How Tom Rothman Won The War For Quentin Tarantino’s ‘Once Upon A Time … In Hollywood’

Jay Glennie
October 16, 2025
Deadline

Editor’s note:

From the moment 1992’s Reservoir Dogs launched him like a supernova, Quentin Tarantino‘s career was intertwined with Harvey and Bob Weinstein. From Pulp Fiction to Inglourious Basterds, Kill Bill and the rest, Tarantino stayed monogamous as their cornerstone auteur until The Weinstein Company imploded and it was time for him to seek a new studio to hang his hat. This created the most hotly contested courtship Hollywood had seen in years.

In a chapter from his new book The Making of Quentin Tarantino’s Once Upon a Time in Hollywood (Insight Editions), out October 28, author Jay Glennie details the seduction process and how Tom Rothman‘s passion — which included ensuring Tarantino retained the deal he had across all his films (including Django Unchained which Sony released internationally), that gives him back his copyright after 20 years — won Sony not only that global hit movie, but also most likely the 10th and final film Tarantino is working on now.

Read the full excerpt

A Year To The Day

Remembering Aubrey Day (who would have rolled his eyes at this headline)

Nev Pierce
October 2 2025
The Fall Will Probably Kill You (Substack)

This is a story about my friend Aubrey, who died. It is also, inevitably, about me. This is possibly – definitely – self-involved, but the loss of someone is not abstract, or simply about someone’s inherent human worth, it is also about how stricken we are not to have them around, about what they meant to us, the part they played in our story.

Aubrey Day died a year ago, October 2, 2024. We had known each other 20 years, having met when I joined Total Film magazine, at Future Publishing. He was overseeing a few publications, but his passion was clearly movies and TV. He was a few years older than me, which in your 20s feels like a generation, and seemed debonair and certain, insanely confident and very, very clever. A few colleagues disliked him, not least because as well as being the smartest guy in the room, he was never especially shy about letting you know he was the smartest guy in the room. I just felt I had a lot to learn. And he was more than happy to teach. Not that he had a curriculum, or talked down to you (well, he didn’t always talk down to you), but he would present a problem and push you to solve it. It was a little sink or swim – he’d worked a bit in tabloids and had a tougher approach than the pally magazine world I was used to – but if he believed you could swim, that belief would buoy you.

Read the full article

The Fall Will Probably Kill You is a reader-supported publication. To receive new posts and support Nev Pierce‘s work, consider becoming a free or paid subscriber.

Watch the shorts by Nev Pierce, including Bricks, an Edgar Allan Poe adaptation starring Jason Flemyng and Blake Ritson, which David Fincher said about: “A morbid yet classy take on a morbid classic.”

How Quentin Tarantino Bent Los Angeles to His Will to Make ‘Once Upon a Time in Hollywood’

In an exclusive excerpt from the revealing new book ‘The Making of Quentin Tarantino’s Once Upon a Time… in Hollywood,’ the film’s director and stars Leonardo DiCaprio, Brad Pitt and Margot Robbie explain how they took L.A. back to the summer of ’69.

The following is excerpted from The Making of Quentin Tarantino’s Once Upon a Time in Hollywood (Insight Editions), out October 28.

Jay Glennie
September 19, 2025
The Hollywood Reporter

“Rick, how are you doing with getting Hollywood Boulevard for me?” Quentin asked his location manager, Rick Schuler. “I’m doing well,” Schuler replied.

Quentin looked at his first assistant director, Bill Clark, and looked at Schuler. “Doing well” was not going to cut it. Once Upon a Time in Hollywood was a Los Angeles story, a Hollywood story, and it needed to be filmed in Los Angeles. It needed Hollywood as a backdrop. He wanted to convert Los Angeles back to 1969 — “You know, literally street by street, block by block.”

Schuler had been in discussion with the California Film Commission for weeks. Under Quentin’s gaze, he admitted, “Well, I think I’m 80 percent there.”

“Rick, if there’s anything I can do to help you out, I’ll be willing to do that,” Quentin replied.

