In Conversation: David Fincher and The Crew of “The Killer” in New York

October 27, 2023
Netflix: Behind the Streams

David Fincher discusses the making of The Killer with Writer Andrew Kevin Walker, Editor Kirk Baxter, and Sound Designer Ren Klyce, after the “Tastemaker” screening for The Academy at the Whitby Hotel in New York.

Watch The Killer on Netflix

In Conversation: David Fincher and The Crew of “The Killer” at the Academy Museum

Elvis Mitchell
October 24, 2023
Netflix: Behind the Streams

Director David Fincher, Editor Kirk Baxter, Writer Andrew Kevin Walker, Sound Designer Ren Klyce, and Director of Photography Erik Messerschmidt, discuss their film The Killer with moderator Elvis Mitchell at The Academy Museum in Los Angeles.

Watch the conversation with subtitles in French, Spanish, and Italian.

Watch The Killer on Netflix

David Fincher and Sound Designer Ren Klyce at The Egyptian Theater: “The Killer” Screening and Q&A

Jim Hemphill
November 9, 2023
West Coast POPCast (YouTube)

The Egyptian Theatre re-opened in Hollywood with a special screening of The Killer, followed by a Q&A with Director David Fincher and Sound Designer Ren Klyce hosted by Jim Hemphill.

David Fincher at The Cinémathèque Française: “Zodiac” Screening and Q&A

Frédéric Bonnaud, Director of the Cinémathèque française
Anaïs Duchet, Interpreter
October 14, 2023
Cinémathèque Française

The Cinémathèque Française (French Cinematheque) hosted a David Fincher Retrospective from October 13 to 22, 2023, in Paris (France).

Supported by Netflix, Patron of the Cinémathèque, it opened with a preview screening of The Killer followed by a Q&A with Director David Fincher, and Director of Photography Erik Messerschmidt, ASC.

The next day, a screening of Zodiac was followed by a discussion with the director about the film and his career, “David Fincher par David Fincher, une leçon de cinéma” (“David Fincher by David Fincher, a lesson in cinema”).

David Fincher at The Cinémathèque Française: “The Killer” Screening and Q&A

Frédéric Bonnaud, Director of the Cinémathèque française
Anaïs Duchet, Interpreter
October 13, 2023
Cinémathèque Française

The Cinémathèque Française (French Cinematheque) hosted a David Fincher Retrospective from October 13 to 22, 2023, in Paris (France).

Supported by Netflix, Patron of the Cinémathèque, it opened with a preview screening of The Killer followed by a Q&A with Director David Fincher, and Director of Photography Erik Messerschmidt, ASC.

The next day, a screening of Zodiac was followed by a discussion with the director about the film and his career.

Holt McCallany Talks to David Fincher about “The Iron Claw” and the Role of a Lifetime

By David Fincher
December 29, 2023
Interview

After casting Holt McCallany in Alien 3 and later in Fight Club in the types of tough-guy roles that have largely defined his four-decade career, David Fincher finally let the 60-year-old actor showcase his softer side as FBI agent Bill Tench in Netflix’s psychological thriller Mindhunter. It was that performance, in which McCallany was able to balance steely professionalism and quiet melancholy, that earned him a meeting with director Sean Durkin, who was looking for the right person to play the patriarch of the Von Erich clan in The Iron Claw, his biopic of the legendary Texas wrestling dynasty. As Fritz Von Erich, a loving but severe father who pushed his four sons (played by Zac Efron, Jeremy Allen White, Harris Dickinson, and Stanley Simons) beyond their limits—often with tragic results—McCallany is earning the best reviews of his career, and even, to his own shock, some Oscar buzz. As he told Fincher over Zoom a couple of weeks ago, he’s still letting it all sink in.

DAVID FINCHER: Hey Holtster! How have you been?

HOLT MCCALLANY: I’ve been great David, because there were a couple of articles, one in Variety, one in Vulture, that picked me as somebody who could get a possible Academy Award nomination for Supporting Actor, even though it’s going to be a very tough year.

Read the full interview

Variety Awards Circuit Podcast: Danielle Brooks (“The Color Purple”) and Holt McCallany (“The Iron Claw”)

Clayton Davis
December 14, 2023
Variety

Also on this episode, “The Iron Claw” actor Holt McCallany talks about playing the legendary wrestler Fritz Von Ehrich in Sean Durkin’s powerful new drama. He discusses coming to peace with many of his scenes that were cut from the film, and what we can expect from his upcoming directorial effort “The Star Maker” after getting script notes from David Fincher.

