Tag: Film Stills

LOVE DEATH + ROBOTS. Volume 4: Official Trailer, New Posters, New Stills & Episode Guide

April 24, 2025
Netflix

Dinosaur gladiators, messianic cats, string-puppet rock stars, it can only be LOVE DEATH + ROBOTS.

The fourth volume, presented by Tim Miller (Deadpool, Terminator: Dark Fate) and David Fincher (Mindhunter, The Killer), sees Jennifer Yuh Nelson (Kung Fu Panda 2, Kill Team Kill) return as supervising director for ten startling shorts showcasing the series’ signature, award-winning style of bleeding-edge animation, horror, sci-fi and humor. Buckle up.

Among the 10 shorts included in Volume 4 is an episode directed by David Fincher. The second short he has directed after Bad Travelling (Vol. 3) is titled Can’t Stop, and it is a throwback to his early work as a music video director. “A unique take on the Red Hot Chili Peppers’ legendary 2003 performance at Slane Castle, Ireland,” it features the band members as marionette puppets, with animation by Blur Studio.

Other shorts in this Volume directed by returning directors include Spider Rose by Jennifer Yuh Nelson, set in the fantastic cyberpunk universe of Swarm (Vol. 3). Oscar-winning Patrick Osborne directs two episodes: The Other Large Thing, about a cat plotting world domination, and Smart Appliances, Stupid Owners, about household tech that revolts. Tim Miller directs another two episodes: Golgotha, “a rare live-action entry” about “dolphin Jesus”, and The Screaming of the Tyrannosaur, set in an outer space gladiatorial arena where combatants ride genetically modified dinosaurs. And Robert Valley directs 400 Boys, about a post-apocalyptic city where warring gangs follow a bushido-like code of honor.

Read the Volume 4 Guide: 2025. LOVE DEATH + ROBOTS. Volume 4

Click in the gallery below to view eleven brand-new stills:

And check out the new posters designed by Neil Kellerhouse:

EXTREMING May 15, 2025, only on Netflix.

AC Gallery: Gone Girl

“A” Camera Operator Peter Rosenfeld, David Fincher, and
Director of Photography Jeff Cronenweth (Merrick Morton)

A collection of stills and images from the making of David Fincher’s 2014 mystery drama.

Brian Kronner
April 14, 2025
American Cinematographer

Gone Girl was the fourth feature collaboration between director David Fincher and cinematographer Jeff Cronenweth, ASC since 1999; Fight Club, The Social Network and The Girl with the Dragon Tattoo being the other three. Additionally the pair worked together on multiple commercials and music videos, creating a working chemistry.

Their 2014 feature Gone Girl, for which Rosamund Pike earned a Best Actress nomination from the Academy, was deftly shot and flowed quicker than its 149-minute runtime would suggest, resulting in one of the best psychological thrillers of the 2000s.

The film was shot digitally on Red Dragon cameras, using Leitz Summilux-C lenses and “a fairly comprehensive lighting package,” which included ETC Source Fours, Mole-Richardson incandescents, and Arri M Series HMIs. Further details can be found in our cover story published in AC Nov. 2014.

In addition to Pike, the filmmakers rounded out the cast with Ben Affleck, Carrie Coon, Neil Patrick Harris, Tyler Perry, Kim Dickens, Patrick Fugit, Missi Pyle, Emily Ratajkowski, Casey Wilson, Boyd Holbrook, and Scoot McNairy.

Cronenweth’s chief lighting technician on this show was Erik Messerschmidt — now an ASC member whose feature credits as a cinematographer include Fincher’s Mank and The Killer.

What follows is a curated collection of unit photography by Merrick Morton, a founding member of the SMPSP who also shot stills for features including L.A. Confidential, Fight Club, Zodiac, and The Bad Batch, and the series Mindhunter.

View the full gallery

LOVE DEATH + ROBOTS. Volume 4: Official Teaser, Poster, First Stills & Release Date

There will be 10 original shorts in the new volume.

April 9, 2025
Netflix

Dinosaur gladiators, messianic cats, string-puppet rock stars, it can only be Love, Death & Robots.

The fourth volume, presented by Tim Miller (Deadpool, Terminator: Dark Fate) and David Fincher (Mindhunter, The Killer), sees Jennifer Yuh Nelson (Kung Fu Panda 2, Kill Team Kill) return as supervising director for ten startling shorts showcasing the series’ signature, award-winning style of bleeding-edge animation, horror, sci-fi and humor. Buckle up.