Production designer Barbara Ling was also anxious to know what it was she was going to be working with. Schuler had been asking the Hollywood powers that be, responsible for the economic success of their city, to shut down eight blocks.

“They had been, like, ‘Eight blocks? No way!’ and had said no a hundred times,” Ling recalls. “I also remember, eight blocks was freaking out the producers budget-wise.”

Schuler had an idea how he could utilize the filmmaker’s extraordinary enthusiasm and will to best use. He had an idea he wanted to run by Bill Clark: Schuler had a meeting with the Hollywood neighborhood council. Would Quentin be willing to address them — just talk about the project? Talk about the movie, what Hollywood meant to him? It could help get things over the line.

The day of the meeting, Schuler sprung it on Quentin and Clark that he wanted to make the filmmaker the surprise star act of his pitch and have him come in at the end. Nobody on the council would know he was there beforehand.

“For whatever reason, Rick thought it would be best if he kept Quentin a surprise to the council members,” Clark says.

Read the full excerpt

“Fight Club” Celebrates its 25th Anniversary with a 4K Remaster and an Art Book

“WELL, MAYBE IT’S TIME TO TALK ABOUT… 👊”

Or so says the mysterious account that discreetly appeared on Instagram on October 15, the 25th Anniversary of Fight Club.

Now, New Regency and 20th Century Studios have officially announced that the subversive film, based on Chuck Palahniuk’s satirical novel, has been “meticulously remastered” in 4K under the supervision of David Fincher, “offering audiences the chance to experience the film with sharper detail than ever before.”

We will be able to experience the new remaster in 2025, in a theatrical re-release and 4K UHD HDR Streaming and Blu-ray releases.

Insight Editions, in partnership with New Regency, is releasing a companion art book (announced on THE FINCHER ANALYST last year), “a collector’s piece, that includes new interviews, unearthed visuals, original artwork, and rare behind-the-scenes material, offering fans the deepest look yet into the making of the film and its enduring legacy.”

Fight Club is an enduring symbol of cinematic innovation, with its exploration of identity, masculinity, and consumerism continuing to resonate with audiences.”

Gregory Crewdson Has Been Making Photographs for Almost 4 Decades. Now He’s Revisiting Them All.

In tandem with his first-ever retrospective at the Albertina, a new book pairs the prolific photographer’s work with writings from directors David Fincher and Matthieu Orléan, and novelist Emily St. John Mandel, among others.

Maggie Coughlan
August 7, 2024
Vanity Fair

“I’ve always said that I think every artist has one central story to tell,” photographer Gregory Crewdson says on a call from Great Barrington, Massachusetts, where he lives and works. “And they circle around that story, over and over again, over a lifetime, reinventing aspects of it and challenging others and trying to push things forward. But at the core of it, it’s like the central preoccupations remain fixed.”

The concept is particularly timely for the photographer, who for the past three-and-a-half decades has been constructing gripping images that call to mind film stills, as his first-ever retrospective opened in May at the Albertina in Vienna. Later this month, the eponymous exhibition takes new form with the release of Gregory Crewdson, its 280-page catalogue edited by the Albertina’s chief curator of photography Walter Moser and published by Prestel. The book features more than 300 photographs and production stills that examine the complexities of American suburbia, be it through someone wandering a parking lot, shirtless and unmoored, or a twosome’s forlorn gazes into a television as its glow illuminates a basement, paired with writings from directors David Fincher and Matthieu Orléan, and novelist Emily St. John Mandel, among others.

Gregory Crewdson – Walter Moser, Editor (Prestel, 2024)

For Crewdson, the process of revisiting nearly 40 years of work was “complicated,” but led him to draw parallels between his earliest endeavors and present-day work. “It’s interesting in that on some basic level everything’s changed and then on another level, nothing’s changed really,” he says. “When I look back at pictures I made when I was in graduate school, [those are] the first pictures in the show, they’re not that dissimilar in terms of the basic concerns—on a much more modest scale, of course.”

In advance of the catalogue’s release, Crewdson spoke with Vanity Fair about the possibility of making the switch from photography to directing feature-length films, and the story he’s been telling all these years.

