Creative COW with Erik Messerschmidt: A Labor of Light

Brie Clayton
May 14, 2021
Creative COW

Mank could have easily been a parody of old school Hollywood, but Erik Messerschmidt and David Fincher weren’t going to let that happen. They went for broke on thoroughly reproduced sets, meticulous lighting, smoke filled offices, energetic conversations, and characters that breathe.

Once Mank opens its first scene, the scenery and intelligent dialogue make it hard to look away. As much as I thought I knew about San Simeon, having grown up ten minutes away from Hearst Castle, it was exciting to look into the bygone era when this California location was a lively hotbed of social chemistry, and parties, and movie creation, rather than just a stale museum where no one can touch the furniture.

When preparing to speak with Erik Messerschmidt, I would almost get lost working back through the layers of filmmakers contributing to this story. Mank pays homage to the legend Gregg Toland’s game-changing eye for cinematography. The dynamism between Toland, Orson Welles and the writer Herman J. Mankiewicz would be recrafted 80 years later by this modern team of David Fincher and Erik Messerschmidt, with Jack Fincher writing the screenplay.

In mid April 2021 Erik Messerschmidt took the ASC Award for Outstanding Cinematography, and then in May, deservedly, the Best Achievement in Cinematography Oscar for his lensing of the period piece Mank.

Despite his youthful appearance, Erik’s film career has already spanned decades, working his way up through the ranks as a grip, an electrician, and a number of years as a gaffer. Some of his gaffer work included Gone Girl, as well as DP on Mindhunter, with Fincher, further developing that relationship till the day when David asked Erik if he wanted to shoot this next project, Mank, and Erik said “Of course I want to shoot the movie!”

Mank, Erik’s first cinematography role outside of television, his first movie as DP, has won multiple awards this year. What kind of heavenly dream must that be for any cinematographer? Who hits a grand slam at their first baseball game?

Read the full interview

The Art of Production Design: A Panel Discussion with the Oscar Nominees

Thomas Walsh, Jan Pascale
April 24, 2021
Variety / American Cinematheque

Join us for a panel discussion with this year’s Academy Award-nominated production designers and set decorators. Nominated films are: MANK (production design: Donald Graham Burt; set decoration: Jan Pascale), MA RAINEY’S BLACK BOTTOM (production design: Mark Ricker; set decoration: Karen O’Hara and Diana Stoughton), NEWS OF THE WORLD (production design: David Crank; set decoration: Elizabeth Keenan), TENET (production design: Nathan Crowley; set decoration: Kathy Lucas) and THE FATHER (production design: Peter Francis; set decoration: Cathy Featherstone). Moderated by Thomas A. Walsh and Jan Pascale Presented by the American Cinematheque and the Art Directors Guild and Set Decorators Society of America. Sponsored by Variety.

How ‘Mank’s’ Production Designer Recreated Old Hollywood

Bianca Rae, Los Angeles
April 21, 2021
Spectrum News 1

Since his early life, production designer Donald Graham Burt never really had his eyes on Hollywood.

Burt grew up in Kansas and became a janitor right after college, but after living in Los Angeles for 40 years, he now has the chance at winning his second Academy Award.

“There are so many places in LA that are undiscovered, and sometimes they’re in the periphery and you don’t even notice them because you’re looking at the other things,” he said.

LA, however, does see Burt. In all his glory, like the Huntington Library Art Museum and Botanical Gardens — the gem that helped him embark on a nearly impossible journey to recreate old Hollywood.

Read the full article and watch the featurette

How ‘Mank’ Cinematographer Erik Messerschmidt Illuminated a Monochrome Palette

We pull back the curtain on David Fincher’s nod to Citizen Kane.

Daron James
April 23, 2021
No Film School

Heading into Oscar weekend, Mank cinematographer Erik Messerschmidt, a first-time nominee and ASC winner, is already deep into his next project. The Emerson College grad earned his chops as a best boy and gaffer before moving into cinematography full-time.

He spoke with No Film School via phone about working on one of this year’s biggest films.

It was the series Mindhunter where Messerschmidt teamed with director David Fincher, pushing the boundaries of digital workflows. With Mank, audiences are taken back in time to the 1930s as the story follows how Citizen Kane screenwriter Herman J. Mankiewicz (Gary Oldman) finishes the screenplay for Orson Welles in a gripping biographical drama.

Read the full profile

FIDM Online Lecture Series: Setting the Scene, Inside the World of Mank

Tom Henkenius
April 19, 2021
FIDM Museum / Fashion Institute of Design & Merchandising

Join us for a live Q&A with Production Designer Donald Graham Burt and Set Decorator Jan Pascale about their Academy Award nomination for Best Production Design on the hit Netflix film Mank, nominated for 10 Academy Awards this year including Best Picture, Best Director (David Fincher), Best Actor in a Leading Role (Gary Oldman), Best Actress in a Supporting Role (Amanda Seyfried), and Best Costume Design (FIDM Grad Trish Summerville).

