From Jarred Land, President at RED:
“RED/FINCHER XENO 2.0”
From Matt Tremblay, Chief Designer at RED:
More pictures of the beast from other Instagrammers: 1, 2, 3, 4, 5, 6
Every Frame a Painting (Tony Zhou) – David Fincher. And the Other Way is Wrong
Patrick (H) Willems – David Fincher & the Craft of Music Videos (video essay)
The Film Guy – How to Direct like David Fincher. Visual Style Breakdown
The Film Guy – Gone Girl – Painting a Murderer
De Filmkrant – What’s in the Box? David Fincher’s Fridges
Ludic Scribbler – Fincher’s Necrophilia
ScreenCrush – You Think You Know Movies. David Fincher
kaptainkristian – David Fincher. Invisible Details
CineFix – Se7en’s “Box Scene” – Art of the Scene
Lessons from the Screenplay – The Social Network. Sorkin, Structure, and Collaboration
Lessons from the Screenplay – Gone Girl. Don’t Underestimate the Screenwriter
More a full-on documentary series than an essay:
Raccord – The Directors Series. David Fincher [2.1]
Raccord – The Directors Series. David Fincher [2.2]
Raccord – The Directors Series. David Fincher [2.3]
Raccord – The Directors Series. David Fincher [2.4]
Raccord – The Directors Series. David Fincher [2.5]
And probably the best one:
Cameron Carpenter – WHY IS CINEMA, analyzing a master. David fincher and mouths (video essay)
Tell me in the comments if I’ve missed any so I can add them to the list.
Last year, RED built a fully customised camera for David Fincher to shoot his upcoming series “Mindhunter” for Netflix:
by Richard Lackey | 6th May 2016
Cinema5D


Has it mutated?:
(May 27, 2017)
Cinephilia & Beyond
Slightly more than 22 years ago, David Fincher, a talented filmmaker who made music videos and commercials and was left by his directorial stint on his first feature Alien 3 so disillusioned and bitter he felt “he’d rather die of colon cancer than do another movie,” stumbled upon a script that would renew his faith in the filmmaking business. This particular piece was written by Andrew Kevin Walker, and was deemed too dark and bleak to succeed. The story was largely shaped by Walker’s experience of living in New York City for a couple of years, where he felt alienated, lonely and unhappy. Desperately trying to get his story made, Walker agreed to rewrite the screenplay on the demand of director Jeremiah Chechik (Christmas Vacation), and it was this altered version that should have ended up in Fincher’s hands. But the studio made a mistake, delivering Walker’s original piece to Fincher, who was immediately intrigued and, even when the mistake was explained, chose to insist on the utter darkness Walker envisioned. By mere happenstance, therefore, Se7en found its director and made the first, crucial step on its way to cinematic immortality. […]
kaptainkristian
Published on May 26, 2017
YouTube
A look at the hidden visual effects work of David Fincher’s filmography.
Music: Trent Reznor & Atticus Ross – In Motion