Cullen Kelly
December 12, 2021
Lowepost & Ravengrade
In this episode, we talk with Ian Vertovec about the art and craft of color grading.
This episode is sponsored by Pixelview, an industry standard and affordable streaming solution for editors and colorists.
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Lowepost (Premium membership videos)
Cullen Kelly
December 2, 2021
Lowepost & Ravengrade
In this episode, we talk with director David Fincher’s favorite colorist Eric Weidt about the art and craft of color grading.
Eric has an incredible list of credits that includes Mank and Mindhunter. His works on these projects extend far beyond traditional tasks of color grading, incorporating complex look modeling and incredibly detailed adjustments on virtually every frame.
The techniques and insights he shares in this episode are unique and includes topics such as how to sculpt the viewers experience with textural and spatial tools, the lens treatment techniques used on Mindhunter, the process and swan curve treatment behind the day-for-night shots on Mank, advanced grain work and so much more.
This episode is sponsored by Pixelview, an industry standard and affordable streaming solution for editors and colorists.
Listen to the podcast:
Apple Podcasts
Spotify
Amazon Music
Google Podcasts
Lowepost (Premium membership videos)
Film critic Adam Nayman’s ‘Mind Games’ explores the successful perfectionism of the ‘Fight Club,’ ‘Se7en,’ ‘The Social Network’ and ‘Zodiac’ director
Doug Gordon, Adam Friedrich
December 18, 2021
BETA (WPR)
In 1985, aspiring director David Fincher was tapped by the American Cancer Society to make a PSA. Riffing off Stanley Kubrick‘s “2001,” Fincher put forth one of the most provocative and memorable commercials ever featuring an in-utero fetus smoking a cigarette to demonstrate the dangers of pregnant smoking.
This PSA was just the beginning of Fincher’s ability to utilize the shared language and visuals of film to express a point. He would move next to directing music videos where he famously invoked Fritz Lang‘s “Metropolis” while directing Madonna’s 1989 video for “Express Yourself.”
Film critic Adam Nayman told WPR‘s “BETA” that Fincher’s cinematic ambition was present in all of this early work before he became a household name directing transcendent films like “Fight Club,” “Se7en,” “Zodiac” and “The Social Network.”
“I think that he was part of a cycle of music video directors who were drawing on movies for the music videos. So, by the time they ended up making feature films, the visual language and the ambition were already there,” Nayman said.
Nayman is the author of “David Fincher: Mind Games,” a comprehensive critical companion book to Fincher’s career output thus far. It’s the third installment of Nayman’s deep dives into generational filmmakers that includes the Coen brothers and Paul Thomas Anderson.
Read and listen to the full interview
Buy the book David Fincher: Mind Games. By Adam Nayman
The Art of Cinematography & David Fincher
Alex Ferrari
December 14, 2021
Indie Film Hustle
Cinematographer Jeff Cronenweth, ASC, is the son of Jordan Cronenweth, ASC, one of the most influential cinematographers in history, most notable for Blade Runner.
He worked with his father as a camera loader and second assistant camera during high school, graduated from the USC School of Cinematic Arts, and worked his way up to first assistant camera and then camera operator until the mid-1990s. He also worked for legendary Swedish cinematographer Sven Nykvist.
The first major motion picture where he acted as a DP was for David Fincher‘s Fight Club. Other notable feature films on which he worked as a DP are One Hour Photo, directed by Mark Romanek, K-19: The Widowmaker, Down With Love, The Social Network, Hitchcock, The Girl with the Dragon Tattoo, Gone Girl, and recently, Being the Ricardos, written and directed by Aaron Sorkin.
He was nominated twice for an Academy Award for Best Cinematography for his work on Fincher’s The Social Network (2010) and The Girl with the Dragon Tattoo (2011).
David Fincher by Michael Avedon
Devika Girish and Clinton Krute
November 23, 2021
Film Comment
This week’s conversation focuses in on David Fincher—a director whose decade-spanning body of gritty Americana—from the grim moral drama of Se7en to the revisionist Hollywood tale of the recent Mank—has inspired both obsessive fandom and derisive dismissal.
