Join Alanah Pearce (game writer), Troy Baker (voice actor), Mike Bithell (game director), and Austin Wintory (game composer) as they talk about all the games, movies, TV and ‘whatever else’ that took their interest that week, from four unique perspectives in the games industry.
The editing and post-production of David Fincher‘s Mank.
Netflix’s Mank was leading 2021 Oscars nominations with 10 nominations, including Best Picture and Best Director. First assistant editor Ben Insler opens up the editing timeline of the film and shares insights on the editing and workflow process.
This show celebrates Ryan’s love for film, games, art and entertainment through personal retrospective analysis that aims to explore what made them so good.
Time stamps:
00:00: The Story & Characters 04:20: The Intense Filmmaking 08:37: The Panic Room Explained 12:27: Ending Spoilers
Oscar and Emmy winner Alberto Mielgo tells IndieWire about returning to the anthology with an animated original about a golden siren and an armored knight.
Love, Death + Robots Vol 3. EXTREMING TOMORROW. May 20, 2022 ❤️💀🤖
Alan Watts – “Dream” Music: Apache – Lord & Master
Emmy-winning animated anthology LOVE DEATH + ROBOTS returns with a third volume executive produced by Tim Miller (Deadpool, Terminator: Dark Fate) and David Fincher (MINDHUNTER, Mank). Terror, imagination and beauty combine in nine new episodes which stretch from uncovering an ancient evil to a comedic apocalypse, telling startling short stories of fantasy, horror and science-fiction with trademark wit and visual invention.
This month will see the return of “Love, Death + Robots” on Netflix, which is produced by Tim Miller and David Fincher. With the third volume arriving, something special is happening. Fincher will be helming his first animated short for the anthology streaming series.
Netflix has released a new trailer and announced Fincher is directing the segment “Bad Travelling” which was written by screenwriter Andrew Kevin Walker (“Se7en”) and based on a short story by Miller’s longtime pal, author Neal Asher. This marks Fincher’s first time directing something for the streaming series.
Netflix has also included a synopsis that reads as follows:
“A jable shark-hunting sailing vessel is attacked by a giant crustacean whose size and intelligence is matched only by its appetite. Mutiny, betrayal, and ventriloquism with a corpse.”
Emmy-winning animated anthology LOVE DEATH + ROBOTS returns with a third volume executive produced by Tim Miller (Deadpool, Terminator: Dark Fate) and David Fincher (MINDHUNTER, Mank). Terror, imagination and beauty combine in nine new episodes which stretch from uncovering an ancient evil to a comedic apocalypse, telling startling short stories of fantasy, horror and science-fiction with trademark wit and visual invention.
From the streamer that brought you The Crown (Winner 21 Emmy® Awards) and The Queen’s Gambit (Winner 11 Emmy® Awards), comes the return of the 11-Time Emmy® Award-winning (yes, look it up!) LOVE DEATH + ROBOTS.
Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan. Each episode dives into the respective DP’s current and past work, as well as what influences and inspires them. These discussions are an entertaining and informative look into the world of making films through the lens of the people who shoot them.
In this episode, Kenny talks with legendary cinematographer Jeff Cronenweth, ASC about the Oscar Nominated film “Being the Ricardos.” You likely know Jeff from his work on films such as “Fight Club“, “Gone Girl“, “The Social Network” & “The Girl with the Dragon Tattoo.”
David Fincher: Mind Games is the definitive critical and visual survey of the Academy Award– and Golden Globe–nominated works of director David Fincher. From feature films Alien 3, Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network, The Girl With the Dragon Tattoo, Gone Girl, and Mank through his MTV clips for Madonna and the Rolling Stones and the Netflix series House of Cards and Mindhunter, each chapter weaves production history with original critical analysis, as well as with behind the scenes photography, still-frames, and original illustrations from Little White Lies‘ international team of artists and graphic designers. Mind Games also features interviews with Fincher’s frequent collaborators, including Jeff Cronenweth, Angus Wall, Laray Mayfield, Holt McCallany, Howard Shore and Erik Messerschmidt.
Grouping Fincher’s work around themes of procedure, imprisonment, paranoia, prestige and relationship dynamics, Mind Games is styled as an investigation into a filmmaker obsessed with investigation, and the design will shift to echo case files within a larger psychological profile.
The Fincher Analyst 