Turn up your stereo and tune into a Red Hot Chili Peppers concert that’s unlike any other — with a few strings attached.
Watch a clip of the episode directed by David Fincher:
Now EXTREMING, only on Netflix.
Where to start with this wildly inventive and unpredictable show? Here are 13 episodes to explode your mind.
Nev Pierce
May 15, 2025
Netflix Tudum
In a world where so much entertainment is afraid to take risks, LOVE DEATH + ROBOTS is the iconoclastic brainchild of one man’s enigmatic yet expansive tastes. While a dedicated team of artists craft the (mostly) animated shorts comprising the 35 episodes of LDR, the basis for almost all of them are short stories that Tim Miller loves. Miller, the series co-creator and executive producer keeps a catalog of material on his computer, ready for the right moment to pair a story with a visionary team and unleash the results on unsuspecting audiences.
Now that we’ve arrived at Volume 4, the audience may suspect that they’re going to get something unexpected, yet the show still surprises. From hard-edged, serious sci-fi to explosively violent, unapologetically puerile action, the show contains multitudes.
Among the most ardent fans of LDR are the episode directors themselves, who have trouble picking their favorites among the first three volumes.
“I love seeing people’s LDR tier lists,” says Emily Dean, director of two episodes — the Volume 3 award winner The Very Pulse of the Machine and the fourth’s devilish cat caper For He Can Creep. She has been “very inspired” by a number of installments including Zima Blue, Bad Travelling, Pop Squad, The Drowned Giant, and Jibaro.
Three of these are on the list below, although LDR is the kind of show where your favorites may change according to the day of the week or the mood you’re in. Director and animator Diego Porral had a hand in two of the episodes below and sees the diversity of voices and styles as a major strength. “The fun thing is that whoever I talk to, in or out of the animation industry, everyone has their favorite, and I think that’s what makes LDR so special,” says Porral, helmer of this volume’s action-packed How Zeke Got Religion and lead animator on the Volume 3 classic Kill Team Kill.
Miller dreamed for decades of an animated anthology exploring stories that had stuck in his subconscious. And now he — along with fellow executive producers David Fincher and Josh Donen and supervising director Jennifer Yuh Nelson — relishes seeing disparate filmmakers and animation studios come together to generate these distinct shorts. “Netflix, just like the internet, allows all these strange people, that would never find each other ordinarily, to connect,” says Miller. “Sometimes for good, sometimes for evil, but certainly in the case of LOVE DEATH + ROBOTS, I feel it’s a force for good.”
Below you can find 13 episodes to match your highly specific tastes, whether you’re in the mood for cats, carnage, concerts, or comfort.
Now EXTREMING, only on Netflix.
Executive Producer and Director Tim Miller, Supervising Producer and Director Jennifer Yuh Nelson.
Featuring: Executive Producer and Director Tim Miller, Supervising Producer and Director Jennifer Yuh Nelson, and Director Robert Valley.
LOVE DEATH + ROBOTS Vs AI Animation With Creator Tim Miller!
Comicbook.com
May 12, 2025
LOVE DEATH + ROBOTS Creator Tim Miller Gives Updates on ‘Sonic 4’ and New Season of Netflix Show
LOVE DEATH + ROBOTS Director Explains His Influences Including ‘The Warriors’ and ‘City of God’
MovieWeb
May 13, 2025
LOVE DEATH + ROBOTS Creator Tim Miller Debunks AI
ScreenRant
May 13, 2025
LOVE DEATH + ROBOTS’ Tim Miller & Director on Working With David Fincher, MrBeast
LOVE DEATH + ROBOTS Volume 4’s Robert Valley Talks Making Epic ‘400 Boys’ Episode
Brandon Schreur
May 14, 2025
ComingSoon.net
LOVE DEATH + ROBOTS Team on Season 4, Why People Love Revenge Stories, Evil Cats, Animation Variety
John Nguyen
May 15, 2025
Nerd Reactor
Netflix’s LOVE DEATH + ROBOTS Filmmakers In Conversation With Cartoon Brew
Amid Amidi
May 16, 2025
Cartoon Brew
LOVE DEATH + ROBOTS Vol. 4: Tim Miller Breaks Down Hitchhiker’s Guide To The Galaxy-inspired Episode
LOVE DEATH + ROBOTS Vol. 4: Robert Valley Explains The Challenge Of Making “400 Boys”
ScreenRant
May 18, 2025
LOVE DEATH + ROBOTS Volume IV Creators Chat with Us
Review Nation
May 21, 2025
Tim Miller: “I pitched HEAVY METAL to Netflix (before LOVE DEATH + ROBOTS)”
JoBlo Celebrity Access
May 27, 2025
VFX Artists React to Bad & Great CGi 185 (ft. Tim Miller)
Corridor Digital
July 26, 2025

