David Fincher discusses the making of The Killer with Sound Designer Ren Klyce, Editor Kirk Baxter, and Writer Andrew Kevin Walker, after the screening for the press in New York. Hosted by Tomris Laffly.
(Video clips recorded with a phone from the audience, with not very good audio and, for some reason, with each video clip edited in twice).
David Fincher discusses the making of The Killer with Writer Andrew Kevin Walker, Editor Kirk Baxter, and Sound Designer Ren Klyce, after the “Tastemaker” screening for The Academy at the Whitby Hotel in New York.
Director David Fincher, Editor Kirk Baxter, Writer Andrew Kevin Walker, Sound Designer Ren Klyce, and Director of Photography Erik Messerschmidt, discuss their film The Killer with moderator Elvis Mitchell at The Academy Museum in Los Angeles.
The Egyptian Theatre re-opened in Hollywood with a special screening of The Killer, followed by a Q&A with Director David Fincher and Sound Designer Ren Klyce hosted by Jim Hemphill.
The next day, a screening of Zodiac was followed by a discussion with the director about the film and his career, “David Fincher par David Fincher, une leçon de cinéma” (“David Fincher by David Fincher, a lesson in cinema”).
Frédéric Bonnaud, Director of the Cinémathèque française Anaïs Duchet, Interpreter October 13, 2023 Cinémathèque Française
The Cinémathèque Française (French Cinematheque) hosted a David Fincher Retrospective from October 13 to 22, 2023, in Paris (France).
Supported by Netflix, Patron of the Cinémathèque, it opened with a preview screening of The Killer followed by a Q&A with Director David Fincher, and Director of Photography Erik Messerschmidt, ASC.
Andrew Kevin Walker and David Fincher have one of the most creatively fulfilling relationships in Hollywood, and their latest collaboration “The Killer” is certainly one of their best.
Walker burst onto the scene as the screenwriter behind 1995’s twisted serial killer thriller “Seven,” whose shocking ending immediately caught the eye of Fincher and became the director’s second feature film. Walker would go on to perform uncredited work on scripts for “The Game” and “Fight Club” and wrote a few other Fincher projects that never came to pass (including a “20,000 Leagues Under the Sea” reboot for Disney), and recently co-wrote and produced the 2022 thriller “Windfall” for Netflix and filmmaker Charlie McDowell. But “The Killer” brings Walker and Fincher back into familiar territory with a fresh twist.
When Fincher first pitched “The Killer” – which follows an assassin (played by Michael Fassbender) following a botched hit – to Walker back in 2008, they talked about minimizing the character’s dialogue. When the project gained new life at Netflix a decade later, Walker was tasked with a very specific job: try and write the film with only 10 lines of dialogue for Fassbender’s character.
Walker nearly succeeded, getting the total number of lines down to 13, but after the first assembly cut of the film was put together, Fincher and Walker agreed the film needed more voiceover. Much more.
Walker unpacked this process and his relationship with Fincher in an interview with The Wrap, also touching on how he went about crafting the Tilda Swinton scene in the film and the somewhat ambiguous ending.
After casting Holt McCallany in Alien 3 and later in Fight Club in the types of tough-guy roles that have largely defined his four-decade career, David Fincher finally let the 60-year-old actor showcase his softer side as FBI agent Bill Tench in Netflix’s psychological thriller Mindhunter. It was that performance, in which McCallany was able to balance steely professionalism and quiet melancholy, that earned him a meeting with director Sean Durkin, who was looking for the right person to play the patriarch of the Von Erich clan inThe Iron Claw, his biopic of the legendary Texas wrestling dynasty. As Fritz Von Erich, a loving but severe father who pushed his four sons (played by Zac Efron, Jeremy Allen White, Harris Dickinson, and Stanley Simons) beyond their limits—often with tragic results—McCallany is earning the best reviews of his career, and even, to his own shock, some Oscar buzz. As he told Fincher over Zoom a couple of weeks ago, he’s still letting it all sink in.
DAVID FINCHER: Hey Holtster! How have you been?
HOLT MCCALLANY: I’ve been great David, because there were a couple of articles, one in Variety, one in Vulture, that picked me as somebody who could get a possible Academy Award nomination for Supporting Actor, even though it’s going to be a very tough year.
Also on this episode, “The Iron Claw” actor Holt McCallany talks about playing the legendary wrestler Fritz Von Ehrich in Sean Durkin’s powerful new drama. He discusses coming to peace with many of his scenes that were cut from the film, and what we can expect from his upcoming directorial effort “The Star Maker” after getting script notes from David Fincher.
A quintessential “that guy” performer in the eyes of most audience members, this veteran character actor boasts over 80 credits in a three-decade career, including turns in “Nightmare Alley” and Netflix’s “Mindhunter.” As the hardened patriarch of a family of pro wrestlers in A24’s sports drama, McCallany exudes an intense and thorny power, expertly revealing the dangers of a particular form of pressurized ambition. It’s a performance that’s reminiscent of J.K. SimmonsOscar-winning turn as the abusive music teacher in “Whiplash.”