A new book by Adam Nayman, David Fincher: Mind Games (out November 23 from Abrams Books), offers a canny and timely appraisal of the director’s filmography. Adam writes that, “Over the past thirty years, Fincher has cultivated and maintained a reputation that precedes him of formal rigor and technocratic exactitude, of moviemaking as a game of inches.” Film Comment editors Devika Girish and Clinton Krute invited Adam and critic, filmmaker, and former NYFF director, Kent Jones—who’s written about Fincher many times over the years in FC—for an illuminating deep-dive into the Fincherverse.
Buy the book David Fincher: Mind Games. By Adam Nayman
David Fincher by Jack Davison
Nick Newman
November 23, 2021
The Film Stage
Few film books in recent memory made waves like Adam Nayman’s Paul Thomas Anderson: Masterworks, a too-rare melange of authorial talent, topical interest, and opulent presentation. Last year Nayman and I spoke at length about the tome that no doubt you’ve seen in bookstores (big and small alike) since.
Nayman has returned with David Fincher: Mind Games, another Abrams-published doorstop on another double-capital-A American Auteur, lined again with essays that surprise in their capacity to find new perspectives and provocative readings on films for which there seemed no more room. Finally able to talk in person—thus, you’ll (please) read, at greater length—we sat down for a talk on writing thousands of words on someone for whom a consistent critical standing is tougher than meets the eye.
Buy the book David Fincher: Mind Games. By Adam Nayman
A conversation with the author about his new book, “David Fincher: Mind Games”
Sydney Urbanek
November 17, 2021
Mononym Mythology
Adam Nyman is a fellow film critic and the author of several books about films and filmmakers, including but not limited to The Coen Brothers: This Book Really Ties the Films Together (2018) and Paul Thomas Anderson: Masterworks (2020). (Though we’ve never crossed paths in person, he also teaches in the department where I did my Master’s program.) He opens Mind Games with a dedicated discussion of the decade or so before Fincher ever made his narrative feature debut with ALIEN³ (1992), but then continues to come back to his commercial and music video work for the remainder of it, wisely treating his adman past as, well, more of an adman present. A few weeks back, Adam and I chatted for an hour about Fincher’s short-form oeuvre, but also his features because—again—the two aren’t as discrete as a lot of people believe. Our conversation has been edited for clarity, but not really so much for length.
Buy the book David Fincher: Mind Games. By Adam Nayman
Gray Kotzé (Director of Photography)
November 7, 2021
In Depth Cine
After watching a few David Fincher films I realised that one way he presents a cinematic world which is an exaggerated version of real life is through the weather.
0:00: Introduction
0:50: Seven
4:08: Sponsored Message
5:06: The Girl With The Dragon Tattoo
7:48: The Social Network
9:00: Conclusion
Music:
Rhythm Scott – ‘Tribal Splash’
Dear Gravity – ‘Finish Remember Begin Again’
Doug Kauffman – ‘The River Brethren’
We Dream Of Eden – ‘After the Storm’
Ottom – ‘Quiet Street’
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In Depth Cine: Official IDC Merch, Patreon, YouTube, Instagram, Discord, Facebook
Gear I use: YouTube Gear, Editing Software, Music, Stock Footage, Cinematography Gear
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Gray Kotzé (Director of Photography)
October 17, 2021
In Depth Cine
In this edition I’ll look at Jeff Cronenweth, who, to a large extent, is responsible for popularising a style of ‘dark cinematography’, through his work on movies such as Fight Club or The Social Network.
0:00: Introduction
1:03: Background
2:36: Philosophy
5:23: Sponsored Message
6:18: Gear
11:57: Conclusion
Music:
Liquid Memoirs – ‘Through The Portal’
Bosnow – ‘Bangkok Rain’
Liquid Memoirs – ‘Altered States’
Salt Of The Sound – ‘Awake My Soul’
Liquid Memoirs – ‘Hazy Evenings’
Ottom – ‘Raining In Kyoto’
Trevor Kowalski – ‘Katydid’
Source: Fight Club (American Cinematographer, November 1999)
Head to squarespace.com/indepthcine to save 10% off your first purchase of a website or domain using code INDEPTHCINE.