A quintessential “that guy” performer in the eyes of most audience members, this veteran character actor boasts over 80 credits in a three-decade career, including turns in “Nightmare Alley” and Netflix’s “Mindhunter.” As the hardened patriarch of a family of pro wrestlers in A24’s sports drama, McCallany exudes an intense and thorny power, expertly revealing the dangers of a particular form of pressurized ambition. It’s a performance that’s reminiscent of J.K. Simmons Oscar-winning turn as the abusive music teacher in “Whiplash.”

‘The Killer’ filmmakers David Fincher, Andrew Kevin Walker on paring down the dialogue and being inspired by Don Siegel

The Killer sees David Fincher deliver a lean, efficient and darkly funny hitman tale. Screen talks to the filmmaker and screenwriter Andrew Kevin Walker about bringing a French graphic novel to the screen.

Mark Salisbury (Ex-Twitter)
December 20,2023
ScreenDaily

“Obviously, I’m drawn to nihilism,” says a grinning David Fincher, director of Se7enFight Club and Gone Girl, when asked why he wanted to adapt French graphic novel series The Killer into a film. “But I wanted to make a fucking Don Siegel movie. I wanted to make a Michael Winner movie. I’m so tired of slogging through characters you create to deliver some idea of backstory. What’s the greatest backstory in the history of motion pictures? ‘What were you doing in China­town, Jake?’ ‘As little as possible.’ It explains everything in one line.

“I love it when you can distil motivation down to these incredibly brief and simple evocations,” he continues. “I’m tired of two-hour 45-minute movies, and two-hour 30-minute movies. I’m tired of making them. I’m joking, but does it warrant it? Then I started thinking about Get CarterCharley Varrick. Movies where it just is what it is.”

This was back in 2007, when the graphic novel series — written by Alexis ‘Matz’ Nolent and illustrated by Luc Jacamon, and first published in 1998 — was being developed into a film by Brad Pitt’s Plan B Entertainment and Paramount. Fincher was intrigued, but was directing Pitt in The Curious Case Of Benjamin Button, so was not ready to commit. “It wasn’t like you were going, ‘This has to be seen.’ It was more of a way to explore some things I was interested in — the broadest brushstrokes of backstory and this idea of intercepted thought. Why is it we assume when we hear a character’s thoughts that it’s the truth? I don’t know people who aren’t lying to themselves.”

Fincher approached Se7en screenwriter Andrew Kevin Walker, who had done uncredited rewrites on Fight Club and The Game as well as work on several unmade Fincher projects — among them The Girl Who Played With Fire, 20,000 Leagues Under The Sea, an adaptation of Arthur C Clarke’s Rendezvous With Rama and a remake of The Reincarnation Of Peter Proud — to see if he was interested in adapting The Killer. But Walker was not, according to Fincher. “He didn’t want to touch it then.”

Read the full profile

From The Frame: David Fincher, What Often Goes Unnoticed

November 30, 2023
From the Frame

David Fincher’s films have often been analyzed for their visual style – the exacting cinematography, precise editing, muted color palette, and meticulous construction of the frame. But with the release of The Killer, people are starting to take note of another aspect – his evocative use of SOUND. However, you can’t really discuss the sonic landscape of a Fincher film without talking about his longest creative collaborator – sound designer Ren Klyce. From Se7en to The Killer, and every project in between, Klyce’s mixes have provided a crucial aural backdrop, frequently blurring the line between sound and music. They both build a textural ambience that sets the tone of the film while also allowing us to access the subjectivity of the characters on screen. So let’s explore how a David Fincher film sounds.

CHAPTERS:

0:00: Intro
1:33: Se7en & Ren Klyce
2:43: The Girl with the Dragon Tattoo
5:01: Zodiac & Musique Concrète
8:15: Role as Re-recording Mixer
10:33: Trent Reznor & Atticus Ross
11:43: The Social Network & Expressionistic Sound

SOURCES:

Behind the Scenes: Ren Klyce and David Fincher on The Sound of “The Killer”

December 12, 2023
Netflix: Behind the Streams

Sound Designer Ren Klyce discusses his work on The Killer with director David Fincher.

The Killer is now playing on Netflix