Mikael Wood, Pop Music Critic
May 16, 2025
Los Angeles Times
Chad Smith remembers the night in 2003 when the Red Hot Chili Peppers played for an audience of 80,000 or so amid the rolling hills of the Irish countryside.
After a somewhat fallow period in the mid-’90s, the veteran Los Angeles alt-rock band resurged with 1999’s eight-times-platinum Californication and its 2002 follow-up, By the Way, which spawned the chart-topping single Can’t Stop. To mark the moment, the Chili Peppers brought a crew to document their performance at Slane Castle, where they headlined a full day of music that also included sets by Foo Fighters and Queens of the Stone Age, for an eventual concert movie.
Twenty-two years later, the Chili Peppers are bringing that 2003 gig to screens again — only this time they’re string puppets.
Can’t Stop is director David Fincher’s re-creation of the band’s rendition of that tune at Slane Castle. Part of the just-released fourth season of the Emmy-winning Netflix anthology series “Love, Death + Robots,” the animated short film depicts the Chili Peppers — Smith, Flea, singer Anthony Kiedis and guitarist John Frusciante — as dangling marionettes onstage before a veritable sea of the same. As the band rides the song’s slinky punk-funk groove, we see Flea bust out some of his signature moves and Kiedis swipe a fan’s cellphone for a selfie; at one point, a group of women in the crowd even flash their breasts at the frontman.
The puppets aren’t real — the entire six-minute episode was computer-generated. But the way they move looks astoundingly lifelike, not least when one fan’s lighter accidentally sets another fan’s wires on fire.
So why did Fincher, the A-list filmmaker behind Fight Club and The Social Network, put his considerable resources to work to make Can’t Stop?
“A perfectly reasonable inquiry,” the director, who executive produces LOVE DEATH + ROBOTS, said with a laugh.
The Fincher Analyst 