LOVE DEATH + ROBOTS Vol. 4: More Adventures in Mind-Expanding Sci-Fi
Jeff Spry
May 14, 2025
Animation Magazine

LOVE DEATH + ROBOTS Volume 4’s Biggest Swings Explained By Filmmakers
Owen Danoff
May 14, 2025
ScreenRant

Tim Miller rolls out new season of LOVE DEATH + ROBOTS
Stephen Schaefer
May 15, 2025
Boston Herald

Sex, Savagery and Sacrifices Made on the Altar of LOVE DEATH + ROBOTS Vol. 4
Creator Tim Miller, supervising director Jennifer Yuh Nelson, and designer/director Robert Valley discuss the latest edition of Netflix’s Emmy Award-winning animated short film anthology series that once again delivers a wide selection of funny, frightening, and thoroughly provocative works.
Victoria Davis
May 15, 2025
Animation World Network

How LOVE, DEATH + ROBOTS Season 4 Made the Ultimate Cute Little Guy
Director Jennifer Yuh Nelson tells IndieWire about being drawn to a grieving cyborg and her alien companion, who knows how to be adorable as a defense mechanism.
Bill Desowitz
May 16, 2025
IndieWire

LOVE DEATH + ROBOTS Director Jennifer Yuh Nelson on the Making of Her ‘Emotional’ Episode
Mara Reinstein
May 16, 2025
Television Academy

LOVE DEATH + ROBOTS Producers Reveal the Season 4 Episode Written for Zack Snyder
LOVE DEATH + ROBOTS’ Tim Miller and Jennifer Yuh Nelson talk about expanding the anthology’s sci-fi universe and the future of animation.
Daniel Kurlan
May 16, 2025
Deen of Geek

LOVE DEATH + ROBOTS Season 4 Gets Even Weirder
Dais Johnston
May 16, 2015
Inverse

LOVE DEATH + ROBOTS Vol. 4 Directors Talk Making a Comeback with Good Stories
Diana Velásquez Vargas
May 15, 2025
GameRant


LOVE DEATH + ROBOTS Vol. 4 Team on Cats, Giant Babies and MrBeast
Katcy Stephan
May 23, 2025
Variety

Tim Miller Discusses LOVE DEATH + ROBOTS Season 4 Episodes, Show’s Future
James Hibberd
May 30, 2025
The Hollywood Reporter

How Tim Miller, David Fincher Turned a Rejected TV Series Pitch Into LOVE DEATH + ROBOTS
Phil Pirrello
June 11, 2025
Television Academy

Drew Taylor
June 22, 2025
The Wrap

Hannah Hunt & Steven Weintraub
August 6, 2025
Collider
Scott Huver
Photos: Charley Gallay (Getty Images/Netflix)
May 5, 2025
Gold Derby
“For my money, it’s like LOVE DEATH + ROBOTS should be anything. Anything that you can’t figure out where else it goes,” legendary filmmaker David Fincher mused about the unconventional, sci-fi/cyberpunk-flavored Netflix (mostly) animated anthology series. It’s as apt a description as any for the ambitious, experimental, and genre-bending project, now launching its fourth season.
“Creativity happens on the fringe,” said Fincher — the director behind boundary-pushing cinematic classics like Seven, Fight Club, The Social Network, Gone Girl, and Zodiac. Speaking on stage at the LOVE DEATH + ROBOTS season premiere at the Egyptian Theatre in Hollywood, he was joined by fellow executive producer Tim Miller (Deadpool) and supervising producer Jennifer Yuh Nelson (Kung Fu Panda 2 & 3), and the host, director Guillermo del Toro. “It always does, and it always takes somebody — it has to be these weird flyers out there — to inform where the industry is going to go. So we’re just going to be out there.”