Click in the gallery below to view five brand-new stills:

Time for your fourth dose:

Poster by Neil Kellerhouse

EXTREMING May 15, 2025, only on Netflix.

Love, Death + Robots Is Fully Charged for Volume 4

Stephan Lee
Netflix Tudum

Read the series guides:

2019. LOVE DEATH + ROBOTS. Volume 1

2021. LOVE DEATH + ROBOTS. Volume 2

2022. LOVE DEATH + ROBOTS. Volume 3

David Fincher talks us through the off-screen torture of making ‘Seven’

David Fincher on the set of Seven (Peter Sorel/New Line Cinema)

Joshua Rothkopf, Film Editor
April 18, 2024
Los Angeles Times

By any reasonable measure, David Fincher had made it by 1990. He was directing rapturous music videos for Madonna (Express Yourself, Vogue) and doing lucrative ads for top brands worldwide. The production company he co-founded, Propaganda Films, had cornered the MTV market, helping launch the careers of such future notables as Spike Jonze and Antoine Fuqua.

But there was Hollywood to conquer and Fincher, not yet 30, rushed headlong into his feature debut, one that no superfan of Ridley Scott (also a genius director of commercials) could pass up: the third movie of the Alien franchise. While it has since found a hardcore base of defenders, 1992’s dour, much-mussed Alien3, a troubled production, was a disappointment that Fincher has largely disowned.

A little over three years later, however, he was back with a movie that has since come to define him, even with future Oscar-nominated titles on the horizon. Starring Morgan Freeman and a rising Brad Pitt as detectives — one deliberate and cynical, the other impulsive and naive — in an oppressively rainy city hunting down a ghoulish maker of tableaus based on the deadly sins, Seven yoked Fincher’s gift for atmosphere to Fritz Lang-worthy material that approached metaphysical profundity.

“Who wants to spend their time bitching and moaning about transgressions that were done to you?” says Fincher, 61, of the tough years between Alien3 and the breakthrough that cemented his style. “That seems like a waste of time. I don’t think I was persecuted on Alien3, but I definitely learned what my limits were.”

The story of his rebound, though, remains a valuable one, even if the director himself would rather move on. In advance of Friday’s world premiere of a newly remastered 8K Imax version of Seven at the TCM Classic Film Festival, it feels like time to tell it again. Fincher is in a sharply funny, self-deprecating mood — his typical M.O. — when he connects on Zoom from his Los Angeles office.

Read the full interview

THE KILLER: More Stills

October 27, 2023
Netflix

After a fateful near miss an assassin battles his employers, and himself, on an international manhunt he insists isn’t personal.

Netflix Presents Michael Fassbender “THE KILLER”, with Tilda Swinton.

Click to view the gallery of the newly available official stills:

Release Date: In Select Theaters October 27  / On Netflix November 10

THE KILLER: New Stills

September 1, 2023
Netflix

After a fateful near miss an assassin battles his employers, and himself, on an international manhunt he insists isn’t personal.

Netflix Presents Michael Fassbender “THE KILLER”, with Tilda Swinton.

Click to view the gallery of all available official stills:

World Premiere in competition at the Venice Film Festival: September 3

Release Date: In Select Theaters October 27  / On Netflix November 10

THE KILLER: Teaser Trailer and New Stills

August 29, 2023
Netflix

After a fateful near miss an assassin battles his employers, and himself, on an international manhunt he insists isn’t personal.

Netflix Presents: Michael Fassbender “THE KILLER”

Arliss Howard, Charles Parnell, Kerry O’Malley, Sala Baker

With Sophie Charlotte and Tilda Swinton

Casting: Laray Mayfield
Sound Design: Ren Klyce
Music: Trent Reznor & Atticus Ross
Costume Designer: Cate Adams
Editor: Kirk Baxter ACE
Production Design: Donald Graham Burt
Director of Photography: Erik Messerschmidt ASC
Executive Producer: Alexandra Milchan
Producers: William Doyle, Peter Mavromates
Produced By: Ceán Chaffin p.g.a.

Based on “The Killer”
Alexis “Matz” Nolent
Illustrator: Luc Jacamon

Screenplay By: Andrew Kevin Walker

Directed By: David Fincher

World Premiere in competition at the Venice Film Festival: September 3

Release Date: In Select Theaters October 27  / On Netflix November 10