Going back in time to watch the filming of The Curious Case Of Benjamin Button

A set visit, shocks and discovering there’s no time like the present…

Nev Pierce
July 21, 2024
The Fall Will Probably Kill You (Substack)

Nothing else that is so certain is as surprising as age. This first struck me a few years ago when my eldest child turned 18 and, with spectacular solipsism, I thought: ‘Hang on, if my son is a man then that must mean I’m old.’ None of my own birthdays had hit so hard.

When I was a boy I used to believe – to hope, really – that one day I would, like Tom Hanks in Big, wake up and look in the mirror and find myself a fully formed adult, maybe with a caption saying, ‘10 years later’. Then you realise this is not a hope but basically a reality, as it’s a blink and you’re there (except I’d kill to have Hanks’ abs). As Jose Mourinho told Dele Alli, “I am 56 now and yesterday, yesterday, I was 20.”

I’m clinging to my mid-40s and realising the truth of this, as well as the reality that we’re never really adults – even our parents are not adults. Everyone is busking it. We never really feel grown up. As Martin Amis told Jude Rogers for Word magazine, in a quote she posted upon his death last year, “We’re like children all our lives, because every 10 years we have to acquaint ourselves with a new set of rules.”

The Curious Case Of Benjamin Button deals with all of this, in a fantastical Hollywood romance, and at the time – certainly in my peer group – there was some confusion that David Fincher was interested in the heart rather than another head in the box. The film was grand, sweeping, and sad. Where was the bloodshed?

Read the full article, plus the 2008 set report for Total Film “History In The Making”, and the follow-up for Empire “The Curious Case of Benjamin Button”.

The Fall Will Probably Kill You is a reader-supported publication. To receive new posts and support Nev Pierce‘s work, consider becoming a free or paid subscriber.

Watch the shorts by Nev Pierce, including Bricks, an Edgar Allan Poe adaptation starring Jason Flemyng and Blake Ritson, which David Fincher said about: “A morbid yet classy take on a morbid classic.”

For ‘Seven’ Restoration, David Fincher Went Back and ‘Kissed in Some of the City’

On the eve of its Chinese IMAX premiere, Fincher told IndieWire about excavating and remastering his breakout 1995 serial killer neo-noir.

Bill Desowitz
April 19, 2024
IndieWire

David Fincher is a philosopher as well as a perfectionist. When asked about the significance of his 8K remastering of Seven (premiering April 19 at the Chinese IMAX in 4K as part of the TCM Classic Film Festival), he told IndieWire, “If you think of it in string theory, it’s like a volumetric capture of where all these careers were at, and what these people wanted and needed and infused the thing with.”

Fincher was referring, of course, to Morgan Freeman, Brad Pitt, Gwyneth Paltrow, Kevin Spacey, and the rest of the cast and crew who made his breakout 1995 serial killer neo-noir. The film was a brilliant analog product of the era (with only seven weeks of prep) but also ahead of its time in conveying a dark, creepy, nihilistic police procedural that got under our skin like no other film (select release prints even underwent a bleach bypass, silver retention process that provided greater color density and black levels).

“It is what it is, warts and all,” Fincher said. “And some of it is spectacular and some of it is stuff that I would change or fix today, but I didn’t want to mess with that. There’s a lot of imperfections, there’s a lot of things that you just don’t see on film. When people say they love the look of film, what they’re talking about is chaos, entropy, and softness. Now, of course, we live in an HDR world where you get those kinds of very deep, rich, velvety blacks for free.

Read the full profile

David Fincher talks us through the off-screen torture of making ‘Seven’

Joshua Rothkopf, Film Editor
April 18, 2024
Los Angeles Times

By any reasonable measure, David Fincher had made it by 1990. He was directing rapturous music videos for Madonna (Express Yourself, Vogue) and doing lucrative ads for top brands worldwide. The production company he co-founded, Propaganda Films, had cornered the MTV market, helping launch the careers of such future notables as Spike Jonze and Antoine Fuqua.

But there was Hollywood to conquer and Fincher, not yet 30, rushed headlong into his feature debut, one that no superfan of Ridley Scott (also a genius director of commercials) could pass up: the third movie of the Alien franchise. While it has since found a hardcore base of defenders, 1992’s dour, much-mussed Alien3, a troubled production, was a disappointment that Fincher has largely disowned.

A little over three years later, however, he was back with a movie that has since come to define him, even with future Oscar-nominated titles on the horizon. Starring Morgan Freeman and a rising Brad Pitt as detectives — one deliberate and cynical, the other impulsive and naive — in an oppressively rainy city hunting down a ghoulish maker of tableaus based on the deadly sins, Seven yoked Fincher’s gift for atmosphere to Fritz Lang-worthy material that approached metaphysical profundity.

“Who wants to spend their time bitching and moaning about transgressions that were done to you?” says Fincher, 61, of the tough years between Alien3 and the breakthrough that cemented his style. “That seems like a waste of time. I don’t think I was persecuted on Alien3, but I definitely learned what my limits were.”

The story of his rebound, though, remains a valuable one, even if the director himself would rather move on. In advance of Friday’s world premiere of a newly remastered 8K Imax version of Seven at the TCM Classic Film Festival, it feels like time to tell it again. Fincher is in a sharply funny, self-deprecating mood — his typical M.O. — when he connects on Zoom from his Los Angeles office.

