole range of behind the scenes and VFX breakdowns.

Chapters:
00:00:00: Intro
00:00:40: A word from our sponsors
00:01:50: The podcast begins
00:04:52: Our first viewing of FIGHT CLUB
00:11:56: The DVD is like film school
00:28:47: Jeff Cronenweth and the visual style
00:37:23: The manny takes of Fincher
00:41:27: Kevin Tod Haug’s amazing work
00:43:20: It would be nominated if it was today
00:45:24: Shaders and radiosity
00:48:03: Photogrammetry and BUF
00:53:07: Previz
00:57:08: The virtual camera moves like the kitchen scenes
01:00:45: BUF VFX and the sex shots
01:06:19: The age of CG tests
01:09:48: The plane crash
01:13:48: High rise collapse
01:21:49: Having fewer artists for a longer time
01:23:49: Peter Ramnsey’s animatics
01:24:23: The cave animal
01:27:08: One of the first behind the scenes featuring HDR spheres and grey balls
01:31:03: The Titanic breath leftovers
01:33:15: The gunshot
01:37:14: The Furni shot
01:39:44: The opening credits
01:45:43: Meat Loaf’s Fat Suit
01:50:00: Members and Patreon credits

Watch the “age-restricted” Fight Club VFX breakdown by BUF:
YouTube
BUF.com

Frame & Reference Podcast: “Jim Henson: Idea Man” DPs Igor Martinovic and Vanja Černjul

Kenny McMillan
August 22, 2024
Frame & Reference

Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan. Each episode dives into the respective DP’s current and past work, as well as what influences and inspires them. These discussions are an entertaining and informative look into the world of making films through the lens of the people who shoot them.

Igor Martinovic (Man on Wire, House of Cards: S02, The Night Of) and Vanja Černjul (Orange Is the New Black: S01, Marco Polo, Crazy Rich Asians), who grew up together in Croatia, talk about their experiences working with David Fincher in House of Cards: S02 (Igor), shooting a big production like House of the Dragon (Vanja), and making together the documentary Jim Henson: Idea Man directed by Ron Howard.

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Lex Fridman Podcast: Kevin Spacey, Power, Controversy, Betrayal, Truth & Love in Film and Life

Lex Friedman
June 5, 2024
Lex Friedman Podcast

Kevin Spacey is a two-time Oscar-winning actor, who starred in Se7en, The Usual Suspects, American Beauty, and House of Cards, creating haunting performances of characters who often embody the dark side of human nature.

OUTLINE:

0:00:00 – Introduction
0:02:44 – Seven
0:06:24 – David Fincher
0:14:16 – Brad Pitt and Morgan Freeman
0:19:46 – Acting
0:28:10 – Improve
0:36:54 – Al Pacino
0:40:38 – Jack Lemmon
0:49:55 – American Beauty
1:10:04 – Mortality
1:12:52 – Allegations
1:30:50 – House of Cards
1:49:25 – Jack Nicholson
1:52:27 – Mike Nichols
1:58:01 – Christopher Walken
2:05:08 – Father
2:14:00 – Future

Listen to the podcast:

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Read the transcript

Prop Talk: “Finer Points of the Killer”, a Conversation with James & Kelsi Eddy

Chris Call & Michael Trudel
May 23, 2024
PMG (Property Masters Guild)

On this episode of Prop Talk, we sit down with PMG member and Local 44 Property Master James Eddy and his daughter, Local 44 member Assistant Property Master Kelsi Eddy, to discuss their relationship and experiences working for Directors like David Fincher in Mindhunter and The Killer.

Hosts: Chris Call, PMG Founding Member & Local 44 Property Master with Michael Trudel, PMG Secretary & Local 44 Property Master.

Watch the whole conversation on YouTube

Listen to the podcast version

Visit our website for more information on “Prop Talk” and The Property Masters Guild. Follow us on Instagram for more cool prop content!

MINDHUNTER Composer Jason Hill

Darek Thomas
May 20, 2024
Monday Morning Critic

Jason Hill is a multi-talented artist who has made a name for himself as an award-winning film composer, platinum-selling recording artist, record producer, and mixer.

Hill’s upcoming projects include; Apple TV+‘s drama series Dark Matter, which premieres May 8th; and season 4 of Showtime’s Couples Therapy, which premieres May 31st. Hill is also a music producer on the forthcoming Robbie Williams’ biopic, Better Man.