“Out there” also aptly describes Fincher’s contribution to the new season as a director. Having launched his career as an in-demand music video director for top artists in the ’80s and ’90s — including Madonna, Michael Jackson, the Rolling Stones, Sting, George Michael, Aerosmith, Nine Inch Nails, and Paula Abdul — Fincher returned to those roots to helm Can’t Stop. The dynamic, fully CGI-animated short features the Red Hot Chili Peppers performing their 2002 hit at an Irish castle—as marionettes on strings.














The event was recorded by Netflix, so a video should be available soon.
May 5, 2025
Featuring Directors Till Miller, Jennifer Yuh Nelson, Patrick Osborne, Emily Dean, Robert Bisi & Andy Lyon, and Voice Actors Emily O’Brien, and Sumalee Montano.
LOVE, DEATH + ROBOTS Vol. 4 Red Carpet Interview
The Movie Couple
LOVE, DEATH + ROBOTS VOLUME IV Premiere! Tim Miller, Emily O’Brien, Sumalee Montano, and more!
Temple of Geek
LOVE, DEATH + ROBOTS Vol. 4 Premiere: MR. BEAST’s Episode (Snyder Connection & Sonic 4)!
Mama’s Geeky
LOVE, DEATH + ROBOTS Season 4 Cast and Creatives on AI & How They’d Expand the Title
The Direct Extras
LOVE, DEATH + ROBOTS: Tim Miller & Cast Break Down Epic Volume 4 Episodes
Screen Rant Plus
LOVE, DEATH + ROBOTS: Tim Miller
LOVE, DEATH + ROBOTS: Jennifer Yuh Nelson, Emily Dean, & Patrick Osborne
LOVE, DEATH + ROBOTS: Sumalee Montano, Feodor Chin, & Emily O’Brien
That Hashtag Show
May 17, 2025
April 24, 2025
Netflix
Dinosaur gladiators, messianic cats, string-puppet rock stars, it can only be LOVE DEATH + ROBOTS.
The fourth volume, presented by Tim Miller (Deadpool, Terminator: Dark Fate) and David Fincher (Mindhunter, The Killer), sees Jennifer Yuh Nelson (Kung Fu Panda 2, Kill Team Kill) return as supervising director for ten startling shorts showcasing the series’ signature, award-winning style of bleeding-edge animation, horror, sci-fi and humor. Buckle up.
Among the 10 shorts included in Volume 4 is an episode directed by David Fincher. The second short he has directed after Bad Travelling (Vol. 3) is titled Can’t Stop, and it is a throwback to his early work as a music video director. “A unique take on the Red Hot Chili Peppers’ legendary 2003 performance at Slane Castle, Ireland,” it features the band members as marionette puppets, with animation by Blur Studio.

Other shorts in this Volume directed by returning directors include Spider Rose by Jennifer Yuh Nelson, set in the fantastic cyberpunk universe of Swarm (Vol. 3). Oscar-winning Patrick Osborne directs two episodes: The Other Large Thing, about a cat plotting world domination, and Smart Appliances, Stupid Owners, about household tech that revolts. Tim Miller directs another two episodes: Golgotha, “a rare live-action entry” about “dolphin Jesus”, and The Screaming of the Tyrannosaur, set in an outer space gladiatorial arena where combatants ride genetically modified dinosaurs. And Robert Valley directs 400 Boys, about a post-apocalyptic city where warring gangs follow a bushido-like code of honor.
Read the Volume 4 Guide: 2025. LOVE DEATH + ROBOTS. Volume 4
Click in the gallery below to view eleven brand-new stills:











And check out the new posters designed by Neil Kellerhouse:


