Tag: Netflix

How David Fincher Turned ‘The Killer’ Into a Mean, Lean Punch to the Gut

Fassbender, Fincher, and Swinton on the set of ‘The Killer.’
MILES CRIST/NETFLIX

The filmmaker on working with Michael Fassbender, that Smiths soundtrack, and how his adaptation of a French comic about an assassin became a Seventies B movie.

David Fear
November 8, 2023
Rolling Stone

THE MAN IS a consummate professional. In the outside world, he could be anyone — just another ridiculous looking dude somewhere between the ages of 32 and 48, the everyguy in line behind you at an Ace Hardware store or in front of you at McDonald’s. But sitting here, in an unfinished WeWork office space, is this slender, limber apex predator in his natural habitat, and an extremely patient one. He’s perched here for days, just staring out the window at a ritzy apartment in Paris. Watching. Waiting. Whiling away the hours, doing nothing. It’s a key part of the job. “If you can’t stand the boredom,” he says, via voiceover narration, “the work is not for you.”

Should you suggest to David Fincher — world-class filmmaker, notorious perfectionist, and a gentleman who genuinely appreciates a good joke — that the line spoken by the title character of his new film The Killer is also a warning to audiences hiding in plain sight, he will laugh. The director will go into detailed explanations about why the unnamed hero (or rather, its “hero”: “Massive air quotes at work here”), played by Michael Fassbender, is not just a hit man but a very, very unreliable narrator. He’ll mention that the script, written by Se7en scribe Andrew Kevin Walker, borrows the idea of long interior monologues in lieu of nonstop action directly from the source material. And he’ll admit that they knew that any movie “probably being sold with an image of a guy with piano wire in his hand or putting someone into cold storage,” yet “starts out with 25 minutes of someone sleeping on sheetrock in an empty office, musing as to what it’s all about,” might potentially have viewers wondering what they’ve stumbled into. But Fincher will not say you’re wrong.

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David Fincher on filmmaking and his twisted new comedy, The Killer

As his new film gets ready to hit Netflix, the legendary director talks to Nick Chen about The Smiths, Michael Fassbender, and the similarities between directors and hitmen.

Nick Chen
November 6, 2023
Dazed

To prove the catchiness of “Unhappy Birthday” by The Smiths, David Fincher sings to me the opening refrain with a huge grin. For our conversation, the 61-year-old director of feel-bad fare like Se7en, Zodiac, and The Girl with the Dragon Tattoo is in surprisingly good spirits. Or bad spirits, given the miserabilist nature of The Smiths.

In Fincher’s sleek, bleak thriller The Killer, his second feature for Netflix, there are 11 killer songs by The Smiths on the soundtrack. An unnamed hitman (Michael Fassbender) – simply The Killer, in the credits – calms his nerves when operating a sniper rifle by listening to “How Soon Is Now?”, the tremolo reverberating through his earphones. “That guitar shouldn’t be comforting, because it’s sinister,” says Fincher, speaking in Ham Yard Hotel during the London Film Festival. “But to me, it’s comforting. We originally had Joy Division and Siouxsie and the Banshees. [Trent] Reznor was like, ‘Every time we use The Smiths, it’s just funny.’”

After the black-and-white seriousness of Mank, Fincher has returned to the kind of big-screen, popcorn fun he delivered in Gone Girl – except it also mischievously isn’t. Adapted from a French graphic novel, The Killer is less of a John Wick-esque, gun-toting adventure and more observing an assassin do admin to bypass security measures. He shuffles through paperwork to identify home addresses, and fills in endless forms to join a victim’s gym. To remain faceless, he picks up Amazon purchases from a locker and eats at a McDonald’s that doesn’t involve entering a building. If it weren’t too meta, he’d wind down by using someone else’s password to stream Fincher’s House of Cards on Netflix.

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Killer Instincts

David Fincher aims to unsettle with Michael Fassbender as a ruthless assassin in gripping thriller The Killer.

By Nev Pierce
Photograph by Jean-Baptiste Mondino

November 1, 2023
Netflix Queue

The Killer is about an exacting professional whose meticulous methods and wry worldview are disrupted by unruly reality. This may be a clue as to why David Fincher wanted to make it. The Fight Club filmmaker is well-known for his tenacious approach to directing — always pushing for more. And in Michael Fassbender he has a leading man who is equally driven.

