Skip to content

The Fincher Analyst

The Work of Director David Fincher

  • BLOG
  • ARTICLES
  • FILMS
  • SERIES
  • MUSIC VIDEOS
  • COMMERCIALS
  • OTHER CREDITS
  • PROJECTS
  • About

1989. Paula Abdul – (It’s Just) The Way That You Love Me (version 2)

Share this:

  • Click to print (Opens in new window) Print
  • Click to share on X (Opens in new window) X
  • Click to share on Tumblr (Opens in new window) Tumblr
  • Click to share on Facebook (Opens in new window) Facebook
Like Loading...

Search the entire site:

Blog Archives

Blog Categories

  • X
  • Instagram
  • Facebook
  • Threads
  • Bluesky
  • YouTube
  • Vimeo

Blog Tags

  • "Frame & Reference" Podcast
  • "The First Rule" by Nev Pierce
  • "Because We Love Making Movies" Podcast
  • 4K
  • Aaron Sorkin
  • Adobe After Effects
  • Adobe Premiere
  • AI (Artificial Intelligence)
  • Alex Thomson
  • A lot of takes
  • American Cinematographer
  • Andrew Kevin Walker
  • Angus Wall (Editor)
  • Art Direction
  • Artemple Hollywood
  • Article en français
  • Artículo en español
  • Atticus Ross
  • Audio
  • Audio commentary
  • Awards
  • Baselight
  • Ben Insler
  • Beverly Wood
  • Billy Peake
  • Blade Runner
  • Blu-ray
  • Blur Studio
  • Book
  • Brad Pitt
  • Brian Osmond, SOC, Camera Operator
  • Cameras
  • Carl Franklin
  • Car Process Work
  • Casting
  • Cate Adams, Costume Designer
  • Ceán Chaffin
  • Christopher Probst ASC
  • Chuck Palahniuk
  • Cinefade
  • Cinematography
  • Claudio Miranda ASC ACC
  • Color Grading
  • Costume Design
  • Courtenay Miles
  • Craig Barron
  • Darius Khondji AFC ASC
  • Dariusz Wolski ASC
  • Dave Macomber, Stunt Coordinator
  • David Prior (Director)
  • David Shire
  • Design
  • Direction of actors
  • Documentary
  • Donald Graham Burt
  • DVD
  • Editing
  • Ed Ulbrich
  • Edward Norton
  • Elastic
  • Eric Barba
  • Eric Roth
  • Eric Weidt
  • Erik Messerschmidt ASC
  • Essay
  • Film Festival
  • FilmLight
  • Film Stills
  • Foley
  • Frank Ockenfels 3
  • George Lucas
  • Gigi Williams
  • Gillian Flynn
  • Hair and Makeup
  • Harris Savides ASC
  • HDR
  • Holt McCallany
  • Howard Shore
  • Ian Vertovec
  • ILM (Industrial Light & Magic)
  • Insight Editions
  • Interactive Lighting
  • Interview
  • Jack Fincher
  • James Vanderbilt
  • Jarred Land
  • Jason Hill
  • Jeff Beal
  • Jeff Cronenweth ASC
  • Jennifer Starzyk
  • Jim Uhls
  • Joe Penhall
  • Jonathan Groff
  • Jordan Cronenweth ASC
  • Joseph Kosinski
  • Joshua Donen
  • Kazu Hiro
  • Kirk Baxter ACE
  • Kyle Cooper (Designer)
  • Laray Mayfield, Casting Director
  • Lenses
  • Light Iron
  • Location Manager
  • Locations
  • Magazine
  • Mark Romanek
  • Mark Woollen & Associates
  • Matthew Tremblay
  • Merchandise
  • Merrick Morton
  • Michael Cioni
  • Miles Crist
  • Neil Kellerhouse
  • Netflix
  • Nev Pierce
  • News
  • Ollin VFX
  • Peter Mavromates
  • Photo
  • Photography
  • PIX System
  • Podcast
  • Post-production
  • Poster
  • Pre-production
  • Production
  • Production Design
  • Profile
  • Promotion
  • Propaganda Films
  • Property (Prop) Master
  • Quentin Tarantino (Director)
  • Re-recording Mix
  • RED Cameras
  • RED Xenomorph
  • Ren Klyce (Sound Designer)
  • RESET
  • Richard Francis-Bruce
  • Ridley Scott
  • Robert Graysmith
  • Rock Paper Scissors
  • Savage VFX
  • Screenplay (Script)
  • Screenwriting
  • Set Decoration
  • Sound Design
  • Sound Editing
  • Soundtrack (Score, Music)
  • Special Effects
  • Special Makeup Effects
  • Spike Jonze
  • Stanley Kubrick
  • Steve Arnold
  • Steven Soderbergh
  • Steven Spielberg
  • Steven Zaillian
  • studioADI
  • Stunt Coordination
  • Teaser
  • Territory Studio
  • The Dust Brothers
  • The Empty Man
  • The Goon Movie
  • Tim Miller
  • Title Sequence
  • Trailer
  • Trent Reznor
  • Trish Summerville
  • Tyler Nelson
  • Typography
  • VFX (Visual Effects)
  • VFX Breakdown
  • Video
  • Video Essay
  • William Doyle
  • World War Z sequel
  • Wylie Co. VFX
  • X2X
  • BLOG
  • ARTICLES
  • FILMS
  • SERIES
  • MUSIC VIDEOS
  • COMMERCIALS
  • OTHER CREDITS
  • PROJECTS
  • About
The Fincher Analyst Create a website or blog at WordPress.com
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • The Fincher Analyst
      • Join 148 other subscribers
    • Already have a WordPress.com account? Log in now.
    • The Fincher Analyst
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Copy shortlink
    • Report this content
    • View post in Reader
    • Manage subscriptions
    • Collapse this bar
%d