‘Mindhunter’ DP Erik Messerschmidt on Working with Fincher, the Show’s Aesthetic, and Season 2

Erik Messerschmidt with Camera Operator Brian Osmond, SOC (Patrick Harbron / Netflix)

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Merrick Morton / Netflix

Adam Chitwood
May 28, 2018
Collider

The Netflix original series Mindhunter is, by far, one of the best new shows currently running. The true story-based, 1977-set drama chronicles the early days of criminal psychology and criminal profiling primarily through the eyes of three people at the FBI’s Behavioral Science Unit: eager newcomer Holden Ford (Jonathan Groff), somewhat jaded veteran Bill Tench (Holt McCallany), and brilliant psychology professor Wendy Carr (Anna Torv). That this show is immaculately crafted from top to bottom will come as no surprise to those aware that it’s the brainchild of David Fincher, who serves as executive producer and directed nearly half of the series’ first season.

This is without doubt one of the best looking pieces of entertainment released in 2017, regardless of medium, with classical framing, motivated camera movement, and a tremendous palette that gives a mere peek into the darkness inside the minds of the criminals and serial killers who are the subject of the Behavioral Science Unit’s interviews.

So when I got the chance to speak with cinematographer Erik Messerschmidt about his work on the series, I was thrilled. Messerschmidt shot eight of the first season’s 10 episodes, including the Fincher-directed closing installments, and as he revealed during our interview, this was essentially his first major gig as a cinematographer. Messerschmidt had worked previously as a gaffer on shows like Mad Men and Bones, and then later the feature film Gone Girl where he first came into contact with Fincher. Based on their work together on that film, Fincher called Messerschmidt up when they were looking for a new DP for Mindhunter after the show’s original cinematographer exited over creative differences.

This promotion from gaffer to DP is a familiar refrain with Fincher’s cinematographers, as he did the same with his The Game and Fight Club gaffer Claudio Miranda, who was brought on as DP for The Curious Case of Benjamin Button and went on to win the Oscar for Best Cinematography for his work on Life of Pi.

Messerschmidt’s rise to the primary cinematographer of Fincher’s brand new TV show elicits similarly spectacular results, as the DP’s work on Mindhunter is elegantly classical and incredibly motivated by character and theme. During the course of our conversation, Messerschmidt talked about the road that led to him becoming the cinematographer on Mindhunter, the specifics of his working relationship with Fincher, what it’s like to serve as a DP in the world of episodic television, how the work of production designers and costumes designers goes under-appreciated, and trying to maintain a consistent aesthetic with multiple directors. He also teased a bit about Mindhunter Season 2, including revealing their extensive shooting schedule.

Check out the full interview

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Erik Messerschmidt with Episodes 3 & 4 Director Asif Kapadia (Merrick Morton / Netflix)

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Andrew Dominik and Carl Franklin, new Directors for MINDHUNTER, Season 2

2007. The Assassination of Jesse James

2002. High Crimes

Rodrigo Perez has revealed on The Playlist the new two directors that will accompany David Fincher in the directorial labors for the eight episodes of the second season of MINDHUNTER (and confirmed its release in early 2019).

Fincher will direct the two-hour long season premiere and finale:

Andrew Dominik (“The Assassination of Jesse James,” “Killing Me Softly”) will helm another two, and filmmaker Carl Franklin (“Devil In A Blue Dress,” “One False Move”), who’s become something of a journeyman director on TV in recent years (“House Of Cards,” “The Leftovers,” “13 Reasons Why,” “Vinyl” and more), will direct the rest and bulk of the show.

Fincher is currently in Pittsburgh doing prep on season two which starts at the end of the month. It should keep him busy for most of the year and regardless, I’m told Netflix intends to hold it for an early 2019 release. The “Mindhunter” filmmaker directed all the reshoots for every episode of season one and he’ll be doing the same for season two; they’ll be baking in time for that as well.

Dominik was apparently a big fan of Fincher, and their connection is through Brad Pitt who starred in the aforementioned ‘Jesse James’ and has obviously led many a Fincher movie including “Seven,” and “Fight Club,” “The Curious Case of Benjamin Button,” and possibly the “World War Z” sequel if they can ever figure out the script.

Read the full article

This means the “Worl War Z” sequel shooting has been, once again, postponed:

‘World War Z 2’ Not Shooting This Fall; David Fincher’s ‘Mindhunter’ Season 2 Is Next

Rodrigo Perez
April 19, 2018
The Playlist