When mere mortals gear up for a job, they are restricted to selecting cameras currently in existence. Not David Fincher.
Fincher has long hated all the gak required to make a digital cinema camera functional: a wireless transmitter to get signal to video village, the add-ons to provide wireless iris and focus control, the assistant camera’s onboard monitor hanging off the side — all the things that turn a small, lightweight camera body into a labyrinth of cables and breakout boxes.
Red Digital Cinema responded by making Fincher his own set of custom Weapon Red Dragons for use on the new Netflix series Mindhunter—each with the features listed above built into an ergonomically friendly camera christened the Xenomorph. Put a lens on the front and a battery on the back and the Xenomorph is ready to rock and roll.
On Mindhunter, cinematographer Erik Messerschmidt reaped the benefits of that smaller camera footprint. Messerschmidt spoke to Filmmaker about his work on the new series, which follows the fictionalized story of the agents (Jonathan Groff’s Holden Ford and Holt McCallany’s Bill Tench) who started the FBI’s psychological profiling program in the 1970s by interviewing incarcerated serial killers.
Mindhunter Camera Department Xmas Decorations (Alison Leigh Evans, Instagram)