David Fincher: Maestro of Mank


Netflix Film Club (YouTube)
February 27, 2021

The cast and crew of Mank, including costume designer Trish Summerville and actors Gary Oldman, Amanda Seyfried, Tom Pelphrey and Charles Dance, speak to the focus and concentration that a David Fincher set demands. The acclaimed filmmaker himself, meanwhile, takes you through the process of crafting his examination of Hollywood’s Golden Age.

The Magic of the Movies: Behind the Scenes of David Fincher’s Mank


Netflix Film Club (YouTube)
February 28, 2021

Join acclaimed director David Fincher, actors Gary Oldman and Amanda Seyfried, and the cast and crew of Mank, for a peek behind the curtain of Netflix’s black-and-white ode to Hollywood’s Golden Age.

2-time Oscar-winning editor Kirk Baxter on ‘what makes films exciting to watch’

Riley Chow
February 28, 2021
Gold Derby

“It doesn’t matter what the intention was; it only matters what was captured,” muses two-time Oscar winner Kirk Baxter at the end of his exclusive interview with Gold Derby about editing “Mank” (watch the video above). Baxter and former editing partner Angus Wall are the only in Oscar history to win consecutively for Best Film Editing, which they did for 2010’s “The Social Network” and 2011’s “The Girl with the Dragon Tattoo,” both under David Fincher. Baxter is currently nominated for a Critics Choice Award for “Mank,” his eighth collaboration with the director.

Read the full article

In Creative Company: Q&A on Mank with Costume Designer Trish Summerville

Mara Webster
February 24, 2021
In Creative Company

1930s Hollywood is reevaluated through the eyes of scathing wit and alcoholic screenwriter Herman J. Mankiewicz as he races to finish “Citizen Kane.”

Q&A with Mank costume designer, Trish Summerville. Moderated by Mara Webster.

In Creative Company: YouTube, Instagram, Facebook, Twitter, Spotify, Apple Podcasts.

‘Mank’ Cast and Crew on Jack Fincher’s Script and Shooting in Black and White

Antonio Ferme
February 22, 2021
Variety

While Netflix’s Oscar contender “Mank” was directed by David Fincher, the script was written by his father, Jack Fincher, prior to his death in 2003. Gary Oldman, who starred in the film as “Citizen Kane” screenwriter Herman Mankiewicz, said Fincher’s script was one of the best he had read in a long time.

“It is fun to be a detective and go off and read things and find out things and all of that,” Oldman said. “That’s great fun, but I felt that the work had really been done by Jack.”

In the Variety Streaming Room, hosted by deputy awards and features editor Jenelle Riley, the cast and crew of “Mank” discussed how Jack Fincher’s script was able to capture the extensive legacies of some of the icons from the golden age of Hollywood, as well as the challenges of shooting in black and white.

Amanda Seyfried, who portrayed William Randolph Hearst’s mistress Marion Davies, said that Fincher’s script infused new life into the cinema starlet’s legacy.

“None of what I read in my investigation was different from what the sense that I had gotten of her,” Seyfried said. “The essence was captured in that script right off the bat. So if I had nothing, I would have been okay.”

Aside from a handful of music videos and commercials, “Mank” was the first project cinematographer Erik Messerschmidt had ever filmed in black and white. He said the crew bounced many ideas off of each other when it came to figuring out what colors would look like on set.

“It becomes this very exciting kitchen of ideas, which is a very special thing to participate in,” Messerschmidt said.

When it came to fitting photos, costume designer Trish Summerville said she only sent them to Fincher in black and white. She said she did a lot of her research on what worked as far as which colors, prints and patterns translated well.

“Some things became really contrast-y and too kind of like confetti,” Summerville said. “Once we got to do the camera test, which I think helped us all greatly with seeing what the lighting was going to be, it helped with hair, with makeup, with clothes. It was a big tool for us.”

Watch the full conversation

Precision Cutting: The Editing of Mank


Netflix Film Club (YouTube)
February 3, 2021

Two-time Oscar®-winning film editor Kirk Baxter details the assemblage of David Fincher‘s acclaimed new film Mank. He digs in on navigating the director’s wealth of coverage, building transitions, piecing together Mank’s climactic tirade at Hearst Castle and much, much more.

AFI Awards: Mank Cinematographer Erik Messerschmidt on Making the Film

February 18, 2021
AFI Movie Club

Mank cinematographer Erik Messerschmidt sat down to talk about shooting one of the most outstanding films of the year, which is about the greatest film of all time.

AFI Movie Club: AFI AWARDS Honoree MANK

That Classic Sound. The Sound Design of Mank

Netflix Film Club (YouTube)
February 1, 2021

David Fincher‘s longtime sound designer Ren Klyce discusses the soundscape of Mank, conceived as a companion piece of sorts to Citizen Kane (no pressure). What is it about a classic movie that makes it sound, well, classic? From filtering frequencies to adding elements like optical flutter and overlaid reverb, learn about the work that went into making the film sound as if it was booming from the screen of a grand movie palace.

They Don’t Make ‘Em Like They Used To. The Production Design of Mank

Netflix Film Club (YouTube)
February 3, 2021

Mank production designer Donald Graham Burt breaks down the effort that went into recreating locations like the old Glendale, CA train station and the famed Hearst Castle for David Fincher‘s craft-heavy film. Hear all about the research that went into bringing Hollywood history back to life.