Riley Chow
March 23, 2021
Gold Derby
“I didn’t want the movie to be a parody of black and white,” reveals “Mank” director of photography Erik Messerschmidt in an exclusive interview with Gold Derby about the greyscale cinematography of the period biopic on Netflix. “I was concerned that that could absolutely happen and if we leaned into it too heavily that the audience would be distracted by the fact that they were watching a black-and-white film,” continues Messerschmidt. He muses, “In many cases, by the way, the photography doesn’t have to take the front seat.” Messerschmidt concludes, “I adored the experience of shooting in black and white. It was fantastic and it was a challenge that I’ve never really had before.”
The Fincher Analyst 