13 Essential Episodes of LOVE DEATH + ROBOTS for Every Multitude You Contain

Where to start with this wildly inventive and unpredictable show? Here are 13 episodes to explode your mind.

Nev Pierce
May 15, 2025
Netflix Tudum

In a world where so much entertainment is afraid to take risks, LOVE DEATH + ROBOTS is the iconoclastic brainchild of one man’s enigmatic yet expansive tastes. While a dedicated team of artists craft the (mostly) animated shorts comprising the 35 episodes of LDR, the basis for almost all of them are short stories that Tim Miller loves. Miller, the series co-creator and executive producer keeps a catalog of material on his computer, ready for the right moment to pair a story with a visionary team and unleash the results on unsuspecting audiences. 

Now that we’ve arrived at Volume 4, the audience may suspect that they’re going to get something unexpected, yet the show still surprises. From hard-edged, serious sci-fi to explosively violent, unapologetically puerile action, the show contains multitudes. 

Among the most ardent fans of LDR are the episode directors themselves, who have trouble picking their favorites among the first three volumes. 

“I love seeing people’s LDR tier lists,” says Emily Dean, director of two episodes — the Volume 3 award winner The Very Pulse of the Machine and the fourth’s devilish cat caper For He Can Creep. She has been “very inspired” by a number of installments including Zima Blue, Bad Travelling, Pop Squad, The Drowned Giant, and Jibaro.

Three of these are on the list below, although LDR is the kind of show where your favorites may change according to the day of the week or the mood you’re in. Director and animator Diego Porral had a hand in two of the episodes below and sees the diversity of voices and styles as a major strength. “The fun thing is that whoever I talk to, in or out of the animation industry, everyone has their favorite, and I think that’s what makes LDR so special,” says Porral, helmer of this volume’s action-packed How Zeke Got Religion and lead animator on the Volume 3 classic Kill Team Kill.

Miller dreamed for decades of an animated anthology exploring stories that had stuck in his subconscious. And now he — along with fellow executive producers David Fincher and Josh Donen and supervising director Jennifer Yuh Nelson — relishes seeing disparate filmmakers and animation studios come together to generate these distinct shorts. “Netflix, just like the internet, allows all these strange people, that would never find each other ordinarily, to connect,” says Miller. “Sometimes for good, sometimes for evil, but certainly in the case of LOVE DEATH + ROBOTS, I feel it’s a force for good.”

Below you can find 13 episodes to match your highly specific tastes, whether you’re in the mood for cats, carnage, concerts, or comfort.

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Now EXTREMING, only on Netflix.

Sinnin’ Ain’t Easy: David Fincher on The Lasting Legacy of SE7EN’s Pervasive Horror

As SE7EN receives an anniversary release in IMAX theaters and on 4K UHD Blu-ray, David Fincher tells Mitchell Beaupre about the film’s enduring impact, Brad Pitt’s basketball ties, John Doe’s memorable entrance and more, including his personal favorite opening credit sequences.

Mitchell Beaupre
January 3, 2025
Letterboxd

Plenty of films want to sell us on the idea that sinning is fun. SE7EN is not that film. Drenched in the cold city rain, grime coming out from the sewers and onto the streets, cockroaches scattering behind furniture and paint peeling off the walls, in the world of Se7en there’s not much fun about life at all. And yet, since its release thirty years ago, David Fincher’s neo-noir-tinged detective thriller/serial killer horror has been a fan favorite, pulling in more than $327 million worldwide and firmly cementing a place on the Letterboxd Top 250 with a whopping 4.3 average rating. Not bad for a movie that makes you want to take a shower the minute you finish watching.

Beneath all of the shocking moments of grotesquerie as Detectives Mills (Brad Pitt) and Somerset (Morgan Freeman) track the meticulously orchestrated slaughters executed by John Doe (Kevin Spacey), SE7EN’s resonance comes from how it invites us to question the futility of feeling good about anything in this life. It’s the ultimate glass half full or half empty story, as these men see some of the worst that humankind is capable of every day, and Mills somehow retains a positive outlook while Somerset has lost all hope for society. Over the course of a week, these two develop a natural bond while their worldviews continuously clash. Director Jim Cummings writes in a Letterboxd review of SE7EN that “outside of the incredible craftsmanship displayed in its filmmaking, it’s an incredible character study with perfect fusion of character-comedy and detective-pornography.”

Cummings is one of many filmmakers who adore Fincher’s sophomore feature, which laid the foundation in 1995 for essentially every gnarly detective thriller that would come in the years to follow. “Easy to forget that this became the template for the genre it reinvented, but beyond that it’s a spectacular piece of provocation and confidence,” Matt writes, which Dirk echoes by saying, “The true star here is David Fincher. He has created an aesthetic that has been copied so many times, but has never really been equaled.” Dirk also opens his review by pondering, “It is always difficult to determine when you are ‘allowed’ to call a film a classic or a masterpiece,” then three paragraphs later ending with the declaration that SE7EN is, indeed, both.

So that settles that. Here’s my conversation with David Fincher.

