Emmy and Oscar award-winner Alberto Mielgo’s animated short “Jibaro” thrills in Season 3 of Tim Miller and David Fincher’s groundbreaking anthology series Love, Death + Robots.
Ryan G. Smith
June 1, 2022
Netflix Queue
When Oscar and Emmy winner Alberto Mielgo was invited to pitch a story for the latest volume of the 11-time Emmy-winning series Love, Death + Robots, the Spanish director, artist, and animator decided to use a folkloric lens to examine the lengths to which some people will go to obtain what they cannot have. The resulting short, “Jibaro,” centers the battle of a deaf knight desperate to slay a golden siren and claim her as a trophy. The mythic creature grows increasingly frustrated, failing to understand why her opponent is immune to the powers of her song.
“It was inspired by those videos on National Geographic where there is an alligator fighting a jaguar for food,” Mielgo says. “It’s a crazy, toxic relationship between two characters, two predators, who both want and need each other.”
The unconventional and breathtaking episode is among nine new shorts included in the third volume of Love, Death + Robots. When executive producers Tim Miller and David Fincher first dreamed up the concept for Love, Death + Robots, they had a clear creative objective: “Let’s make a sandbox where anything’s possible,” explains Fincher, the Oscar-nominated director best known for live-action films like Mank, as well as the TV series MINDHUNTER. Fincher makes his animated directorial debut with the Volume 3 short “Bad Travelling,” a motion-capture masterpiece following a crew of degenerate sailors contending with a giant crustacean who boards their ship with an appetite for destruction. “We’re just telling stories. I think that the best of it works on a childlike level — and a naughty teenager level. As an adult looking at it, I appreciate that.”
Hey Ryan, love how you hone in on the technical and creative visionary aspects of how this season came together. I especially appreciate it because, as someone who’s technically illiterate, I’ve got a more interpretive take up on my favorite eps of LDR S3. Which ones did you like the most?
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