Interview: Oscar Winner Kirk Baxter Talks Working with David Fincher and Editing ‘Mank’


Joey Magidson

March 2, 2021
Awards Radar

You don’t win two Academy Awards without being pretty great at your job. So, it’s not a stretch to call Kirk Baxter an ace editor. His work, not just alongside Angus Wall, but with director David Fincher, has produced some impeccably edited films. The Social Network, along with The Girl with the Dragon Tattoo, won Baxter and Wall Oscars, while they also received a nomination for The Curious Case of Benjamin Button. Throw in Gone Girl, as well as now Mank (which is a solo editing job, without Wall), and you have someone who is truly at the top of their craft. So, getting the chance to pick Baxter’s brain was a chance I had no intention of passing up.

Below, you can hear my conversation with Baxter. Mank is at the center of our chat, but I was just fascinated by editing in general and wanted to hear as much as I could from him. So, we move in a few different directions, thought the Fincher flick is never far from our minds. Baxter is well on his way to another citation from the Academy, so it’s a perfect time to revisit the film over on Netflix. As I wrote in my review (found here), the tech work in the movie, including Baxter’s, is beyond reproach.

Here now is my interview with Mank editor Kirk Baxter. Enjoy

The Magic of the Movies: Behind the Scenes of David Fincher’s Mank


Netflix Film Club (YouTube)
February 28, 2021

Join acclaimed director David Fincher, actors Gary Oldman and Amanda Seyfried, and the cast and crew of Mank, for a peek behind the curtain of Netflix’s black-and-white ode to Hollywood’s Golden Age.

2-time Oscar-winning editor Kirk Baxter on ‘what makes films exciting to watch’

Riley Chow
February 28, 2021
Gold Derby

“It doesn’t matter what the intention was; it only matters what was captured,” muses two-time Oscar winner Kirk Baxter at the end of his exclusive interview with Gold Derby about editing “Mank” (watch the video above). Baxter and former editing partner Angus Wall are the only in Oscar history to win consecutively for Best Film Editing, which they did for 2010’s “The Social Network” and 2011’s “The Girl with the Dragon Tattoo,” both under David Fincher. Baxter is currently nominated for a Critics Choice Award for “Mank,” his eighth collaboration with the director.

Read the full article

Precision Cutting: The Editing of Mank


Netflix Film Club (YouTube)
February 3, 2021

Two-time Oscar®-winning film editor Kirk Baxter details the assemblage of David Fincher‘s acclaimed new film Mank. He digs in on navigating the director’s wealth of coverage, building transitions, piecing together Mank’s climactic tirade at Hearst Castle and much, much more.

‘Mank’ Editor Kirk Baxter On The Most Daunting Scene To Cut & The Performance That Captured His Heart

Matt Grobar
February 19, 2021
Deadline

When editor Kirk Baxter boarded labyrinthine, Old Hollywood drama Mank, he was met with multiple timelines, and rapid-fire dialogue from a vast assortment of real-life characters.

While Baxter would be tasked with guiding the viewer through the complex period piece, he never thought of the film as a challenge, per se. “I look back,” he tells Deadline, “and see it as a joy.”

Directed by David FincherMank follows alcoholic screenwriter Herman J. Mankiewicz (Gary Oldman), as he endeavors to finish the screenplay for Citizen Kane. Along the way, it also examines the washed-up wordsmith’s relationships with icons of his time, including Marion Davies (Amanda Seyfried), William Randolph Hearst (Charles Dance), and Orson Welles (Tom Burke).

First collaborating with Fincher on The Curious Case of Benjamin Button (2008), Baxter quickly developed a shorthand with the auteur, going on to reteam with him on four other films and two TV series. While Benjamin Button would land him his first Oscar nomination, his first pair of statuettes would come shortly thereafter, for his contributions to The Social Network and The Girl with the Dragon Tattoo.

Poised to return to the race once more with Mank, Baxter spoke with Deadline about the scene in Fincher’s longtime passion project that scared him the most, the performance that captured his heart, and the aspect of the process that felt like “the cherry on top.”

Read the full interview

More Like This: Spotlight on Mank, featuring Trent Reznor, Atticus Ross, Erik Messerschmidt and more

Krista Smith
February 10, 2021
More Like This (A Netflix Queue Podcast)

A podcast from Netflix Queue, the journal that celebrates the people, ideas, and process of creating great entertainment on Netflix and beyond. Host Krista Smith is joined by a different co-host each episode – Franklin Leonard, Tre’vell Anderson, and others – to give an insider’s peek into the creation of your favorite films, series and documentaries and the incredibly talented people who make them.

More Like This gets the Mank treatment! In this very special episode, Krista takes us behind the scenes of David Fincher’s Mank, sharing interviews with key members of the creative team. Composers Trent Reznor and Atticus Ross talk about the power of storytelling through music, how they pulled inspiration from composers of the past, and how pandemic restrictions forced them to record a 70-piece orchestra one instrument at a time; set decorator Jan Pascale demonstrates how the smallest details make the biggest impact; cinematographer Erik Messerschmidt details how he combined classic and modern techniques to transport a 21st century audience back in time; and editor Kirk Baxter explains why David Fincher once called him 50% blacksmith and 50% poet. Enjoy this deep dive into the process of making movie magic with film collaborators at the top of their game, and be sure to see their work in Mank, now streaming on Netflix.