Read the full interview

A sample of the writing by David Fincher, “A Difficult Truth”:

CLICK TO ENLARGE

Buy the book through the publisher

Looking for Assets for the Official “Fight Club” 25th Anniversary Book

An official “Fight Club” 25th Anniversary book is in the making.

And the process of gathering assets to be scanned or photographed has begun:

  • Behind-the-scenes photos
  • Crew photos
  • Production drawings
  • Costumes
  • Props
  • Memorabilia
  • Other supplemental items

Were you a crew member, or did you participate in the making of the film?

Are you a movie props and memorabilia collector?

Do you own any of these items and would like to collaborate?

Send an email to fightclubbookofficial@gmail.com including:

  • Your name
  • If you were a crew member, the position you worked in
  • If you are a collector
  • Your city/state or country
  • A list with a brief description of the items you own.
  • A couple of well-lit photos or scans of the items. These images will be used for selection purposes only.

Participate in the celebration of this stunning, controversial, and influential classic of modern cinema!

L’Œuvre de David Fincher: Scruter la noirceur, par Stéphane Bouley

THIRD éditions

De Seven à Gone Girl, en passant par Fight Club, Zodiac ou encore The Social Network, l’œuvre de David Fincher constitue l’une des plus importantes du cinéma moderne. Ce cinéaste obsessionnel et méticuleux s’est attelé, film après film, à ausculter la nature humaine, ses conflits intérieurs ; ce qui en compose la noirceur.

Déjà auteur de l’essai L’Œuvre de John Carpenter. Les masques du maître de l’horreur, Stéphane Bouley propose, avec L’Œuvre de David Fincher. Scruter la noirceur, d’explorer les recoins de cette filmographie passionnante. L’ouvrage, à la fois dense et accessible, analyse avec force détails et transversalité les choix de mise en scène du réalisateur, ses motifs et thèmes récurrents, ainsi que le travail essentiel de ses collaborateurs.

L’édition First Print (nombre d’exemplaires limité) comprend :

  • Le livre L’Œuvre de David Fincher. Scruter la noirceur
  • Une couverture exclusive de Ben Turner
  • Une jaquette réversible reprenant la couverture de l’édition classique
  • Un ex-libris de Ben Turner
  • Le livre au format numérique (ePub)

Caractéristiques

Pages: 520
Couverture: Cartonnée – Illustration de Ben Turner
Format: 160 x 240 mm
Edition First Print: Jaquette réversible, ex-libris, fichier ePub
Prix: 44,90€

Télécharger un extrait / Commander

Tim Miller at San Diego Comic-Con

Jim Viscardi
July 29, 2022
comicbook

Sitting down with ComicBook‘s Jim Viscardi at San Diego Comic-Con 2022 Deadpool Director Tim Miller discusses comic books, video games, The Goon, his abandoned Lone Wolf and Cub classic manga adaptation with David Fincher and screenwriter Andrew Kevin Walker, another abandoned X-Men comic adaptation project, Deadpool, Love, Death & Robots and its “The Art of” book.

Modern Instances: The Craft of Photography, by Stephen Shore

February 2022
MACK (UK, EU)

Shore’s work has been a personal inspiration from my earliest interaction with it. With Modern Instances, I am humbled to have his profound insight into the rigorous over-thinking that made it possible. This insight, delivered with such clarity, grace, and humility, will no doubt affect how you make or appreciate photographs – it might even alter how you see.’ David Fincher

Shore’s memoir is as riveting as it is illuminating – an almost deceptively seamless narrative of experiences, associations, correspondences, images, and remarkable erudition that testify to the mind’s eye through which, from the beginning of his career, Shore has transformed the seemingly spontaneous configurations of his photography into profound works of art.’ Jane Kramer

Modern Instances is like a conversation among friends. It reveals a deeply inquiring mind, and renders making photographs, and looking at them, one of the most exciting and humane of pursuits.’ Sandra Phillips

‘Although the dream is a very strange phenomenon and an inexplicable mystery, far more inexplicable is the mystery and aspect our minds confer on certain objects and aspects of life.’ Giorgio de Chirico

Stephen Shore’s Modern Instances: The Craft of Photography is an experimental new memoir from one of the world’s most prolific artists — an impressionistic scrapbook that documents the rich and surprising touchstones that make up over half a century of ground-breaking work. With essays, photographs, stories, and excerpts that draw on Shore’s decades of teaching, this is an essential handbook for anyone interested in learning more about mastering one’s craft and the distinct threads that come together to inform a creative voice. As much as offering meditation on the influences of a single artist, Modern Instances proposes a new way of thinking about the world around us, in which even the smallest moment can become a source of boundless inspiration — if only we pay attention.