About Your Moderator, Tom Henkenius: Tom is an Emmy award-winning broadcast journalist, director of FIDM’s Bachelor of Arts degree in digital marketing and principal partner at Thunder Communications, a content production company. Tom spent 10 years as a television news journalist after graduating from USC Annenberg. Tom holds a Master’s of Science from USC’s Iovine and Young Academy in Integrated Design, Business and Technology.

SBIFF 2021: Outstanding Directors of the Year Award Panel

Scott Feinberg
April 3, 2021
Santa Barbara International Film Festival (SBIFF)

The Santa Barbara International Film Festival Outstanding Directors of the Year Award is given to directors not afraid to push the envelope in the cinematic world, with an expertise that is both gracious and bold.

Moderated by The Hollywood Reporter Awards Columnist Scott Feinberg, the recipients are:

Chloé Zhao (Nomadland)
David Fincher (Mank)
Lee Isaac Chung (Minari)
Thomas Vinterberg (Another Round)

Watch the full panel in the following playlist:

SBIFF 2021: Producers Panel

Glenn Whipp
April 3, 2021
Santa Barbara International Film Festival (SBIFF)

The Santa Barbara International Film Festival annual Producers Panel moderated by the Los Angeles TimesGlenn Whipp, assembles top producers to dig into the business and creative sides of producing the year’s top films. Panelists include multi-hyphenate Shaka King (“Judas and the Black Messiah“), Christina Oh (“Minari“), Ceán Chaffin (“Mank“), Dan Janvey (“Nomadland“), David Parfitt (“The Father“), Josey McNamara (“Promising Young Woman“), Marc Platt (“The Trial of the Chicago 7“), and Sacha Ben Harroche (“Sound of Metal“).

SBIFF 2021: Variety Artisan Award. Trent Reznor, Atticus Ross, Donald Graham Burt, and Jan Pascale

Jazz Tangcay
April 5, 2021
Santa Barbara International Film Festival (SBIFF)

Variety’s seventh annual Artisan Awards celebrates those essential to the filmmaking process and who have exhibited the most exciting and innovative work of the year in their respective fields.

The Variety Artisans Award were presented to Editor Alan Baumgarten (The Trial of the Chicago 7), Supervising Sound Editor Nicolas Becker (Sound of Metal), Costume Designer Alexandra Byrne (Emma), Production Designer Donald Graham Burt and Set Decorator Jan Pascale (Mank), Visual Effects Supervisor Sean Faden (Mulan), Hair Department Head Mia Neal (Ma Rainey’s Black Bottom), Actor and Musician Leslie Odom Jr. (One Night in Miami), Musicians Trent Reznor and Atticus Ross (Mank, Soul), Cinematographer Joshua James Richards (Nomadland).

A Conversation with Oscar-Nominated Costume Designer, Trish Summerville

Kevin Jones, FIDM Museum Curator
April 19, 2021
FIDM Museum / Fashion Institute of Design & Merchandising

Multi-award winning costume designer and FIDM Grad Trish Summerville joins FIDM Museum Curator Kevin Jones for a live Q&A about her work on the hit Netflix film Mank, nominated for 10 Academy Awards this year including Best Costume Design (Trish Summerville), Best Picture, Best Director (David Fincher), Best Actor in a Leading Role (Gary Oldman), and Best Actress in a Supporting Role (Amanda Seyfried).

Learn how Trish recreated looks based on real-life people, including Marion Davies, as she and her team take audiences back to the golden age of Hollywood when Herman J. Mankiewicz sets out to write Citizen Kane.

Known for her impressive work on films including The Hunger Games: Catching Fire, The Girl with the Dragon Tattoo, and Gone Girl, Trish will share advice and key takeaways from her career spanning decades. You’ll have a chance to submit your own costume design questions, so we encourage you to come prepared.

Her work has been featured many times in the FIDM Museum’s “Art of Motion Picture Costume Design” and “Art of Television Costume Design” exhibitions.

Creating Mank in Dolby Vision

Tom Graham, Head of Dolby Vision Content Enablement. Dolby Laboratories
April 3, 2021
Dolby Professional (Dolby)

Hear from Cinematographer Erik Messerschmidt ASC, Colorist Eric Weidt, and Co-Producer Peter Mavromates as they share their insights and experiences creating the stunning visuals for David Fincher’s Oscar nominated movie Mank in Dolby Vision HDR. This session provides insights into their methodology and workflow for creating this stunning black-and-white Hollywood epic Netflix movie.

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