Christopher Probst: The 3-cameras out the back of the van correspond to angles where we’d shoot the actors in the car from the front hood through the windshield. In this case, two 50mm Arri/Zeiss Ultra Primes shooting cross single shots, and a 40mm center 2-shot. An 11th camera is a roof mounted Epic pointing about 45-degrees up capturing sky plate elements. This plate was also used to drive interactive sky reflections on the front windshield of the car on the process stage.
The Fincher Analyst 