EXTREMING May 15, 2025, only on Netflix.
“A” Camera Operator Peter Rosenfeld, David Fincher, and
Director of Photography Jeff Cronenweth (Merrick Morton)
A collection of stills and images from the making of David Fincher’s 2014 mystery drama.
Brian Kronner
April 14, 2025
American Cinematographer
Gone Girl was the fourth feature collaboration between director David Fincher and cinematographer Jeff Cronenweth, ASC since 1999; Fight Club, The Social Network and The Girl with the Dragon Tattoo being the other three. Additionally the pair worked together on multiple commercials and music videos, creating a working chemistry.
Their 2014 feature Gone Girl, for which Rosamund Pike earned a Best Actress nomination from the Academy, was deftly shot and flowed quicker than its 149-minute runtime would suggest, resulting in one of the best psychological thrillers of the 2000s.
The film was shot digitally on Red Dragon cameras, using Leitz Summilux-C lenses and “a fairly comprehensive lighting package,” which included ETC Source Fours, Mole-Richardson incandescents, and Arri M Series HMIs. Further details can be found in our cover story published in AC Nov. 2014.

In addition to Pike, the filmmakers rounded out the cast with Ben Affleck, Carrie Coon, Neil Patrick Harris, Tyler Perry, Kim Dickens, Patrick Fugit, Missi Pyle, Emily Ratajkowski, Casey Wilson, Boyd Holbrook, and Scoot McNairy.
Cronenweth’s chief lighting technician on this show was Erik Messerschmidt — now an ASC member whose feature credits as a cinematographer include Fincher’s Mank and The Killer.
What follows is a curated collection of unit photography by Merrick Morton, a founding member of the SMPSP who also shot stills for features including L.A. Confidential, Fight Club, Zodiac, and The Bad Batch, and the series Mindhunter.
April 10, 2025
Xbox
In Xbox’s Wake Up, directed by Romain Chassaing and Co-Directed by David Fincher, a wonderfully off-beat fairy tale unfolds: Horatio, a rat, rekindles his humanity through the joy of gaming. We follow Horatio through a day in the rat race: a packed commute, the drudgery of the office, a rushed lunch at his desk. The mundanity is interrupted by glimpses of mysterious gamers—the only humans we see amongst the rats. After a long day, Horatio powers on his Xbox on his Samsung OLED TV and connects with his friends. A much-needed dose of fun transforms him into the human he always was.
Xbox – Wake Up (Short Version, 1:23)
Xbox – Wake Up (Long Version, 1:43)

Watch the Concept Designs and VFX Breakdown at 1920 vfx
Tagline
“What brings us joy, brings us back.”
CREDITS
Client
Xbox (Microsoft Gaming)
Partner
Samsung
Products
Xbox video gaming system and Samsung AI TVs
Title
Wake Up (Brand Trailer)
Agency
Droga5 (New York)
Chief Creative Officer
Scott Bell
Executive Creative Director
Tres Colacion, Giancarlo Rodas
Creative Director
Joseph Russomano, Temnete Sebhatu
Producer
Connor Hagan
Copywriters
Jared Schermer, Tomas Coleman
Post Production / VFX
1920 vfx
Colourist
Kai Van Beers
Creative Director
Ludo Fealy
VFX Supervisors
Ryan Hadfield, Chris King, Jorge Montiel Meurer, Chris Gill
VFX Artists
Adam Gramlick, Ahmed Ugas, Alejandro Marzo, Alex Rumsey, Andrea Umberto Origlia, Andreas Georgiou, David Rencsenyi, Eva Bennet, Joe Baker, Juan Francisco Saravi Migliore, Klaudia Skalska, Lewys Rhodes, Lucas Warren, Mattias Lullini, Miles Tomalin, Monika Lesiecka, Robert Lilley, Ross Gilbert, Sergio García Castro, Taylor Webber, Tom Cowlishaw, Joe Baker
VFX Producer
Ross Culligan
VFX Co-Ordinator
Lena Almeida
Digital Matte Painter Artists
Jordan Haynes, Carlos Nieto, Grant Bonser
Proschetic / SFX
Anarchy Ltd. (UK)
SFX Supervisor
Dannielle Boyne
SFX Technicians
Hannah Cooper, Olivia Loughton
Production Company
RESET
Managing Director
Dave Morrison
Director
Romain Chassaing
Co-Director
David Fincher
Director of Photography
Jeff Cronenweth, ASC
Production Designer
David Bersanetti
Art Director
Caroline Soussen
Executive Producer
Jen Beitler
Line Producer
Ash Lockmun
Production Service
B2Y Productions, Bulgaria
Service Producer
Simeon Vasilev
Production Manager
Ivanina Burneva
Editorial
Cut+Run
Editor
Paul Watts
Assistant Editors
Roman Kuznets, Eli Beck-Gifford
Executive Producer
Ellese Shell
Head of Production
Marcia Wigley
Sound
WAVE Studios
Sound Designer & Mixer
Aaron Reynolds
Sound Producer
Eleni Giannopoulos
Executive Producer
Vicky Ferraro
Music
APM Music

