Jeff Cronenweth, ASC: An Adventurous Eye

Jeff Cronenweth, ASC on the set of his most recent feature, Being the Ricardos.

The cinematographer’s career exemplifies how talent, versatility​, opportunity and collaboration can combine to result in bold camerawork.

Jon Silberg
February 25, 2022
American Cinematographer

Directors who have worked with Jeff Cronenweth, ASC observe that he is quiet, centered, and possesses a very dry sense of humor. Working in an eclectic mix of genres and styles, he quickly zeroes in on central concepts, often exceeding expectations with the results. His career as a feature cinematographer began auspiciously with David Fincher’s eye-popping Fight Club (AC Nov. ’99), and his filmography since then includes The Social Network (AC Oct. ’10), Gone Girl (AC Nov. ’14), One Hour Photo (AC Aug. ’02) and the Amazon miniseries Tales From the Loop (AC April ’20). Cronenweth has also shot stylistically bold, groundbreaking music videos for David Bowie, Taylor Swift, Janet JacksonNine Inch Nails and many other top artists.

Jeff with his father, Jordan Cronenweth, ASC.

It wouldn’t be at all hyperbolic to say Cronenweth was born into filmmaking. His great-grandfather owned and operated a photographic-equipment store in Wilkinsburg, Pa.; his grandfather Edward worked as a portrait photographer for Hollywood studios during the peak of that unique specialty, earning an Academy Award for his work; his grandmother Rosita was a Busby Berkeley dancer; and his father, renowned ASC member Jordan Cronenweth, served as director of photography on Blade Runner (AC July ’82), Peggy Sue Got Married (AC April ’87), Altered States (AC March ’81), Gardens of Stone (AC May ’87), and many classic music videos for leading artists of the 1980s and ’90s. 

Taking this lineage a step further, Jeff Cronenweth has also collaborated with his brother Tim, a successful commercial director, on more than 500 spots.

“A storyteller doesn’t want to tell the same story over and over, and I don’t want to, either. I always want to find something new and challenging to work on.”
— Jeff Cronenweth, ASC

Read the full profile

85 Queen: Adam Nayman on David Fincher

Mallory Andrews
January 31, 2022
Kitchener Public Library (YouTube)

Author and Film Critic Adam Nayman returns to Kitchener Public Library to discuss his latest book David Fincher: Mind Games.

David Fincher: Mind Games is the definitive critical and visual survey of the Academy Award– and Golden Globe–nominated works of director David Fincher. From feature films Alien 3, Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network, The Girl With the Dragon Tattoo, Gone Girl, and Mank through his MTV clips for Madonna and the Rolling Stones and the Netflix series House of Cards and Mindhunter, each chapter weaves production history with original critical analysis, as well as with behind the scenes photography, still-frames, and original illustrations from Little White Lies‘ international team of artists and graphic designers. Mind Games also features interviews with Fincher’s frequent collaborators, including Jeff Cronenweth, Angus Wall, Laray Mayfield, Holt McCallany, Howard Shore and Erik Messerschmidt.

Grouping Fincher’s work around themes of procedure, imprisonment, paranoia, prestige and relationship dynamics, Mind Games is styled as an investigation into a filmmaker obsessed with investigation, and the design will shift to echo case files within a larger psychological profile.

Jeff Cronenweth: The Cinematography of Fight Club

Cooke Optics TV (YouTube)

Cinematographer Jeff Cronenweth talks to Cooke Optics TV about working on the iconic 90’s movie Fight Club. A long-time collaborator with director David Fincher, Cronenweth reflects on how they work together, giving insight into how some of the most recognisable scenes were shot, and revealing a surprising inspiration for the look of the movie, a Prada fashion campaign.

Glen Luchford – Prada 96-98 (Idea, Second Edition)

Thank you to the British Society of Cinematographers (BSC).

Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.

Produced by ImageNova.

Email danny.haikin@cookeoptics.com for enquires or leave a comment!

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Red Carpet Rookies: Jeff Cronenweth. Cinematographer

Mike Battle
January 31, 2022
Red Carpet Rookies

In this episode, we’re joined by one of the world’s greatest Cinematographers, Jeff Cronenweth. Born into the film business, he grafted his way through the rungs of the camera department and music video scene of the 1990s, until he got the call from David Fincher to take the reins of Fight Club. From there it’s been a run of legendary movies including, One Hour Photo and Gone Girl, as well as The Social Network and The Girl With The Dragon Tattoo both of which he picked up Oscar nominations.

What you’ll learn from Jeff:

  • Jeff’s opinion on whether film school is still necessary
  • Whether music videos are still useful starting grounds for DPs
  • How Jeff get imposter syndrome on Fight Club
  • What it’s like to work with Aaron Sorkin
  • How does the DP Director relationship work
  • Jeff’s opinion on the film fanboys that constantly copy the ‘Fincher/Cronwneth aesthetic!’
  • Whether Jeff has taught David Fincher anything
  • What a day of prep is like for Fincher and Jeff

And of course in our quick-fire: Jeff’s no 1 piece of advice, favourite film, book to read, person to work with, and more.

Listen to the podcast:

Red Carpet Rookies (with a transcript)
Apple Podcast
Spotify
Google Podcasts

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FilmLight Colour Awards: Eric Weidt with ‘Mank’

An interview with the winner for best colour grading in Theatrical Feature 2021

February 3, 2022
FilmLight

Presenting the winners of the FilmLight Colour Awards 2021.

Winner, Theatrical Feature: Eric Weidt, for ‘Mank

The award for the grading of a theatrical feature went to Eric Weidt, who worked with DoP Erik Messerschmidt on ‘Mank’. Shot on an 8K RED camera, the movie is striking for its 30s Hollywood look combined with the crystal-sharp resolution.

Weidt also talks about his projects with Fincher for 2022.

Watch the video on YouTube