Neville Pierce on Seven

SOMEONE ELSE’S MOVIE is just what it says on the label: Each week, an actor, director, screenwriter, critic or industry observer will discuss a film that he or she admires, but had no hand in making.

Hosted as genially as possible by Norm Wilner.

July 31, 2018
Someone Else’s Movie

Neville Pierce

The show returns to London so journalist and filmmaker Neville Pierce — whose latest short, Promise, just arrived on Vimeo — can discuss the life-changing impact and technical virtuosity of David Fincher‘s Seven. Your genial host Norm Wilner believes in the second part.

Listen to the conversation

Previous episodes discussing Fincher films:

Jeffrey P. Nesker on Alien 3
Mark O’Brien on The Game
Jean Grae on Fight Club

The Pitch (vimeo)
July 20, 2018

Promise (2017)

A Syrian refugee can only stay in Britain if she becomes a surrogate mother for a desperate couple, but their illicit pact has dark consequences.

Stars: Rebecca Callard, Nabil Elouahabi, Lara Sawalha
Directed by Neville Pierce
Written by Hannah Lee
Produced by Luke Walton & Neville Pierce

“Superbly done” – Mark Romanek

Promise is a haunting film of loss and hope which takes an old story and sets it in contemporary Britain. “Pregnant with resonances, both biblical and political” – Projected Figures

Promise was made as part of The Pitch, a competition which offers its winner a £30,000 production budget and a trip to Hollywood.

Read an interview with Promise screenwriter and Pitch finalist Hannah Lee.

In Conversation with Mindhunter’s Jonathan Groff

Paula Courtney
July 29, 2018
Absolute Music Chat

Actor Jonathan Groff has already enjoyed a huge degree of respect and recognition for his previous roles in theatre (Hamilton and Spring Awakening), on TV (Looking and Glee) and also in film with the hugely successful Frozen. Lately however he has found a whole new audience, who are singing his praises for his outstanding performance as Holden Ford on Mindhunter. In my extended interview with Jonathan we talk about his early years, his first roles, working on Mindhunter, his thoughts on David Fincher’s directing technique and so much more.

[…]

PC: Tell me more about working with David Fincher. Obviously his name is on everyone’s lips nowadays and we know his style of directing – we all know he may shoot the same scene 70 times – but there’s much more to him than that. I always like to get information first hand, if I can. What kind of impression has he made on you?

JG: Well it’s just the whole idea, for me at least, [of] having complete faith and trust in someone and knowing that they are going to take you somewhere that is interesting, and working with him is different to working with anyone else. One of the reasons being that you go, ‘Okay, I will just do whatever you want,’ because I so believe in him and in his brain and in his vision, and his point of view, because he’s just proven time and time and time and time again – with all of his films and projects – that he’s one of the most interesting, creative people working today. So just to get the opportunity to be a part of his world is exciting and especially with this TV experience, particularly right now, in this very moment, it’s the first time he’s ever come back to a television show. He directed the first two episodes of House of Cards and he was Creative and Executive Producer on that show, but he never came back to direct it again. He very much had his hand in every episode on the first season of Mindhunter. We weren’t sure if he would come back and do the second season or not, because he has never done that before and now here he is, and we are working on the second season. Just to get that extended time with him and to see how… I guess the thing that is so inspirational about him is that he doesn’t sit back and go, ‘Okay, we know what we are doing. We know who these characters are. Let’s just continue comfortably down the road we were going down before.’

We came back to the second season and obviously some of the sets are the same, and we actually basically know who the characters are, where before we didn’t know what the show was yet – we were still making it. So there’s that element, which is great. But it’s still the same process as it was the first time around: it’s not laid back and comfortable; it’s not pressing the same notes; he’s really trying to move things forward and make things different, evolve it and grow it and change it as it goes along – that’s just an artist that is always searching, always changing and always asking the questions. He’s just always trying to get to a better version of the truth: in the writing, then in the shooting and in the editing, he just never stops working and never stops asking questions, and it’s just so rare to find someone like that.

Read the full interview

Read the other Absolute Music Chat conversations with the Cast of Mindhunter (more to come):

An Interview with Mindhunter’s Holt McCallany
Jack Erdie: Actor (Mindhunter, Banshee) & Writer
In Conversation With Alex Morf: Actor (Mindhunter, Daredevil)
In Conversation With Tobias Segal: Actor (Mindhunter, Sneaky Pete)
Spotlight Interview. Chris Dettone: Actor (Mindhunter), Stuntman/Coordinator

The Best Movie Trailer Ever Came Out Eight Years Ago. It’s Still The Best

I wish I was special.

