Debra Minoff & Susannah McCullough
April 12, 2018
ScreenPrism (YouTube)
David Fincher’s Netflix hit Mindhunter shows the power of dialogue done right.
Debra Minoff & Susannah McCullough
April 12, 2018
ScreenPrism (YouTube)
David Fincher’s Netflix hit Mindhunter shows the power of dialogue done right.
A video of Lee Child’s intro to last year’s BFI screening of “SE7EN“. I was there that night for the specially imported, ‘privately owned’ (QT?), original CCE 35mm print. I would have preferred a 4K DCP…
Joe Frady
November 30, 2017
BFI (YouTube)
Thriller author Lee Child talks to the BFI‘s Stuart Brown about David Fincher’s dark crime thriller, which follows a detective duo who find themselves pursuing a serial killer who uses the seven deadly sins to theme his murders. With a great ensemble cast and Darius Khondji’s camerawork helping to bring out the bleak, urban landscape, Se7en was a worldwide success.

Episode 20
January 16, 2018
Colorist Podcast
This episode is sponsored by Colorist Society International and Mixing Light.
On this episode of the colorist podcast, I talk with Ian Vertovec, Co-Founder, and Senior Colorist at Light Iron.
Ian has colored major films “The Social Network,” “The Girl with the Dragon Tattoo,” and “Gone Girl.” And more recently, he has colored the TV shows “Baskets” for FX and “Glow” on Netflix.
Originally from Chicago, Ian focused on photography, then moved on to digital compositing. He later co-founded two post facilities in Los Angeles: Plaster City, then Light Iron. Out of necessity, he moved on to color at his company. He found his combination of photography and compositing matched perfectly for a career as a colorist.
In this podcast, we talk about:
Episode 22
December 6, 2010
Tech Media Planet
Colorist Ian Vertovec from Light Iron Digital takes us through the ins and outs of color grading one of this year’s biggest hit films “The Social Network”.
September 2, 2011
Dolby (YouTube)
Playlist:
Daniel Netzel
March 28, 2018
Film Radar
An experimental video essay covering David Fincher‘s “Zodiac“, a true crime masterpiece that might be more true than you’d expect.
All interview excerpts taken from the special edition Blu-ray and DVD.
Thomas Flight‘s video that helped inspire me:
Shout-out to Laray Mayfield…

“Ten-minute short films to chill, move and amuse…”
Click on the posters to open each short:
Scott Macaulay
February 5, 2018
Filmmaker
Over nearly 20 years, film journalist Neville Pierce has collected bylines at most of the U.K.’s top film publications, including Empire (where he’s a contributing editor), Total Film (where he was the editor) and The Guardian. And while he worked as a reviewer early in his career, he’s best known for his long-form profiles of actors and directors, pieces that are deep dives into the art and craft of subjects like Michael Fassbender, Mark Romanek and, most consistently, David Fincher, whose sets he has visited and written about no less than seven times.
But since 2011 Pierce has been building a parallel career that particularly resonates with us here at Filmmaker. Moving from covering films to making films, he began to write — and sell — screenplays and, in the last two years, direct short films. Parlaying connections within the U.K. acting community, Pierce has made four shorts, three of which are premiering online today. Strikingly, they are different in style and content, illustrating Pierce’s range while also indicating, perhaps, his own process of artistic discovery — an exploration of different genres and tones while working, one presumes, towards an inevitable first feature.
PIERCE: The biggest lessons probably came from my two favourite contemporary filmmakers. I interviewed Steven Soderbergh for The Informant and he talked about fantasy versus reality, “Are you going to deal with the world as it is or are you going to constantly trying to turn it into something that it’s never going to be?” That thought had a big impact both professionally and personally. Acting out of the facts, rather than out of wishes. The other thing, which I keep at the top of my digital “to do” list, as a constant reminder, is from Fincher: “The lesson of Alien 3 is ‘Take all of the responsibility, because you’re going to get all of the blame.’”
Michael Tucker
January 30, 2018
Lessons from the Screenplay (YouTube)
The Girl with the Dragon Tattoo is an exciting thriller about an unlikely pair of misfits trying to solve a forty-year-old crime, but it’s also interesting from a structural perspective. It uses a non-conventional, five-act structure. This video breaks down the anatomy of an act, to examine how the film breaks the rules while following them at the same time.
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LFTS Recommended Reading List
Books in this video

Into the Woods: A Five-Act Journey Into Story by John Yorke
Screenplay: The Foundations of Screenwriting by Syd Field
Watch the previous video on The Avengers and traditional act structure:
David Fincher quote:
BFI LFF: MINDHUNTER Q&A with David Fincher hosted by Nev Pierce. Audio
Min. 1:05:28
Other Lessons from the Screenplay:
Gone Girl — Don’t Underestimate the Screenwriter
True Detective vs. Se7en — Creating Light Amongst The Dark
DXL Channel (vimeo)
December 20, 2017
Presented live at Camerimage 2017, this provocative presentation examines the psychology, physiology, and physical relationships between resolution and sharpness. Panavision and Light Iron experts Michael Cioni, Dan Sasaki, and Ian Vertovec present a fresh perspective on how the pursuit of cinematic smoothness is tied to the race for resolution.