Notable film and television credits include David Fincher‘s psychological thriller film, Gone Girl; the Emmy-winning series, Mindhunter; Voir; Videosyncrasy; and his only animated short film, Bad Travelling (part of the Emmy-winning series Love, Death, and Robots); Elijah Bynum’s drama film, Magazine Dreams; Apple TV+’s Extrapolations; and City On Fire; Netflix’s Fyre: The Greatest Party That Never Happened; The Confession Killer; and This Is A Robbery; and Philip O’Leary‘s film, The Buffalo Hunt.

In addition to his work in film/television scoring and production, Hill is also the lead singer, guitarist, and producer for the band LOUIS XIV along with the band Vicky Cryer (which contained members of bands The Killers, Muse, Julian Casablancas and the Voidz, Jet, and Jamiroquai). In 2011, he also joined The New York Dolls and played bass on several tours after producing the album Dancing Backward in High Heels, their final Dolls album. He has produced, written records or otherwise worked with such artists as The Killers, David Bowie, Robbie Williams, Jet, Sky Ferreira, Brandon Flowers, Ariel Pink, The Virgins, Macy Gray, Neon Trees, The Bronx, Nick Littlemore/Luke Steele (Empire of the Sun, Pnau), IDKHBTFM (I Don’t Know How But They Found Me), and more. Hill was also part of the seminal alt-country band, Convoy in his early years.

In 2015 Hill bought a building in Glendale that was originally built as a music studio in the mid-1970s and reimagined it into one of the world’s premier modern recording facilities, Department of Recording and Power. This iconic complex was once the birthplace of massive hits from The Beach Boys, James Brown, Barbra Streisand, Billy Joel, Michael Jackson, Joni Mitchell, Joe Cocker, and many more, and is now reborn for the next generation of influential artists.

Listen to the podcast:

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Frame & Reference Podcast: Michael Cioni, CEO & Founder of Strada

Kenny McMillan
April 18, 2024
Frame & Reference

Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan. Each episode dives into the respective DP’s current and past work, as well as what influences and inspires them. These discussions are an entertaining and informative look into the world of making films through the lens of the people who shoot them.

In this episode, we’re joined by my friend Michael Cioni to talk about his new company Strada (YouTube).

Michael is a serial entrepreneur whose career includes numerous awards for his creative work and technical achievements. He is an accomplished director, cinematographer, musician, four-time Emmy winner, member of the Motion Picture Academy, and Associate Member of the American Society of Cinematographers.

A U.S. patent holder of digital cinema technology, Michael was the founder and CEO of the post house Light Iron where he pioneered tools and techniques that emerged as global workflow industry standards. After Light Iron was acquired by Panavision, Michael served as product director for Panavision’s Millennium DXL 8K camera ecosystem.

He then joined the cloud startup company Frame.io where he served as Senior Vice President of Global Innovation. After Frame.io was acquired by Adobe, Michael led numerous workflow innovations including the breakthrough Camera to Cloud technology program as Senior Director of Global Innovation.

He continues to be motivated by the desire to democratize professional workflows and focuses his efforts on inventing new ways for filmmakers to create through his technology. Michael is a well-known and gifted speaker, advocate for the community, and serves as a mentor and educator throughout the global media industry.

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Dave Macomber, Stunt Coordinator: Visualising a Fight for David Fincher, Unreal Engine & VFX

Hollywood Stunt Coordinator & VFX Artist Dave Macomber discusses pre-visualizing the fight sequence for David Fincher’s The Killer and his new Unreal Engine project.

Jamie Bakewell
April 11, 2024
The VFX Process (Bigtooth Studios)

Dave Macomber is an award-winning stunt/fight coordinator and second-unit director in the film industry. With a passion for Visual Effects (VFX), Dave seamlessly incorporates VFX elements into his stunt visualizations, providing a comprehensive template for directors and the rest of the crew.

Having worked on iconic blockbusters like Transformers, HBO‘s Watchmen, and numerous Marvel Cinematic Universe films, Dave’s expertise shines through. Just a glance at his IMDB page showcases his impressive portfolio.

In his latest project for David Fincher‘s The Killer, Dave coordinated a gripping 6-minute fight sequence shot mostly in darkness. Join him as he shares insights into working with David Fincher, revealing that Fincher is an extremely collaborative director, and how his background as a VFX artist dictates his approach to photographing sequences in his movies.

