Erik Messerschmidt was director of photography on Netflix‘s Mindhunter – he talks about using a customised camera with David Fincher.
As a hard working gaffer, Erik Messerschmidt has reached the top of his profession, but his ambition has always been to work as a cinematographer.
His break came when David Fincher asked him to join Netflix’s new project. The director had previously worked with the cinematographer on the 2014 domestic thriller Gone Girl and signed on to Mindhunter, a story that traces the development of the FBI’s understanding of criminal science in the 1970s. Fincher directed four of the show’s ten episodes and was an executive producer on the full series.
Here's another behind the scenes pic from the set of Mindhunter @netflix. This was one our fabulous sets constructed by production designer Steve Arnold on our "tin shed" stages in Pittsburgh. Shepherd's office had the wall located behind his desk built with an invisible track that could raise the wall up, allowing us to get this angle behind the often flabbergasted FBI chief. Outside the windows we had large greenscreens, but in instances where we didn't see the green, I opted to wheel in day-blue frames to provide a more natural color temp coming in through the windows… and do note that daylight often has two components, direct sunlight and sky… you can see this effect play on the vertical blinds… effectively creating the feel of exterior light MUST take all of these ides into account. . #mindhunter #davidfincher #netflix #cinematography #reddigitalcinema