In Depth Cine: Official IDC Merch, Patreon, YouTube, Instagram, Discord, Facebook
Gear I use: YouTube Gear, Editing Software, Music, Stock Footage, Cinematography Gear
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you. Thank you for supporting my channel so I can continue to provide you with free videos!
3 Things That Working With Jeff Cronenweth Taught Me About Cinematography
Gray Kotzé (Director of Photography)
June 19, 2020
In Depth Cine
Fincher on Fincher — How David Fincher Directs a Movie
August 9, 2021
StudioBinder (YouTube)
Director David Fincher explains his personal approach to film directing.
Special thanks to:
Variety’s David Fincher Interview
Escuela Universitaria de Artes TAI
BAFTA Guru
FilmIsNow Movie Bloopers & Extras
Moog Music Inc
Akai Pro Video
Chapters:
00:00 Intro — How David Fincher became a Filmmaker
02:01 Early Career & Return of the Jedi
03:18 Shot Composition and Blocking
06:19 “Relentless” Number of Takes
11:02 Directing with Precision
13:43 Color Theory & Creating the Look
15:48 Create a Feeling (Production Design & Music)
19:35 Final Takeaways
David Fincher is a director’s director. His reputation for having complete control over his work is well-known but many directors have had similar power. So, what makes his approach to film directing so captivating? In this David Fincher video essay, we’ll let the man speak for himself. Through a collection of interviews from throughout his career, Fincher guides us through some of the strongest characteristics of his directing style.
To date, over the past four decades, David Fincher has directed a plethora of music videos, commercials, and 11 feature films. Along the way, he has refined his directing style which can be summed up in two words: precise and purposeful. When watching any David Fincher movies, you would be hard-pressed to find an out-of-place camera movement, or a lazy frame composition. One lesson we learned from Fincher is how he balanced and imbalanced the frame during Nick and Amy’s first meeting in Gone Girl to show the “push and pull” of their flirting.
Another well-known staple of the David Fincher directing style is his predilection for shooting multiple takes. He famously shot 99 takes of the opening scene in The Social Network, for example. But there’s a method to his madness — he wants the actors to move “beyond muscle memory” especially in their domestic environments. In Fincher’s logic, when the actor sits on their couch, they need to have sat in it a hundred times to make it look like they’ve sat in it a hundred times.
Fincher also explains how he creates mood and tone with lighting, color, and music. With a darker frame, desaturated color, and the brooding tones of Atticus Ross and Trent Reznor, there certainly is a distinct experience watching David Fincher films. While all of this sounds extreme, the proof that he’s doing something right is visible on-screen.
♬ Songs used:
“Father / Son” — Makeup and Vanity Set
“Subdivide” — Stanley Gurvich
“Switchback” — Nu Alkemi$t
“Battle in the Forest” — Charles Gerhardt – National Philharmonic Orchestra
“Chasing Time” – David A. Molina
“Sugar Storm” – Trent Reznor & Atticus Ross
“Soul Sacrifice” – Santana
“Graysmith Obsessed” – David Shire
“Intriguing Possibilities” – Trent Reznor & Atticus Ross
“Wendy Suite” – Jason Hill
“Under the Midnight Sun” — Trent Reznor & Atticus Ross
“14 – Ghosts II” – Nine Inch Nails
“Corporate World” – The Dust Brothers
“Appearances” – Trent Reznor & Atticus Ross
“With Suspicion” – Trent Reznor & Atticus Ross
“What Have We Done to Each Other” – Trent Reznor & Atticus Ross
“Cowboys and Indians” – Trent Reznor & Atticus Ross
“San Simeon Waltz” – Trent Reznor & Atticus Ross
“Fool” – Ryan Taubert
“Where Is My Mind” – The Pixies
David Fincher Interviews & Quotes on His Filmmaking Process
Chris Heckmann
August 8, 2021
StudioBinder
The Fincher Analyst 