The Oscar-nominated star of 12 Years a Slave and Steve Jobs left screens for a few years to take up professional racing behind the wheel of a Porsche in the European Le Mans Series. This blend of danger and precision seems apt for playing the title character in The Killer, an unnamed assassin who aims to execute things — and people — perfectly.

We’ll get to how, or if, one can define “perfection” in cinema, but to an on-set observer, it might seem Fincher will settle for nothing less. While he would contest this, he knows his definitions can differ from others’. “My idea of professionalism is you work 24-7 to make good on your promises,” he says, before continuing with a self-aware smile. “Not a lot of people feel that way. Some people are like: ‘You do the best you can in 40 hours a week and let the chips fall where they may.’”

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Watch The Killer on Netflix

THE KILLER: More Stills

October 27, 2023
Netflix

After a fateful near miss an assassin battles his employers, and himself, on an international manhunt he insists isn’t personal.

Netflix Presents Michael Fassbender “THE KILLER”, with Tilda Swinton.

Click to view the gallery of the newly available official stills:

Release Date: In Select Theaters October 27  / On Netflix November 10

THE KILLER: Official Trailer

October 27, 2023
Netflix

After a fateful near miss an assassin battles his employers, and himself, on an international manhunt he insists isn’t personal.

Netflix Presents: Michael Fassbender “THE KILLER”

Arliss Howard, Charles Parnell, Kerry O’Malley, Sala Baker

With Sophie Charlotte and Tilda Swinton

Casting: Laray Mayfield
Sound Design: Ren Klyce
Music: Trent Reznor & Atticus Ross
Costume Designer: Cate Adams
Editor: Kirk Baxter ACE
Production Design: Donald Graham Burt
Director of Photography: Erik Messerschmidt ASC
Executive Producer: Alexandra Milchan
Producers: William Doyle, Peter Mavromates
Produced By: Ceán Chaffin p.g.a.

Based on the graphic novel series “The Killer”
Written by Alexis “Matz” Nolent
Illustrated by Luc Jacamon
Originally published in the French language by Editions Casterman

Screenplay By: Andrew Kevin Walker

Directed By: David Fincher

Release Date: In Select Theaters October 27  / On Netflix November 10

David Fincher: “Who doesn’t think they’re an outsider?” David Fincher on hitmen, “incels” and Spider-Man’s “dumb” origin story

Photograph: Frank Ockenfels/Netflix

The director is one of Hollywood’s most unpredictable film-makers. He discusses making a shamelessly pulpy ‘B-movie’, the misogynistic legacy of Fight Club – and the urge to film 100 takes

Steve Rose
October 27, 2023
The Guardian

For anyone who thought David Fincher’s last film, Mank, was the beginning of a new highbrow phase for the director, his latest offering will be something of a jolt. Whereas Mank – on the writing of Orson Welles’ Citizen Kane – was a sumptuous, substantial, awards-friendly hymn to old Hollywood (it was nominated for 10 Oscars and won two), his new film, The Killer, is a pulpy, violent, almost wilfully two-dimensional hitman thriller adapted from a comic book. “I will never be a more mature film-maker. I will carry the 12-year-old me with me wherever I go,” he says proudly.

Rather than growing up, it looks like Fincher is having fun – albeit in a highly controlled, Fincheresque way. He is in a particularly relaxed mode when we meet at a hotel in London. He looks healthy and he is full of wit and energy, almost as if this isn’t the umpteenth interview he has done in his 40-year career.

Despite being one of the most renowned and distinctive film-makers in the business, Fincher is not comfortable with being described as an “auteur”, or even an artist. “There’s this fallacy that film directors come in and explain exactly what it is that they want to see and then they go to their trailer,” he says. “And then it’s presented to them and they make a few revisions, and then it’s trapped in aspic for all eternity. That’s just not it. It’s much more sock puppetry and daycare and plumbing – you know, pouring concrete. It’s a lot more physical labour than people probably imagine.”

