by Lizzy Goodman
July 25, 2017
The Village Voice
With our political norms crumbling, our social fabric fraying, and our planet literally on fire, the Nine Inch Nails mastermind is back to make sense of it all.
Unsolved Mystery
Adam Nayman
Jul 25, 2017
The Ringer
Misunderstood upon its 2007 release, ‘Zodiac’ now stands as one of the great films of the century. A look back on this postmodern, hyper-realistic, obsessive mystery film about cops, a famous killer, newspapers, and the puzzle that stumped a city.
Procedural: Zodiac and the Digital Cityscape
A Video Essay by Conor Bateman
Conor Bateman observes how analogue and digital, real and constructed, bleed into a paranoid, video-game vision of 1970s San Francisco in David Fincher’s classic crime procedural, Zodiac.
Commissioned by Open City Inc, publisher of RealTime 2017, ©RealTime
Why CG Sucks (Except It Doesn’t)
RocketJump Film School
Published on Aug 4, 2015
YouTube
Are computer generated visual effects really ruining movies?
We believe that the reason we think all CG looks bad is because we only see “bad” CG. Fantastic, beautiful, and wonderfully executed CG is everywhere – you just don’t know it. Truly great visual effects serve story and character – and in doing so are, by their very definition, invisible.
Written and Narrated by Freddie Wong
Edited by Joey Scoma
Assistant Editor – Joshan Smith
The Society of the ‘Fight Club’ Is the Society of the Spectacle
By Carl Wilson
24 July 2017
pop matters
All work and no play make Fight Club‘s Jack deconstruct life, cinema, and his own sanity.
Interiors: The spaces in David Fincher’s films
Interiors is an online film and architecture journal, published by Mehruss Jon Ahi and Armen Karaoghlanian, that analyses and diagrams films in terms of space.
A Pair of Artists Use Architecture to Study Film
The founders of “Interiors,” a journal dedicated to film and architecture, diagram scenes from movies such as “Fight Club,” “Psycho,” and more.
Colin Warren-Hicks
January 30, 2014
Metropolis
If cinema is a matter of what’s in the frame, David Fincher is an artist who is very much concerned about all four corners of his canvas.
by INTERIORS Journal
June 3, 2013
ArchDaily
“Their positioning throughout the scene provides us with an understanding of how David Fincher uses space within the film, and in doing so, how he also maintains the architectural integrity of the film.”
Mehruss Jon Ahi and Armen Karaoghlanian
2012-01
Interiors
“The vastness of the desert around them emphasizes the fact that the handcuffed John Doe is captured; a lack of freedom despite the free space around him.”
Mehruss Jon Ahi and Armen Karaoghlanian
2013-01
Interiors
“David Fincher switches from a subjective perspective onto an objective perspective after the reveal has been made.”
Mehruss Jon Ahi and Armen Karaoghlanian
2014-01
Interiors
David and Brad seem impressed by the latest toy from RED
Jarred Land (Facebook)
Jarred Land (Instagram)
July 7, 2017
Crazy. Last night it seems the entire the world was arguing over how insane we were (again) and how the Hydrogen display we are promising is just simply impossible. […]
Read the full announcement:
Order here: http://www.red.com/hydrogen
Link to PDF: http://www.red.com/hydrogen.pdf
More details by Jim Jannard, founder of RED, on the RED User forums.
Thanks to mikez
The Horror of David Fincher’s Zodiac
Posted on July 3, 2017 by David Baker
Dread Central
David Fincher’s Zodiac, which debuted in March of 2007, is a perfect example of blending genres. At its core, it’s a drama built on obsession. It’s also a police and newspaper procedural, family drama, and what we’re going to be looking at, effective horror film. […]
FincherFanatic (Blog) No More… Long Live FincherFanatic!
For a full decade, since January 2007, the FincherFanatic Blog has been the best source of information and news about one of the best directors of our time, and the unmissable gathering point for fans of exquisite and exciting filmmaking from all over the World.
Run with gentle fanaticism and infectious enthusiasm by FincherFanatic, it has officially ceased its activity due to “life catching up” with his author, who has kindly passed the torch to this site:
Posted by: FincherFanatic
July 6, 2017
fincherfanatic.blogspot.com
Not that this were actually a news-worthy item at this point: Life has caught up, as so often it does, and as I am sure you all have guessed at this point. Time for the fincherfanatic blog there is no more — enthusiasm for Fincher’s work and craft will certainly remain…
I am deeply thankful for you wonderful bunch of fincherfanatics that have assembled here over the years, thank you for all of your emails, sharing your links and resources, and once again: a heartfelt thank you to Mr. Fincher himself for allowing me to meet him for a very generous interviews a few years back. Fincher’s works have been great subjects of study for my own story-telling and film-making efforts. Creating and maintaining this blog for some years was an instructive and very very fun thing to do. […]
That being said, there will be no more updates to this blog. I saw Daryl has set-up a new Fincher blog over at https://thefincheranalyst.com/, which I hereby highly recommend, and I will make sure to drop by there in the future.
Daryl, good luck with that, and thank you for carrying the torch.
To everyone else, thanks for stopping by and sticking around.
It will still remain as an invaluable source of 10 years worth of information, so keep it in your bookmarks or add it if it is not there yet.
How David Fincher’s ‘World War Z 2’ Can Resurrect The Zombie Sub-Genre In Hollywood
By Pramit Chatterjee, writer at CREATORS.CO
June 29, 2017
Movie Pilot
Before we can fully realize how Fincher can significantly change the zombie sub-genre’s current direction, it’s important to acknowledge how these brain-eating beasts are currently being used in American entertainment. […]
The Fincher Analyst 