Actors on Actors: Michael Fassbender & Carey Mulligan

December 10, 2023
Variety (YouTube)

In their Actors on Actors conversation ‘Shame’ costars Carey Mulligan (‘Maestro‘) and Michael Fassbender (‘The Killer‘) reminisce on working with Steve McQueen and talk about the directors they worked with on their current projects, David Fincher and Bradley Cooper.

Variety Actors on Actors presented by AIR from Amazon Studios.

From ‘Shame’ to Netflix Films: Michael Fassbender and Carey Mulligan on Rejection and Being So in Character You Act Without Thinking

Kate Aurthur
Photographs by Alexi Lubomirski
December 10, 2023
Variety

In “Maestro” and “The Killer,” the characters played by Carey Mulligan and Michael Fassbender exist in different worlds. Mulligan’s Felicia Montealegre Bernstein, an up-and-coming actress who becomes conductor Leonard Bernstein’s wife and soul mate, breathes rarefied air among East Coast artists from the 1950s through the ’70s. Fassbender’s tightly coiled, mostly silent assassin, meanwhile, travels the world seeking vengeance, while keeping his focus by doing push-ups on his fingertips.

Twelve years ago, though, Fassbender and Mulligan inhabited the same toxic universe, as dysfunctional siblings in 2011’s “Shame.” The film was writer-director Steve McQueen’s bleak, sexually explicit examination of sex addiction through the eyes of Fassbender’s character, Brandon, a New York City executive brought low by his self-destructive desires. Mulligan’s Sissy, a lounge singer, was sorrowful and also boundary-less.

Read the full interview

David Fincher and “The Killer” Crew Break Down The Brute vs The Killer Fight Scene

December 9, 2023
Netflix: Behind the Streams

Director David Fincher, Editor Kirk Baxter, Sound Designer Ren Klyce, Cinematographer Erik Messerschmidt, and Stunt Coordinator Dave Macomber break down the fight sequence between The Brute and The Killer in The Killer.

The Killer is now playing on Netflix

David Fincher’s Killer Combination

Jake Ratcliffe, Joe Cannon
December 8, 2023
CVP

Leitz SUMMILUX-C lenses and RED V-RAPTOR and RED Komodo cameras.

Follow CPV: YouTube, Facebook, Ex-Twitter, Instagram

“The Killer” Camera Department: Dominican Republic

Notice the VFX foliage in the out-of-focus foreground.

The Killer: Michael Fassbender

DOMINICAN REPUBLIC UNIT
Director of Photography: Erik Messerschmidt, ACE
A Camera Operator: Brian S. Osmond
A Camera First Assistant: Alex Scott
B Camera First Assistant: Brian Wells
A Camera Second Assistant: Jonathan Clark
B Camera Second Assistant: Matt Gaumer
A Dolly Grip: Dwayne Barr
B Dolly Grip: Mike Mull

Idea and BTS Video: Cate Adams, Costume Designer
Location: Dominican Republic
Editor: Leonard Zelig (The Fincher Analyst)

Happy Sad Confused: Michael Fassbender talks “The Killer” & “Next Goal Wins”

Josh Horowitz
November 30, 2023
Happy Sad Confused

It’s been 4 years since Michael Fassbender was on the big screen but he’s making up for lost time with 2 new movies, Next Goal Wins and The Killer. Josh and Michael catch up on it all including his passion for race car driving and quoting movies.

Listen to the podcast:

Apple Podcasts
Spotify

To get early access to all of Josh’s interviews, go to Patreon.

Follow Josh on Twitter, Instagram, and Facebook.

Behind the Scenes of Netflix’s ‘The Killer’ with Adobe Premiere Pro

November 27, 2023
Adobe

See how award-winning editor Kirk Baxter and his team, First Assistant Editor Ben Insler, and Colorist Eric Weidt, used Adobe Premiere Pro to break the rules of traditional editing in The Killer, a neo-noir thriller directed by David Fincher.

Learn more about our customers stories.

Connect with Adobe Video: Facebook, Ex-Twitter, Instagram

The Editing Podcast: David Fincher’s Editor Reveals The Key To Make ANY Edit Work

Jordan Orme and Hayden Hillier-Smith
November 22, 2023
The Editing Podcast

Welcome to The Editing Podcast, where storytelling meets the art of post-production. In this riveting episode, hosts Hayden Hillier-Smith and Jordan Orme sit down with none other than the master editor behind the brilliance of David Fincher‘s cinematic wonders—Kirk Baxter.

We delve deep into Kirk’s illustrious career, spanning iconic films that have left an indelible mark on the world of cinema. From “The Social Network” to “Gone Girl” to his most recent thriller, “The Killer”, Kirk Baxter’s editorial prowess has shaped some of the most memorable moments in film history and has influenced the editing landscape forever.

In this episode, we dissect the mesmerizing opening sniper scene, a sequence that hooks audiences from the first frame. Kirk takes us behind the scenes, sharing the secrets of crafting tension and suspense that keep viewers on the edge of their seats. We also explore the intricacies of “The Killer‘s” visceral fight scene, a jaw-dropping display of editing finesse that elevates the film to a new level of intensity. Kirk Baxter’s insights into the creative decisions behind each cut and the rhythmic flow of the sequence offer a rare glimpse into the mind of a true editing maestro.

00:00: David Fincher’s Editor Kirk Baxter
01:00: Use Riverside
02:18: Why Hiding Blinks Creates Intention
05:05: The David Fincher Editing Style
09:50: Choreographing The Vicious Fight Scene in The Killer
12:29: Letting Sound & Music Guide Your Edit
13:57: Comment “Storyblocks is cool”
15:00: Hooking Your Audience In The First 5 Minutes
16:23: How To Cut With Intention
18:14: Breaking Down The Sniper Scene in The Killer
25:15: The Magic Of Vertical Sound Cutting
27:53: Breaking Down The “Cool Girl” Sequence in Gone Girl

Editor: ​⁠ Tyson Pellegrini and Hayden Hillier-Smith
Executive Producer: Vishnu Vallabhaneni
Thumbnail: David Altizer

Listen to the podcast:

Apple Podcasts
Google Podcasts
Spotify

Follow The Editing Podcast: YouTube, Twitter, Instagram

Artemple: The Killer VFX Breakdown

November 24, 2023
Artemple – Hollywood

David Fincher‘s Digital Effects Finesse in The Killer.

Watch the VFX Breakdown on YouTube

Visual Effects By: Artemple – Hollywood LLC

Visual Effects Supervisor: Wei Zheng
Digital Production Manager: Alexander Beale
Lead Digital Artists: Kyle Hause, Zach Miller
Digital Artists: Greg Szafranski, Anthony Davis, Yusei Uesugi, David Sudd, Derek Bird