Nevertheless, with The Killer, he says: “I just didn’t want to take it quite as seriously.” He describes the film as “like a good B-movie”: lean, gripping and, despite some bone-crunching action, surprisingly funny. Michael Fassbender’s lone‑wolf hitman is almost comical in his fastidiousness, from his defiantly un-Bond dress code (“like a German tourist”), to his reusable folding cup to take on jobs, to his playlist of Smiths songs. But his well-laid plans go off the rails, forcing him to break his own rule: “Anticipate, don’t improvise.”

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Empire’s Massive David Fincher Celebration Issue Revealed

Empire’s original announcement

Sophie Butcher
September 22, 2023
Empire

It’s always an exciting time in cinema when a new David Fincher movie is on the horizon. The modern master of suspense, Fincher’s filmography ranges from chilling murder-mysteries such as Seven and Zodiac to the generations-spanning romance of The Curious Tale Of Benjamin Button, neo-noir The Girl With The Dragon Tattoo and true-life tale The Social Network. Now, he’s about to unleash bold new thriller The Killer, a new kind of hitman movie starring Michael Fassbender (in his first role since 2019’s X-Men: Dark Phoenix) as a meticulous professional assassin whose life spirals out of control when a job goes wrong.

The new issue of Empire features the most in-depth look at the movie you’ll find anywhere on Earth – including an access-all-areas on-set report from three locations across the globe, following Fincher and his crew and witnessing his precise, pulse-pounding filmmaking in action. We have brand-new interviews with Fincher and Fassbender from on set about what makes their mysterious eponymous killer tick, how they’re putting the audience inside his head, their process of working together, pulling off incredible stunt sequences and much, much more. And in a rare, revealing additional retrospective interview, Fincher looks back at some of the most stand-out shots from across his entire career – from Ben Affleck’s cringeworthy smile in Gone Girl, to Panic Room’s swooping long-take, and more – sharing the fascinating stories of how they came to be.

The newsstand cover for our David Fincher special is a moody, rain-splattered compilation of some of his most iconic characters – Morgan Freeman’s Detective Somerset from Seven, Brad Pitt’s Tyler Durden from Fight Club, Rooney Mara’s Lisbeth Salander from The Girl With The Dragon Tattoo, the Zodiac killer, Rosamund Pike’s Amy Dunne from Gone Girl, and Michael Fassbender’s new hitman protagonist – illustrated exclusively for Empire by Paul Shipper.

Fincher-focused delights aside, the stacked new issue also contains a deep-dive into the new Hunger Games prequel, The Ballad Of Songbirds & Snakes; a celebration of Gravity’s 10th anniversary with Alfonso Cuarón; a set report from Aardman’s stop-motion sequel Chicken Run: Dawn Of The Nugget; we dig into the much-anticipated British indie How To Have Sex; there are fresh looks at anime series Scott Pilgrim Takes Off, Bradley Cooper’s musical biopic Maestro, Michael Mann’s racing drama Ferrari; and much, much more.

Trust us – this issue is all Killer, no filler. Empire’s David Fincher celebration issue, saluting the work of one of Hollywood’s biggest names, hits newsstands from Thursday 28 September.

The subscriber cover is a noir-ish vision of Michael Fassbender’s titular assassin from The Killer, stalking cobbled streets for his next target, decked out in tourist get-up so as to go unnoticed – illustrated exclusively for Empire by Corey Brickley.

Alex Godfrey, Empire Features Editor (Twitter):

What’s in the box? The new issue of Empire magazine, that’s what. Incredible, globe-trotting on-set access of The Killer, and brilliant writing, from Nev Pierce, who got up-close and personal with David Fincher, Michael Fassbender, and Tilda Swinton.

Read the previews:

David Fincher’s The Killer Brings Michael Fassbender Back To The Screen: ‘It’s The Type Of Film I Was Salivating To Do’

The Killer’s Protagonist Is A New Kind Of Cinematic Assassin: ‘He’s Not James Bond,’ Says David Fincher

On Set Of David Fincher’s Most Bruising Action Sequence

Empire Issue Preview: The Killer, David Fincher Special, The Hunger Games: Ballad Of Songbirds And Snakes, Gravity

Making A Murderer: On Set Of The Killer With David Fincher

Pre-order a copy online here

Become an Empire member to access the digital edition on launch day.

The Killer is in cinemas from 27 October and streaming on Netflix from 10 November.