Adam Epstein
July 19, 2018
Quartzy

In 2009, shortly after The Social Network—then known only as “the Facebook movie”—was announced, Mashable ran a story with the headline, “No, You Cannot Turn Facebook into a (Decent) Movie.” Even after it was reported that the brilliant filmmaker David Fincher would direct Aaron Sorkin’s script about Mark Zuckerberg and the early days of Facebook, the Huffington Post published a story proclaiming “The Facebook Movie Puts the zZzZ’s in Zuckerberg.” Some months later, after the film’s cryptic, one-minute teaser trailer hit the internet, the Atlantic remained skeptical, predicting that The Social Network would be “deadly dull.”

People said the film sounded “like parody,” that it looked like “a train wreck,” that the whole thing was “asinine” and made them “weep for humanity.”

Then, eight years ago this week, that all changed. On July 16, 2010, Sony Pictures released the first full-length theatrical trailer for The Social Network, made by the artsy trailer house Mark Woollen & Associates, upending the narrative surrounding the film almost overnight:

Read the full article

Mark Woollen & Associates - Logo

Mark Woollen & Associates

The Social Network
The Girl With The Dragon Tattoo
Gone Girl

Opinion: SE7EN’s John Doe Didn’t Succeed as He Planned

Jonathan Barkan
July 3, 2018
Dread Central

David Fincher’s 1995 psychological horror/thriller Se7en is one of most enduring and terrifying films of its kind, standing alongside the likes of The Silence of the Lambs, Zodiac, Frailty, and The Vanishing, amongst others. The tale of two detectives, one new to the force and one on the way out, searching for a serial killer whose victims are chosen according to the seven deadly sins, Se7en was lauded upon release and was wildly commercially successful.

While the gritty, grimy, darkness that pervades throughout the film hovers like a miasma of evil, it’s the ending that has cemented the film in cinema history. I urge those who have not seen the film to avoid reading any further because this piece will delve deep into spoiler territory, ruining a great deal of what makes this film so special.

Read the full article

 

“Heavy Metal” R-rated animated anthology might finally be happening as a series on Netflix

Last March, during several promotional interviews for his new film Prodigy (1, 23), veteran actor and voice actor Richard Neil talked about one his recent projects:

“I just voiced one of the lead roles in a graphic anthology series directed by Tim Miller, who directed Deadpool. That’s being produced by David Fincher and is supposed to debut on Netflix later this year or early next year.

I cannot even say the name of the series at this time.

In that, I took on a kind of Nick Nolte meets Tom Waits voice. You just have to make sure you can sustain it and not hurt yourself!”

According to Longmire TV series actor Adam Bartley:

“This year, since I’ve finished Longmire I’ve done two films and a motion-capture job, a David Fincher – Netflix untitled short.”

For details on the history of the Heavy Metal anthology project and his development (hell):

Details and Artwork From Tim Miller’s Unmade ‘Heavy Metal’ Reboot

Christopher Marc
December 10, 2016
Omega Underground (Geeks WorldWide)

Tim Miller Hints ‘Terminator’ Shoots In 2018; ‘Goon’ and ‘Heavy Metal’ Announcements Soon?

Christopher Marc
July 26, 2017
Omega Underground (Geeks WorldWide)

Frank W Ockenfels 3: David Bowie, Light, & Portrait Photography

The Hollywood Reporter (YouTube)
June 22, 2018

A craftsman with a camera and an artist with a vision. Frank W Ockenfels 3 takes us through his detailed story of his close relationship with the late David Bowie. A master of light and one of the industry’s most prolific photographers, this is ‘Magic Hour.’

Click for a full screen view:

Frank Ockenfels 3

Original Benjamin Button Model by Kazu Hiro

Click for a full screen view:

2006. Rick Baker's Cinovation Studios deliver the Brad Pitt heads by Kazu Hiro to Digital Domain

Rick Baker’s Cinovation Studios deliver the aged Brad Pitt silicone heads by Kazu Hiro to Digital Domain to be digitally scanned. Top center: Kazu Hiro and Rick Baker. Top right: Eric Barba, Visual Effects Supervisor for Digital Domain (Kazu Hiro, 2006)

2018-01. Make-Up Artist Magazine - Kazuhiro TsujiSculptor and Special Make-Up Effects Artist
Kazu Hiro (Make-Up Artist Magazine, 2018)

kazustudios.com

MINDHUNTER. S01: Emmy FYC DVD Set

Click for a full screen view:

DVD Set kindly donated by Joe Frady

2018-05. Mindhunter FYC DVD Set 000b