Mank’s Monochrome Effects

Mike Seymour
March 14, 2021
fxguide

Mank is nominated for 10 Academy awards in this year’s 93rd Oscars in categories such as Best Picture, Lead Actor, and Best Director. It is also nominated for the VES award for Outstanding Supporting Visual Effects in a Photoreal Feature. The film follows screenwriter Herman J. Mankiewicz’s tumultuous development of Orson Welles’ iconic masterpiece Citizen Kane (1941).

There were several VFX supervisors nominated, Simon Carr (Territory Studio), Wei Zheng (Artemple), James Pastorius (Savage VFX), along with Peter Mavromates. In many respects, director David Fincher could have also been nominated for VFX. The director is himself an expert in visual effects and was a very active contributor to the film’s effect work. Peter Mavromates is a long-time collaborator with David Fincher and was officially the Co-producer, Post Supervisor and VFX Producer on the film. Additionally, Pablo Helman at ILM was key in creating the CG animals at the San Simeon zoo.

The film had its roots going back over 20 years. “We had a false start about 20 years ago, around 1999. The script had been written at that time but it never happened for a number of reasons,” Mavromates comments. “Probably a contributing factor was that it was black and white and if you weren’t Woody Allen in the 90s, you couldn’t shoot black and white. Even Mel Brooks had to change producers for Young Frankenstein because the studio wouldn’t let him shoot black and white and he had to find another studio.”

The movie finished filming about 2 weeks before the W.H.O. declared the COVID pandemic in Feb 2020. This meant nearly all the VFX was done using remote protocols at each of the VFX vendors.

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For ‘Mank,’ it wasn’t impossible to track down L.A.’s history. But it sure wasn’t easy

Gregory Ellwood
March 31, 2021
Los Angeles Times

When Donald Graham Burt first began working on David Fincher’s “Mank,” the filmmaker passed along some location photos from the late 1990s, when he had first tried to get the movie off the ground. Even for a film set at the peak of the Golden Age of Hollywood, the 1930s and 1940s, you might expect more of Los Angeles’ period architecture to have survived. Looking through the photos, Burt quickly realized that that wasn’t the case.

“So many places in L.A. have been razed that were [standing] even at the turn of the century. And I was seeing places like Perino’s [restaurant] and, of course, the Ambassador Hotel, but it seemed like all the Paul Williams architecture, for some reason, was being destroyed. And it was so interesting just to see the locales of Los Angeles from the late ’90s and realizing, ‘Oh, wow, we are removed from that. Aren’t we?’”

Nominated for 10 Academy Awards, including production design, “Mank” centers on screenwriter Herman J. Mankiewicz (Gary Oldman) during the period in 1940 he spent writing the screenplay for the cinematic classic “Citizen Kane.” It also flashes back to Mank’s life a decade prior, when he found himself in the social circle of media tycoon William Randolph Hearst (Charles Dance) and his very public mistress, screen star Marion Davies (Amanda Seyfried).

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