Listen to the podcast:

Apple Podcasts
Spotify
Google Podcasts
Stitcher

Simplecast
PodBean

Excerpt with Erik Messerschmidt:

Cinefade VariND

Editor Kirk Baxter Thrived on Mank’s Dialogue-Heavy Sequences

Clarence Moye
February 8, 2021
Awards Daily

Netflix’s Mank marks editor Kirk Baxter’s fifth cinematic collaboration with director David Fincher. It’s a collaboration that proved extremely rewarding for the editor who received two Academy Awards for his work with Fincher — 2010’s The Social Network and 2011’s The Girl with the Dragon Tattoo. In fact, Baxter and then co-editor Angus Wall achieved an incredibly rare feat with their Dragon Tattoo win given its lack of a Best Picture nomination.

That successful collaborative history with Fincher stems from Baxter’s willingness to accept feedback and push his work to be the best it can be.

“I don’t seek to be finished, and I remain curious with the material. I don’t work from a defensive standpoint. I don’t have this protectionist quality about the work I’ve done,” Baxter explained when ruminating on his partnership with Fincher. “I just show the work, and if he’s into it, he’s into it. If he’s got a way that he thinks it can be improved, then I’m into that. That’s the relationship. It’s a lot of back and forth, and I’m really comfortable doing it.”

Read the full profile

Anheuser-Busch Super Bowl Commercial Executive Produced by David Fincher and Directed by Adam Hashemi

February 3, 2021
Anheuser-Busch

Anheuser-Busch – Let’s Grab a Beer (Super Bowl LV) (“90)

Anheuser-Busch – Let’s Grab a Beer (Super Bowl LV) (“60)

Tagline
“It’s never just about the beer. It’s about being together.”

Press Release

CREDITS

Client
Anheuser-Busch

Product
Beer

Title
Let’s Grab a Beer

Agency
Wieden+Kennedy Portland

Global Chief Creative Officer
Karl Lieberman

Global Chief Operating Officer
Neal Arthur

Director of Strategic Planning
Dan Hill

Creative Director
Michael Hagos

Copywriter
Brad Phifer

Head of Integrated Production
Nick Setounski

Executive Producer
Jessica Griffeth

Senior Producer
Bianca Cochran

Group Account Director
Brooke Stites

Account Supervisor
Meredith Zambito

Group Strategy Director
Stephane Missier

Strategist
Matt Hisamoto

Social Strategist
Irsis Cabral

Comms Director
Zack Green

Business Affairs
Daniella Vargas

Traffic Coordinator
Tina Wyatt

Production Company
RESET

Executive Producer
David Fincher

Managing Director/Executive Producer
Dave Morrison

Executive Producer
Deannie O’Neil

Producer
Vincent Landay

Assistant Producer
Grace Campos

Director
Adam Hashemi

1sr Assistant Director
Bob Wagner

Directors of Photography
Eigil Bryld, Chayse Irvin

Production Designer
Donald Graham Burt

Costumes
J.R. Hawbaker

Sound
Ren Klyce

Music
Barking Owl

Composer
Atticus Ross

Musical Creative Director
Kelly Bayett

Editorial & Finishing
Exile

Editor
Kirk Baxter

Additional Editor
Grant Surmi

Assistant Editor
Christopher Fetsch

Flame Artist
Dino Tsaousis

Flame Assistant
Adam Greenberg

Executive Producer
Sasha Hirschfeld

Post Producer
Toby Louie

The Perfect Storm That Led to Anheuser-Busch’s Super Bowl Ad

Inside the journey to W+K’s ‘Let’s Grab a Beer’

Tim Nudd
February 15, 2021
Muse by Clio

“Let’s Grab A Beer” Grabs 1st Place In Top Ten Tracks Chart

Atticus Ross and Ren Klyce continue to collaborate with David Fincher–this time on a Super Bowl spot directed by Adam Hashemi.

April 2, 2021
Shoot

Mank, The Unmaking

January 28, 2021
Netflix

manktheunmaking.com [Old Domain]

mank.aristidebenoist.com

Text by:

Nev Pierce

Photography by:

Erik Messerschmidt
Miles Crist
Gisele Schmidt-Oldman
Gary Oldman
Ceán Chaffin
Nikolai Loveikis

Design and development by:

Watson Design Group, Inc.
Aristide Benoist

Art Of The Cut Podcast: “Mank” Editor Kirk Baxter, ACE

Steve Hullfish (Twitter)
January 27, 2021
Art Of The Cut Podcast (ProVideo Coalition)

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and about their work on some of the biggest films and TV shows of the year.

On this episode of the Art of the Cut Podcast, Steve talks with multi-award winning editor Kirk Baxter, ACE about editing the Netflix film “Mank.” You likely know Kirk from his Oscar winning work on “The Girl with the Dragon Tattoo” and “The Social Network” as well as his Oscar nominated work on “The Curious Case of Benjamin Button.” In addition to his feature film work, Kirk was nominated for Prime Time Emmy’s for “House of Cards” and “Big Love.” All of this just scratches the surface of Kirks filmography, check out his IMDb page for a full breakdown!

This episode of the Art of the Cut Podcast is brought to you by Filmtools.com, Hollywood’s trusted one-stop shop for all things production and post.

Want to read/ listen to more interviews from Steve Hullfish? Check out The Art of the Cut Archive for more than 200 interviews with some of the top film and TV editors of today!

The Art of the Cut podcast is available on:

ProVideo Coalition
Apple Podcasts
Spotify
Anchor
Google Podcasts
Breaker
Pocket Casts
Overcast
Radio Public

If you like the podcast, make sure to subscribe so you don’t miss future episodes and tell an editor friend.

Read the transcription of this interview:

ART OF THE CUT with Kirk Baxter, ACE on editing Fincher’s “Mank”

Steve Hullfish
February 2, 2021
ProVideo Coalition