Read the full interview

MINDHUNTER Composer Jason Hill

Darek Thomas
May 20, 2024
Monday Morning Critic

Jason Hill is a multi-talented artist who has made a name for himself as an award-winning film composer, platinum-selling recording artist, record producer, and mixer.

Hill’s upcoming projects include; Apple TV+‘s drama series Dark Matter, which premieres May 8th; and season 4 of Showtime’s Couples Therapy, which premieres May 31st. Hill is also a music producer on the forthcoming Robbie Williams’ biopic, Better Man.

Notable film and television credits include David Fincher‘s psychological thriller film, Gone Girl; the Emmy-winning series, Mindhunter; Voir; Videosyncrasy; and his only animated short film, Bad Travelling (part of the Emmy-winning series Love, Death, and Robots); Elijah Bynum’s drama film, Magazine Dreams; Apple TV+’s Extrapolations; and City On Fire; Netflix’s Fyre: The Greatest Party That Never Happened; The Confession Killer; and This Is A Robbery; and Philip O’Leary‘s film, The Buffalo Hunt.

In addition to his work in film/television scoring and production, Hill is also the lead singer, guitarist, and producer for the band LOUIS XIV along with the band Vicky Cryer (which contained members of bands The Killers, Muse, Julian Casablancas and the Voidz, Jet, and Jamiroquai). In 2011, he also joined The New York Dolls and played bass on several tours after producing the album Dancing Backward in High Heels, their final Dolls album. He has produced, written records or otherwise worked with such artists as The Killers, David Bowie, Robbie Williams, Jet, Sky Ferreira, Brandon Flowers, Ariel Pink, The Virgins, Macy Gray, Neon Trees, The Bronx, Nick Littlemore/Luke Steele (Empire of the Sun, Pnau), IDKHBTFM (I Don’t Know How But They Found Me), and more. Hill was also part of the seminal alt-country band, Convoy in his early years.

In 2015 Hill bought a building in Glendale that was originally built as a music studio in the mid-1970s and reimagined it into one of the world’s premier modern recording facilities, Department of Recording and Power. This iconic complex was once the birthplace of massive hits from The Beach Boys, James Brown, Barbra Streisand, Billy Joel, Michael Jackson, Joni Mitchell, Joe Cocker, and many more, and is now reborn for the next generation of influential artists.

Listen to the podcast:

Apple Podcasts

The Screenplay for “Love, Death + Robots: Bad Travelling” by Andrew Kevin Walker

January 26, 2024
andrewkevinwalker.com

Download the Screenplay and Beat Sheet for Love, Death + Robots: Bad Travelling from Andrew Kevin Walker’s website (links in the top right of the script pile).

Winner of the 2022 Annie Award for Outstanding Achievement for Writing in an Animated Television/Broadcast Production.

Follow Andrew Kevin Walker on Instagram

Read the LOVE DEATH + ROBOTS. Volume 3 guide

Watch LOVE DEATH + ROBOTS on Netflix

David Fincher at The Cinémathèque Française: “Zodiac” Screening and Q&A

Frédéric Bonnaud, Director of the Cinémathèque française
Anaïs Duchet, Interpreter
October 14, 2023
Cinémathèque Française

The Cinémathèque Française (French Cinematheque) hosted a David Fincher Retrospective from October 13 to 22, 2023, in Paris (France).

Supported by Netflix, Patron of the Cinémathèque, it opened with a preview screening of The Killer followed by a Q&A with Director David Fincher, and Director of Photography Erik Messerschmidt, ASC.

The next day, a screening of Zodiac was followed by a discussion with the director about the film and his career, “David Fincher par David Fincher, une leçon de cinéma” (“David Fincher by David Fincher, a lesson in cinema”).

Color Timer Podcast: 15 Minutes with Colorist Eric Weidt

Desert island movies, David Fincher, and the poetry of color.

Vincent Taylor, Senior Colorist
May 19, 2023
MixingLight.com

Eric Weidt has worked as a Colorist on impressive projects such as Mindhunter and Mank. He spent 15 years in Paris working with fashion photographers and filmmakers (developing look-up tables) and has a BA in theatre arts.

Eric has worked exclusively with director David Fincher since 2015. We delve into his relationship with the famous director and explore his process for his incredible Black & White work in the motion picture ‘Mank’. We even talk about the one film he would watch if he only had one choice (stuck on a desert island with electricity).

Eric Weidt: “I’m remastering some of his old classics right now. Like, I remastered The Social Network [in 4K], I’m in the process of remastering Panic Room, and I’m also just starting on Seven“.

Listen to the podcast:

MixingLight.com
Apple Podcasts
Spotify
Amazon Music

Producer: Kayla Uribe
Executive Producer: MixingLight.com
Supporting Sponsor: FilmLight

Tim Miller interviewed by Alejandro Marin

Alejandro Marin
April 11, 2023
Canal Trece Colombia (YouTube) / Alejandro Marin (YouTube)

Tim Miller, creator of Love Death + Robots with David Fincher, and Director of Deadpool, attended the Cartagena de Indias International Film Festival (FICCI, Colombia), and he talked about science fiction, comics, animation, Terminator: Dark Fate, actress Natalia Reyes, Heavy Metal, James Cameron, and David Fincher.

