Watch our interview with Erik Messerschmidt – famous cinematographer, who presented the film Ferrari directed by Michael Mann during this year’s edition of EnergaCAMERIMAGE Festival. We also discuss his collaborations with David Fincher in Mindhunter and The Killer.
The Egyptian Theatre re-opened in Hollywood with a special screening of The Killer, followed by a Q&A with Director David Fincher and Sound Designer Ren Klyce hosted by Jim Hemphill.
The next day, a screening of Zodiac was followed by a discussion with the director about the film and his career, “David Fincher par David Fincher, une leçon de cinéma” (“David Fincher by David Fincher, a lesson in cinema”).
Frédéric Bonnaud, Director of the Cinémathèque française Anaïs Duchet, Interpreter October 13, 2023 Cinémathèque Française
The Cinémathèque Française (French Cinematheque) hosted a David Fincher Retrospective from October 13 to 22, 2023, in Paris (France).
Supported by Netflix, Patron of the Cinémathèque, it opened with a preview screening of The Killer followed by a Q&A with Director David Fincher, and Director of Photography Erik Messerschmidt, ASC.
Visual Effects Supervisor: James Pastorius Visual Effects Producer: Brice Liesveld 2D Animation: Kevin Konitsch, Henry Borrasso, H Haden Hammond 3D Animation: Tim Turner, Rusty Ippolito, Andrew Romatz, Luke A. Ewing, Joseph Chiechi, Alvaro Segura, Mike Bettinardi, Mike DuPree
Join Mix’s Jennifer Walden as she speaks with the audio pros behind director David Fincher’s action thriller, ‘The Killer.’ Discussing their work on the film are:
Ren Klyce, Sound Designer, Re-recording Mixer, and Supervising Sound Editor
From his earliest days working for ILM on Return of the Jedi; to his countless music videos for stars like Madonna, Michael Jackson, and The Rolling Stones; to his groundbreaking big-screen adaptations, there’s no one with an eye quite like David Fincher. But how does he do it (apart from doing over 100 takes)? Through his use of razor-sharp precision; his omniscient and unencumbered camerawork; his pitch-black comedy; and the recognition that deep down people are perverts.
Films Included: The Social Network (2010), Alien3 (1992), SE7EN (1995), Zodiac (2007), Mank (2020), Panic Room (2002), The Girl with the Dragon Tattoo (2011), Gone Girl (2014), The Game (1997), Fight Club (1999), The Curious Case of Benjamin Button (2008)
David Fincher’s films have often been analyzed for their visual style – the exacting cinematography, precise editing, muted color palette, and meticulous construction of the frame. But with the release of The Killer, people are starting to take note of another aspect – his evocative use of SOUND. However, you can’t really discuss the sonic landscape of a Fincher film without talking about his longest creative collaborator – sound designer Ren Klyce. From Se7en to The Killer, and every project in between, Klyce’s mixes have provided a crucial aural backdrop, frequently blurring the line between sound and music. They both build a textural ambience that sets the tone of the film while also allowing us to access the subjectivity of the characters on screen. So let’s explore how a David Fincher film sounds.
CHAPTERS:
0:00: Intro 1:33: Se7en & Ren Klyce 2:43: The Girl with the Dragon Tattoo 5:01: Zodiac & Musique Concrète 8:15: Role as Re-recording Mixer 10:33: Trent Reznor & Atticus Ross 11:43: The Social Network & Expressionistic Sound