The Netflix animated anthology, which was awarded four juried prizes on Wednesday, stepped out of its comfort zone in Season 2.
Bill Desowitz
August 25, 2021
IndieWire
In Season 2 of Neflix’s “Love, Death & Robots,” the adult animated anthology from executive producers David Fincher and Tim Miller (“Deadpool”) continued its embrace of survival and immortality in strange dystopian environments. However, there were eight shorts instead of 18 and a greater emphasis on philosophizing, with some directors stepping out of their comfort zones.
Indeed, the sci-fi anthology, produced by Blur Studio for Netflix, so impressed the TV Academy that it was awarded four juried prizes on Wednesday: Robert Valley, production designer (“Ice”); Patricio Betteo, background artist (“Ice”); Dan Gill, stop-motion animator (“All Through the House”); and Laurent Nicholas, character designer (“Automated Customer Service”).
“We tried to elevate the stories further and to give deeper explorations of some of these adult themes,” said supervising director Jennifer Yuh Nelson (“The Darkest Minds” and the “Kung Fu Panda”sequels). “So it was very much like a curating process to go from finding these amazing stories and these amazing authors [including Harlan Ellison and J.G. Ballard] and then matchmaking really interesting and talented directors to let them do something [different].”
The Fincher Analyst 