‘Killer vs Brute’ exemplifies Dave’s mastery in delivering high-impact action sequences. Even though the scene turned out to be a success, Dave states that it was “the most intimidating thing I’ve ever done in my career.”

Venturing into Unreal Engine filmmaking during his spare time, Dave’s creativity knows no bounds. Last year, he unveiled The Ronin, his first Unreal Engine short film, showcasing a fight scene performed entirely by himself, using Rokoko Motion Capture technology. Now, with The Widow: Assassins Highway, Dave enlists a team of Marvel stunt performers to help him capture the stunts and elevate the action.

This episode offers a captivating glimpse into the VFX pipeline, the Hollywood stunt process, and Unreal Engine filmmaking.

Listen to the extended version of the conversation as a podcast:

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Rare Humans Podcast: Jason Hill on Working with David Fincher, Trusting Ideas, Playing Music

Evan Roberts
February 21, 2024
Rare Humans

Jason Hill is a multi-instrumentalist known for inventing, building, and mastering his own unusual instruments which help create his unique scores and productions. Hill is the lead singer, guitarist, and producer for the band LOUIS XIV. He has produced, written records or otherwise worked with such artists as The Killers, David Bowie, Ariel Pink, The White Stripes, and more.

Jason Hill now spends most of his time as a film composer working with acclaimed director David Fincher on the psychological thriller film Gone Girl and has since worked on many projects with Fincher such as the Emmy-winning series MINDHUNTER.

Listen to the podcast:

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Frame & Reference Podcast: “Ferrari” and “The Killer” DP Erik Messerschmidt, ASC

Kenny McMillan
February 22, 2024
Frame & Reference

Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan. Each episode dives into the respective DP’s current and past work, as well as what influences and inspires them. These discussions are an entertaining and informative look into the world of making films through the lens of the people who shoot them.

Our third ever returning guest and a crowd favorite, Erik Messerschmidt, ASC is here! In this episode we talk about his work on Michael Mann‘s “Ferrari” as well as David Fincher‘s “The Killer“. Enjoy!

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Holt McCallany Talks to David Fincher about “The Iron Claw” and the Role of a Lifetime

By David Fincher
December 29, 2023
Interview

After casting Holt McCallany in Alien 3 and later in Fight Club in the types of tough-guy roles that have largely defined his four-decade career, David Fincher finally let the 60-year-old actor showcase his softer side as FBI agent Bill Tench in Netflix’s psychological thriller Mindhunter. It was that performance, in which McCallany was able to balance steely professionalism and quiet melancholy, that earned him a meeting with director Sean Durkin, who was looking for the right person to play the patriarch of the Von Erich clan in The Iron Claw, his biopic of the legendary Texas wrestling dynasty. As Fritz Von Erich, a loving but severe father who pushed his four sons (played by Zac Efron, Jeremy Allen White, Harris Dickinson, and Stanley Simons) beyond their limits—often with tragic results—McCallany is earning the best reviews of his career, and even, to his own shock, some Oscar buzz. As he told Fincher over Zoom a couple of weeks ago, he’s still letting it all sink in.

DAVID FINCHER: Hey Holtster! How have you been?

HOLT MCCALLANY: I’ve been great David, because there were a couple of articles, one in Variety, one in Vulture, that picked me as somebody who could get a possible Academy Award nomination for Supporting Actor, even though it’s going to be a very tough year.

Read the full interview

Variety Awards Circuit Podcast: Danielle Brooks (“The Color Purple”) and Holt McCallany (“The Iron Claw”)

Clayton Davis
December 14, 2023
Variety

Also on this episode, “The Iron Claw” actor Holt McCallany talks about playing the legendary wrestler Fritz Von Ehrich in Sean Durkin’s powerful new drama. He discusses coming to peace with many of his scenes that were cut from the film, and what we can expect from his upcoming directorial effort “The Star Maker” after getting script notes from David Fincher.

A quintessential “that guy” performer in the eyes of most audience members, this veteran character actor boasts over 80 credits in a three-decade career, including turns in “Nightmare Alley” and Netflix’s “Mindhunter.” As the hardened patriarch of a family of pro wrestlers in A24’s sports drama, McCallany exudes an intense and thorny power, expertly revealing the dangers of a particular form of pressurized ambition. It’s a performance that’s reminiscent of J.K. Simmons Oscar-winning turn as the abusive music teacher in “Whiplash.”