Read the full interview

Dave Macomber, Stunt Coordinator: Visualising a Fight for David Fincher, Unreal Engine & VFX

Hollywood Stunt Coordinator & VFX Artist Dave Macomber discusses pre-visualizing the fight sequence for David Fincher’s The Killer and his new Unreal Engine project.

Jamie Bakewell
April 11, 2024
The VFX Process (Bigtooth Studios)

Dave Macomber is an award-winning stunt/fight coordinator and second-unit director in the film industry. With a passion for Visual Effects (VFX), Dave seamlessly incorporates VFX elements into his stunt visualizations, providing a comprehensive template for directors and the rest of the crew.

Having worked on iconic blockbusters like Transformers, HBO‘s Watchmen, and numerous Marvel Cinematic Universe films, Dave’s expertise shines through. Just a glance at his IMDB page showcases his impressive portfolio.

In his latest project for David Fincher‘s The Killer, Dave coordinated a gripping 6-minute fight sequence shot mostly in darkness. Join him as he shares insights into working with David Fincher, revealing that Fincher is an extremely collaborative director, and how his background as a VFX artist dictates his approach to photographing sequences in his movies.

‘Killer vs Brute’ exemplifies Dave’s mastery in delivering high-impact action sequences. Even though the scene turned out to be a success, Dave states that it was “the most intimidating thing I’ve ever done in my career.”

Venturing into Unreal Engine filmmaking during his spare time, Dave’s creativity knows no bounds. Last year, he unveiled The Ronin, his first Unreal Engine short film, showcasing a fight scene performed entirely by himself, using Rokoko Motion Capture technology. Now, with The Widow: Assassins Highway, Dave enlists a team of Marvel stunt performers to help him capture the stunts and elevate the action.

This episode offers a captivating glimpse into the VFX pipeline, the Hollywood stunt process, and Unreal Engine filmmaking.

Listen to the extended version of the conversation as a podcast:

Apple Podcasts
Spotify

Follow The VFX Process (Bigtooth Studios): Website, YouTube, Instagram, Ex-Twitter, Discord, Linkedin

Follow Dave Macomber: Instagram, YouTube, Twitter

David Fincher to Premiere Restoration of ‘Se7en’ in Imax at TCM Classic Film Festival

Steven Spielberg will also introduce and discuss his director’s cut of ‘Close Encounters of the Third Kind’

Kristen Lopez
March 21, 2024
The Wrap

Turner Classic Movies has revealed more guest presenters and films that will take place during their upcoming TCM Classic Film Festival (April 18-21, 2024), including the world premiere of David Fincher’s restored 1995 feature “Se7en” in Imax.

Fincher will be on-hand to introduce his thriller, which stars Brad Pitt and Morgan Freeman as two detectives on the hunt for a serial killer who uses the seven deadly sins as inspiration for his crimes.

Read the full article

Mark Ruffalo Hollywood Walk of Fame Ceremony

February 8, 2024
Hollywood Walk of Fame

Mark Ruffalo receives the 2,772nd star on the Hollywood Walk of Fame.

MC: Hollywood Chamber of Commerce President & CEO Steve Nissen

Guest Speakers: Actor Tim McNeil, Director David Fincher (min. 22:29), and Actress Jennifer Garner.

Mark Ruffalo Rewatches 13 Going on 30, Poor Things, The Avengers, Zodiac & Spotlight

January 8, 2024
Vanity Fair (YouTube)

In Conversation: David Fincher and The Crew of “The Killer” in New York

Tomris Laffly
October 28, 2023

David Fincher discusses the making of The Killer with Sound Designer Ren Klyce, Editor Kirk Baxter, and Writer Andrew Kevin Walker, after the screening for the press in New York. Hosted by Tomris Laffly.

(Video clips recorded with a phone from the audience, with not very good audio and, for some reason, with each video clip edited in twice).

In Conversation: David Fincher and Michael Fassbender with Rian Johnson on “The Killer” at the Academy Museum

Rian Johnson
November 15, 2023
Netflix: Behind the Streams

Director David Fincher and actor Michael Fassbender discuss making The Killer with moderator Rian Johnson at The Academy Museum in Los Angeles.

Watch The Killer on Netflix

In Conversation: David Fincher and The Crew of “The Killer” in New York

October 27, 2023
Netflix: Behind the Streams

David Fincher discusses the making of The Killer with Writer Andrew Kevin Walker, Editor Kirk Baxter, and Sound Designer Ren Klyce, after the “Tastemaker” screening for The Academy at the Whitby Hotel in New York.

Watch The Killer on Netflix

In Conversation: David Fincher and The Crew of “The Killer” at the Academy Museum

Elvis Mitchell
October 24, 2023
Netflix: Behind the Streams

Director David Fincher, Editor Kirk Baxter, Writer Andrew Kevin Walker, Sound Designer Ren Klyce, and Director of Photography Erik Messerschmidt, discuss their film The Killer with moderator Elvis Mitchell at The Academy Museum in Los Angeles.

Watch the conversation with subtitles in French, Spanish, and Italian.

Watch The Killer on Netflix