Listen to the podcast version:

alejandromarin.com
Apple Podcasts
Spotify

How Technology Made David Fincher a Better Director

Has there ever been a movie director who has taken more advantage of new technology than David Fincher? We look back on how digital production benefitted his movies so much.

Julian Mitchell
November 28, 2022
The Beat (Premium Beat)

When digital cinematography was in its infancy, around 2005, it was like the Wild West; new cameras were appearing seemingly every week, whether from University’ concept’ programs or start-ups with a movie making a revolution on their minds.

In this white heat of technology, director David Fincher started to craft his movie-making skills. He was a risk taker with new technology but driven by the promise it gave him. As much as Fincher and his crew were proud of the films they made, they were also proud of how they made them.

Zodiac’s Digital Gamble

Fincher had already used digital cinematography for his commercials and decided to commit early to this technology for his movies. But his long-time producer Ceán Chaffin brought some hard business sense to brace against his pioneering creative decisions.

Ceán had been involved more in costing this digital workflow out and had looked at introducing digital for a feature before Zodiac but found that it wasn’t cost-efficient at that time; Zodiac was different. “At the moment of Zodiac, storage was so cheap that we could push it; it was also about the savings at that point. The sticking point was really about storage for us up to Zodiac.”

Read the full article

LOVE DEATH + ROBOTS Volume 3 Soundtrack

Lakeshore Records
Digital release date: September 30, 2022
Catalogue No.: LKS36291

The album features the original music from the Netflix show’s third season composed by Rob Cairns (Dallas, The Forger, The Bachelor).

It also includes:

  • The score for the episode directed by David Fincher, Bad Travelling, composed by Jason Hill (MindhunterVoir)
  • The score for the episode directed by Tim Miller, Swarm, composed by Tom Holkenborg (Mad Max: Fury RoadDeadpoolZack Snyder’s Justice League) with additional music by Shwan Askari
  • A track from the episode directed by Alberto Mielgo, Jibaro, by Killawatt

Track list:

  1. Rob Cairns – Craters (1:03)
  2. Rob Cairns – Seasteading (1:43)
  3. Rob Cairns – It’s Magnificent (0:54)
  4. Rob Cairns – Extreme Democracy Quintet (1:06)
  5. Rob Cairns – Liftoff (0:54)
  6. Rob Cairns – Io / Tank Rupture (3:26)
  7. Rob Cairns – Wake Up (1:21)
  8. Rob Cairns – Formations (1:42)
  9. Rob Cairns – What Does This Sound Like? (1:25)
  10. Rob Cairns – Electromagnetic Spectrum (2:18)
  11. Rob Cairns – One Last Dream Before Dying (2:38)
  12. Rob Cairns – Open (1:17)
  13. Rob Cairns – Fire and Forget (1:15)
  14. Rob Cairns – Her Name Was Susan (0:41)
  15. Rob Cairns – Uncrating the TT15 (1:16)
  16. Rob Cairns – Battle (1:35)
  17. Rob Cairns – I Salute Your Bravery (0:50)
  18. Rob Cairns – We Got These Fuckers Now (4:17)
  19. Rob Cairns – Light Em Up (1:03)
  20. Rob Cairns – Guard What? (1:40)
  21. Rob Cairns – Contact Rear (1:09)
  22. Rob Cairns – Release Me (2:41)
  23. Jason Hill – From Black to Blood (2:20)
  24. Jason Hill – Me Eat Meat (2:43)
  25. Jason Hill – As You Must Now With Me (3:12)
  26. Jason Hill – Put It to a Vote (3:27)
  27. Jason Hill – Babies (1:54)
  28. Jason Hill – Mutiny (1:54)
  29. Jason Hill – We Have Arrived (3:41)
  30. Jason Hill – Bad Travelling Closing Titles (1:11)
  31. Tom Holkenborg – Adrift on Ancient Chemical Tides (6:31)
  32. Shwan Askari – Genetic Protocol (3:34)
  33. Tom Holkenborg – Parasites (4:05)
  34. Killawatt – Tachi (Jibaro) (2:02)

Streaming:

Apple Music
Spotify
Amazon Music
deezer
Tidal
qobuz

Download:

iTunes Store
Amazon Music
Presto Music
ProStudioMasters

Interview with Andrew Kevin Walker, writer of Se7en

Daniel Fee (Twitter)
September 15, 2022
Daniel Fee33 (YouTube)

In this video, I’m lucky enough to sit down with Andrew Kevin Walker! Screenwriter behind projects such as SE7EN, the David Fincher directed crime thriller, starring Brad Pitt & Morgan Freeman! Andrew is also the screenwriter behind Brainscan, Nerdland, he co-wrote Windfall, and he also wrote an episode of hit TV Show, Love Death and Robots! It was such an honour to chat with Andy!

I would really appreciate it if anyone could donate to the National Deaf Children’s Society! (Twitter) Every cent helps! Thanks!

Andrew Kevin Walker: website, Twitter, Instagram

Mentioned podcast:

David Koepp in conversation with Andrew Kevin Walker

September 11, 2019
Live Talks Los Angeles (Apple Podcasts)