Silkscreen printed linen hardcover
ISBN
: 978-1-913620-53-0
Dimensions: 17 x 24.5cm
Page Count: 224 pages
Price: €38 / £30 / $45

Look inside and buy the book

How Stephen Shore’s Photographs Inspired Netflix’s Mindhunter

Love, Death, Robots + Books

Love, Death + Robots: The Official Anthology. Volume One

The sixteen stories and two screenplays that make up Volume One of the Emmy® award-winning Netflix Original series Love, Death & Robots.
Featuring best-selling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher.

Stories and screenplays by: Alastair Reynolds, Alberto Mielgo, Claudine Griggs, David W. Amendola, Joe Lansdale, John Scalzi, Ken Liu, Kirsten Cross, Marko Kloos, Michael Swanwick, Peter F. Hamilton, Steven Lewis, and Vitaliy Shushko.

Imprint: Cohesion Press
Publication Date: May 14, 2021

PAPERBACK
ISBN-10: ‎ 1925623386
ISBN-13: 978-1925623383
Page Count: 310
Dimensions: 5.5 x 8.5 x 0.7 inches (13.97 x 21.59 x 1.78 cm)
Weight: ‎ 13.7 ounces (388 g)
Price: $14.95, £9.95

EBOOK
ASIN‏: ‎ B0923HJQ5G
Page Count: 312
Price: $6.97 / £5.49 (Kindle)

Love, Death + Robots: The Official Anthology. Volumes Two & Three

The seventeen stories and screenplays that make up Volumes Two and Three of the Emmy® award-winning Netflix Original series Love, Death & Robots.
Featuring best-selling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher.

Stories and screenplays by: Neal Asher, Paolo Bacigalupi, J. G. Ballard, Alan Baxter, Justin Coates, Harlan Ellison, Joachim Heijndermans, Joe Lansdale, Richard Larson, Alberto Mielgo, Jeff Fowler & Tim Miller, John Scalzi, Bruce Sterling, and Michael Swanwick.

Imprint: Cohesion Press
Publication Date: May 20, 2022

PAPERBACK
Coming Soon…

EBOOK
ASIN‏: ‎ B09XKRQ6NJ
Page Count: 318
Price: $6.97 / £5.49 (Kindle)

The Art of Love, Death + Robots

By Ramin Zahed

Love Death + Robots is a Netflix series like no other—a breath-taking journey of mature, high-concept tales told with seductive characters, astounding plots, and explosive action. With each episode crafted by different animation teams across the globe, the thought-provoking anthology covers a vast range of animation styles from edgy 2D to stop-motion to anime to hyper-realistic 3D CG.

In this luxury book, discover the wealth of artwork and stories behind the creation of the series’ first three volumes. Includes interviews with key artists and creatives such as series creators Tim Miller and David Fincher, and is full to the brim with everything from beautiful concept art, character studies, costume sketches, paintings, vehicle designs, storyboards, and early vision decks, through to finished frames. Perfect for any fan of animation.

Imprint: Titan Books
Publication Date: July 26, 2022

HARDCOVER
ISBN-10: ‎ 1789098645
ISBN-13: 978-1789098648
Page Count: 256
Dimensions: 9.06 x 11.63 inches (23 x 29.5 cm)
Weight: ‎ 1.25 pounds (0.57 Kg)
Price: $40.50, £34.99

EBOOK
ASIN‏: ‎ B09VX91VQX
ISBN-13: 978-1803360812
Page Count: 256
Price: $20.06 / £14.58 (Kindle), $22.99 (NOOK Book)