Xbox helps you flee the rat race in cinematic spot directed by David Fincher and Romain Chassaing
Droga5’s ‘Wake Up’ film aims to recapture the glory days of gaming ads two decades ago.
Sabrina Sanchez
April 10, 2025
AdAge

Here’s How 1920 Created the Xbox Rat Race for David Fincher & Romain Chassaing
April 15, 2025
STASH
There will be 10 original shorts in the new volume.
April 9, 2025
Netflix
Dinosaur gladiators, messianic cats, string-puppet rock stars, it can only be Love, Death & Robots.
The fourth volume, presented by Tim Miller (Deadpool, Terminator: Dark Fate) and David Fincher (Mindhunter, The Killer), sees Jennifer Yuh Nelson (Kung Fu Panda 2, Kill Team Kill) return as supervising director for ten startling shorts showcasing the series’ signature, award-winning style of bleeding-edge animation, horror, sci-fi and humor. Buckle up.
Click in the gallery below to view five brand-new stills:





Time for your fourth dose:

Poster by Neil Kellerhouse
EXTREMING May 15, 2025, only on Netflix.
Love, Death + Robots Is Fully Charged for Volume 4
Stephan Lee
Netflix Tudum
Read the series guides:
2019. LOVE DEATH + ROBOTS. Volume 1
2021. LOVE DEATH + ROBOTS. Volume 2
Brent Lang
March 20, 2025
Variety
“No late fees.”
When Netflix launched as a DVD rental service in 1998, that was its most effective pitch to potential customers — an unmistakable reference to the thing that people hated the most about Blockbuster. With more than 9,000 locations, Blockbuster was the biggest video rental chain in the world, but it was alienating members because its profits came from charging hefty fines for movies that weren’t returned on time.
“It was an obvious sore spot,” Reed Hastings, Netflix’s co-founder, says. “People loved renting movies and watching them at home, but the late fee became the symbol of everything painful about that model. So we decided to create something different.”
Netflix didn’t just do away with late fees by allowing customers to keep movies for as long as they wanted. It offered subscribers unlimited rentals for a monthly flat fee. As a bonus, it delivered DVDs directly to customers’ homes, eliminating the hassle of having to drive to the local Blockbuster to scour aisle after aisle of movies in search of something to watch.
That gamble paid off. Twenty-eight years after it debuted with little fanfare, Netflix, now under the leadership of Hastings’ successors, Ted Sarandos and Greg Peters, dominates Hollywood. Its market cap of $392.68 billion surpasses those of Disney, Warner Bros., Discovery, Paramount Global, and Comcast combined.

Reed Hastings on Ted Sarandos committing to spending $100 million on House of Cards, picking the show up for an unheard-of two seasons, before a pilot had even been shot, and agreeing not to give David Fincher any notes and guaranteeing him full creative control:
“I wasn’t comfortable with it. It seemed perilously aggressive to me, just on the edge of reckless. We’d been working together for a decade, so I’d come to trust Ted’s instincts. But they were definitely not my instincts.”