Netflix FYC: Mindhunter. Scene Stealers with Damon Herriman and Kazu Hiro

Jenelle Riley
July 2020
Netflix

Actor Damon Herriman talks about tackling the role of Charles Manson (again) in Netflix‘s Emmy®-nominated series Mindhunter. Oscar®-winning makeup designer Kazu Hiro, meanwhile, details the actor’s physical transformation from mild-mannered Aussie to iconic cult leader.

For Your Emmy® Awards Consideration

Prosthetic designer Kazu Hiro breaks down his process

July 2, 2020
Vanity Fair

Kazu Hiro breaks down his process of using special effects to transform actors physical appearances. Kazu demonstrates the techniques he used to turn ‘Bombshell‘ cast Charlize Theron into Megyn Kelly, Nicole Kidman into Gretchen Carlson, and John Lithgow into Roger Ailes, ‘Darkest Hour‘ cast Gary Oldman into Winston Churchill, and ‘Mindhunter‘ cast Damon Herriman into Charles Manson, and Olive Cooper into David Berkowitz.

Watch the transcripted video on Vanity Fair

‘Mindhunter’: How Kazu Hiro Transformed Damon Herriman Into an Uncanny Charles Manson

The multiple Oscar-winning special effects makeup wiz is the Emmy favorite for helping Damon Herriman with his spot-on, riveting Manson.

Bill Desowitz
July 1, 2020
IndieWire

Last year, Australian actor Damon Herriman did his spot-on performance of Charles Manson not once, but twice: the teasing cameo in Quentin Tarantino’s “Once Upon a Time in Hollywood” and the riveting interview with FBI agents Ford (Jonathan Groff) and Tench (Holt McCallany) in Season 2 of David Fincher’s “Mindhunter.” Although they were shot within weeks of each other, the more demanding portrayal in the Netflix crime drama came first.

And, thanks to the deft physical transformation applied by the multiple Oscar-winning special effects makeup wiz Kazu Hiro (“Bombshell,” “Darkest Hour”) — who first worked with Fincher on “The Curious Case of Benjamin Button” — Herriman gave the definitive Manson portrayal for the streamer. But we’ve come to expect nothing less from Hiro, the master at reconstructing iconic historical figures. It’s all the more impressive when there’s no physical resemblance, which was the case here with Herriman nearly five inches taller than the diminutive Manson and possessing different facial traits.

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Charles Manson sculpture over a Damon Herriman life cast

How Crafts Amplified Berkowitz, Watson, & Manson Scenes in ‘Mindhunter’ Season 2

A look at the crafts behind the killer interrogations, including cinematography, sound editing, prosthetics, editing, and rerecording mixers.

Megan McLachlan
June 20, 2020
Awards Daily

Awards Daily’s Megan McLachlan and the technical team behind Netflix’s Mindhunter Season 2 (cinematography, sound editing, editing, prosthetics, and rerecording mixers) break down why each killer interview is completely different.

Mindhunter Season 2 starts with a “doozy” of a sequence.

“You’re not sure where you are,” said Mindhunter re-recording mixer Scott Lewis.

The opening sequence reacquaints us with the mind of a killer—in this case, specifically the BTK Killer (Sonny Valicenti), who we’ve been following in Season 1 through vignettes. BTK’s wife comes home to discover him tying himself up in the bathroom while wearing a mask. Lewis and his re-recording mixer partner Stephen Urata went back and forth about how the sound of the door, bumping from BTK’s aggression, was supposed to sound from down the hall.

“[Director] David [Fincher] gave some vague directions for that,” said Urata. “We tried to keep it really mysterious. We started with really dreamy, big reverb, did some fabbing, and [the wife] starts picking up on those knocking sounds. We took our liberties with it. The knocking sounds probably wouldn’t be that loud.”

It had to compete with Roxy Music’s “In Every Dream Home a Heartache,” something they had to find the right timing for with the knocks. When it came to editing the sequence with the music, editor Kirk Baxter felt like he was working on a music video.

“The track was predetermined, so I could plot everything to the music, when it was gonna hit,” said Baxter. “So much of the reaching, the hand, it was based around being stretched so the door opened at the exact beat I needed it to. To me, it was like a Christmas present. When you’ve got all of the angles and coverage, you can expand the tension and manipulate the hell out of it.”

The Crafts Behind the Madness of Mindhunter Season 2

It’s specific technical details like this that take Mindhunter to a new level of creepy with each episode. And though these elements are subtle, they add so much to each and every scene, especially when Holden (Jonathan Groff) and Tench (Holt McCallany) interview the killers.

While they might seem like they’re similar in format, each interrogation scene is completely different and tells you so much about the killer they’re questioning, with precise engineering and great care that goes into them. Let’s look at how Berkowitz, Tex Watson, and Manson are all completely different from each other.

Featured crafts:

Kirk Baxter, editing
Kazu Hiro, prosthetics
Scott Lewis & Stephen Urata, rerecording mixers
Erik Messerschmidt, cinematographer
Jeremy Molod, sound editor

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Original Benjamin Button Model by Kazu Hiro

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2006. Rick Baker's Cinovation Studios deliver the Brad Pitt heads by Kazu Hiro to Digital Domain

Rick Baker’s Cinovation Studios deliver the aged Brad Pitt silicone heads by Kazu Hiro to Digital Domain to be digitally scanned. Top center: Kazu Hiro and Rick Baker. Top right: Eric Barba, Visual Effects Supervisor for Digital Domain (Kazu Hiro, 2006)

2018-01. Make-Up Artist Magazine - Kazuhiro TsujiSculptor and Special Make-Up Effects Artist
Kazu Hiro (Make-Up Artist Magazine, 2018)

kazustudios.com