Starring Academy Award Winner Gary Oldman, Amanda Seyfried, Lily Collins, Arliss Howard, Tom Pelphrey, Sam Troughton, Ferdinand Kingsley, Tuppence Middleton, Tom Burke, and Charles Dance.
Amanda Seyfried Lily Collins – Arliss Howard Tom Pelphrey – Sam Troughton – Ferdinand Kingsley Tuppence Middleton – Tom Burke – Joseph Cross Jamie McShane – Toby Leonard Moore – Monika Gossmann and Charles Dance
Casting by Laray Mayfield Sound Supervised by Ren Klyce Music by Trent Reznor & Atticus Ross Gowns and Costumes by Trish Summerville Film Edited by Kirk Baxter, A.C.E. Production Designed by Donald Graham Burt Photographed in Hi-Dynamic Range by Erik Messerschmidt, ASC Produced by Ceán Chaffin, Eric Roth, Douglas Urbanski Screen Play by Jack Fincher Directed by David Fincher
MPPDA – Recorded in Mon((o))scape – I.A.T.S.E. – Rated R. Some Language
Herman ‘Mank’ Mankiewicz (Gary Oldman) drunkenly harangues the dinner guests at Hearst Castle
Directed by: David Fincher Produced by: Ceán Chaffin, Eric Roth, and Douglas Urbanski Written by: Jack Fincher Score by: Trent Reznor & Atticus Ross Costumes by: Trish Summerville Edited by: Kirk Baxter, ACE Production Design by: Donald Graham Burt Photography by: Erik Messerschmidt, ASC Co-Produced by: Peter Mavromates & William Doyle
Marion Davies (Amanda Seyfried) sits in growing horror as her dinner party is disturbed by Mank
Cast: Gary Oldman as Herman J. Mankiewicz Amanda Seyfried as Marion Davies Lily Collins as Rita Alexander Arliss Howard as Louis B. Mayer Tom Pelphrey as Joe Mankiewicz Sam Troughton as John Houseman Ferdinand Kingsley as Irving Thalberg Tuppence Middleton as Sara Mankiewicz Tom Burke as Orson Welles Joseph Cross as Charles Lederer Jamie McShane as Shelly Metcalf Toby Leonard Moore as David O. Selznick Monika Gossmann as Fraulein Freda and Charles Dance as William Randolph Hearst
William Randolph Hearst (Charles Dance) beside MGM’s Louis B. Mayer (Arliss Howard)
Gary Oldman as Herman Mankiewicz (Gisele Schmidt/NETFLIX)
Gary Oldman (as Herman Mankiewicz), Sean Persaud (as Mank’s colleague Tommy), and Gaffer Danny Gonzalez, before a LED backdrop of the desert (Gisele Schmidt/NETFLIX)
Gary Oldman (as Herman Mankiewicz) shot with the RED Monstro 8K Monochrome by Camera Operator Brian Osmond (Nikolai Loveikis/NETFLIX)
Even before theatrical failures dimmed his dreams of escape, Herman had decided he could bring New York to Hollywood by importing some of his friends. If Ben Hecht couldn’t write him a good script, Herman told Schulberg, then Schulberg could tear up Herman’s two-year contract and fire them both. His boss could hardly refuse a bet like that, so Herman wired, “Will you accept three hundred per week to work for Paramount Pictures. All expenses paid. The three hundred is peanuts. Millions are to be grabbed out here and your only competition is idiots. Don’t let this get around.”
Hecht, who later claimed that Herman’s telegram arrived just in time to avert a financial disaster so severe that he had taken to his bed with Gibbon’s Decline and Fall of the Roman Empire, hurried west to enroll in what he called the Herman Mankiewicz School of Screenwriting.
Director: Kimb Luisi & Dan Young Production Company: Sawhorse Productions DP: Skyler Bocciolatt Production Design: Sage Griffin Storyboards: Andrew Paul
1930s Hollywood is reevaluated through the eyes of scathing wit and alcoholic screenwriter Herman J. Mankiewicz as he races to finish Citizen Kane.
Starring: Gary Oldman, Amanda Seyfried, Charles Dance
Cast: Lily Collins, Arliss Howard, Tom Pelphrey, Sam Troughton, Ferdinand Kingsley, Tuppence Middleton, Tom Burke, Joseph Cross, Jamie McShane, Toby Leonard Moore, Monika Gossmann
2h 11m
Click to enjoy the images in glorious 5K, full quality, and full screen view:
To celebrate the 25th anniversary of Se7en and the 10th anniversary of The Social Network, The Ringer hereby dubs September 21-25 David Fincher Week. Join us all throughout the week as we celebrate and examine the man, the myth, and his impeccable body of work.
Thanks to ‘House of Cards,’ the man so deeply associated with filmmaking may ironically be best remembered for his impact on the streaming revolution
Try and think back, if you can, to 2013. Obama has just won a second term. “Netflix” still means DVDs in red envelopes. And the idea of a major director deigning to do TV is remarkable enough to turn heads.
David Fincher was hardly the first name-brand auteur to try his hand at the small screen. Most famously, David Lynch brought paranormal dread to primetime with Twin Peaks in 1989; Steven Spielberg directed multiple episodes of his NBC anthology Amazing Stories, with subsequent chapters helmed by Clint Eastwood, Martin Scorsese, and Danny DeVito. But Fincher is neither an irrepressible weirdo prone to counterintuitive career moves nor a middlebrow populist with a family-friendly sensibility. He is, in many ways, a textbook Film Director: an uncompromising visionary who makes dark, violent, and above all, precise movies for adults. Fincher is the last person you could picture taking notes from a network executive, or taking part in the logistical corner-cutting that marks so much of TV production, which naturally made him the first person an up-and-coming entertainment hub would call to signal they’re Not Like Other Networks.
1930s Hollywood is re-evaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane for Orson Welles.
Click to enjoy the images in glorious 5K, full quality, and full screen view:
Actor Damon Herriman talks about tackling the role of Charles Manson (again) in Netflix‘s Emmy®-nominated series Mindhunter. Oscar®-winning makeup designer Kazu Hiro, meanwhile, details the actor’s physical transformation from mild-mannered Aussie to iconic cult leader.
Director Carl Franklin and cinematographer Erik Messerschmidt expound on the visual language of a scene from season two of Netflix‘s acclaimed drama series Mindhunter. They give insights into perspective considerations, the choice of handheld camera over Steadicam and the general stylistic shift employed for the sequence.
Explore the approach to one of drama series Mindhunter‘s most complex and often-discussed scenes with Emmy-nominated, Oscar-winning film editor Kirk Baxter.