MINDHUNTER panel at Netflix FYSEE

Composite of original photos by Annie Mack (Instagram)

David Fincher (Director & Executive Producer), Laray Mayfield (Casting Director), Jennifer Starzyk (Costume Designer), Erik Messerschmidt (Director of Photography), Steve Arnold (Production Designer), Cameron Britton, Anna Torv, Holt McCallany, Jonathan Groff.

“The Hydra” joins the Xenomorphs

2018-04 ICG Magazine - Mindhunter 11 (Patrick Harbron)
2016. The “Hydra” 1.0 (Patrick Harbron / Netflix)

Before releasing the beast…

Erik Messerschmidt (Instagram)

“A little late-night Xenomorph Mk2 Firmware Testing”.

RED Xenomorph Mk2 custom camera for David Fincher:

RED Helium 8K S35 sensor
Leica Summilux-C lenses by CW Sonderoptic
RTMotion lens motor control
Paralinx Tomahawk 2 wireless HD video
Zaxcom wireless audio and timecode
7.0″ LCD Touch
Foolcolor Foolcontrol camera control app for iOS & OS X
Extended WiFi/Foolcontrol antenna array
Anton Bauer Gold Battery Mount
Shoulder Mount

Greetings from Trish

View this post on Instagram

Constant Mood #eviltwin 🖤

A post shared by Trish Summerville (@mztsummerville) on

Thanks to Torrance K

Fincher is wearing a “Psycho” themed T-shirt from Soderbergh’s

loomis-wSpotted by Joe Frady, our cool-director fashion expert.

‘Se7en’: A Rain-Drenched, Somber, Gut-Wrenching Thriller that Restored David Fincher’s Faith in Filmmaking

(May 27, 2017)
Cinephilia & Beyond

Slightly more than 22 years ago, David Fincher, a talented filmmaker who made music videos and commercials and was left by his directorial stint on his first feature Alien 3 so disillusioned and bitter he felt “he’d rather die of colon cancer than do another movie,” stumbled upon a script that would renew his faith in the filmmaking business. This particular piece was written by Andrew Kevin Walker, and was deemed too dark and bleak to succeed. The story was largely shaped by Walker’s experience of living in New York City for a couple of years, where he felt alienated, lonely and unhappy. Desperately trying to get his story made, Walker agreed to rewrite the screenplay on the demand of director Jeremiah Chechik (Christmas Vacation), and it was this altered version that should have ended up in Fincher’s hands. But the studio made a mistake, delivering Walker’s original piece to Fincher, who was immediately intrigued and, even when the mistake was explained, chose to insist on the utter darkness Walker envisioned. By mere happenstance, therefore, Se7en found its director and made the first, crucial step on its way to cinematic immortality. […]

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