Interview with Andrew Kevin Walker, writer of Se7en

Daniel Fee (Twitter)
September 15, 2022
Daniel Fee33 (YouTube)

In this video, I’m lucky enough to sit down with Andrew Kevin Walker! Screenwriter behind projects such as SE7EN, the David Fincher directed crime thriller, starring Brad Pitt & Morgan Freeman! Andrew is also the screenwriter behind Brainscan, Nerdland, he co-wrote Windfall, and he also wrote an episode of hit TV Show, Love Death and Robots! It was such an honour to chat with Andy!

I would really appreciate it if anyone could donate to the National Deaf Children’s Society! (Twitter) Every cent helps! Thanks!

Andrew Kevin Walker: website, Twitter, Instagram

Mentioned podcast:

David Koepp in conversation with Andrew Kevin Walker

September 11, 2019
Live Talks Los Angeles (Apple Podcasts)

Tim Miller at San Diego Comic-Con

Jim Viscardi
July 29, 2022
comicbook

Sitting down with ComicBook‘s Jim Viscardi at San Diego Comic-Con 2022 Deadpool Director Tim Miller discusses comic books, video games, The Goon, his abandoned Lone Wolf and Cub classic manga adaptation with David Fincher and screenwriter Andrew Kevin Walker, another abandoned X-Men comic adaptation project, Deadpool, Love, Death & Robots and its “The Art of” book.

Tim Miller Announces New Movie ‘The Goon’ is Headed to Netflix

The film has been in limbo for years.

Maggie Boccella
July 23, 2022
Collider

San Diego Comic Con is a hell of a time for the entertainment industry, not least of which includes directors, whose involvement in projects is often announced or teased or otherwise revealed. It’s the biggest time of the year for film and television announcements, and Collider was excited to get in on the fun at our “Directors on Directors” panel, hosted in Hall H and featuring some of film’s — and particularly action and sci-fi’s — most iconic directors. Present at the panel were Chad Stahelski, director of all four John Wick films; Andrew Stanton, director of John Carter, as well as animated classics like Finding Nemo and WALL-E; and Tim Miller, director of Deadpool, as well as Terminator: Dark Fate.

Read the full article

‘The Goon’ Adaptation Set at Netflix With Patrick Osborne Directing

Adam Chitwood
July 23, 2022
The Wrap

Watch “The Goon. Development Hell”

Modern Instances: The Craft of Photography, by Stephen Shore

February 2022
MACK (UK, EU)

Shore’s work has been a personal inspiration from my earliest interaction with it. With Modern Instances, I am humbled to have his profound insight into the rigorous over-thinking that made it possible. This insight, delivered with such clarity, grace, and humility, will no doubt affect how you make or appreciate photographs – it might even alter how you see.’ David Fincher

Shore’s memoir is as riveting as it is illuminating – an almost deceptively seamless narrative of experiences, associations, correspondences, images, and remarkable erudition that testify to the mind’s eye through which, from the beginning of his career, Shore has transformed the seemingly spontaneous configurations of his photography into profound works of art.’ Jane Kramer

Modern Instances is like a conversation among friends. It reveals a deeply inquiring mind, and renders making photographs, and looking at them, one of the most exciting and humane of pursuits.’ Sandra Phillips

‘Although the dream is a very strange phenomenon and an inexplicable mystery, far more inexplicable is the mystery and aspect our minds confer on certain objects and aspects of life.’ Giorgio de Chirico

Stephen Shore’s Modern Instances: The Craft of Photography is an experimental new memoir from one of the world’s most prolific artists — an impressionistic scrapbook that documents the rich and surprising touchstones that make up over half a century of ground-breaking work. With essays, photographs, stories, and excerpts that draw on Shore’s decades of teaching, this is an essential handbook for anyone interested in learning more about mastering one’s craft and the distinct threads that come together to inform a creative voice. As much as offering meditation on the influences of a single artist, Modern Instances proposes a new way of thinking about the world around us, in which even the smallest moment can become a source of boundless inspiration — if only we pay attention.

Silkscreen printed linen hardcover
ISBN
: 978-1-913620-53-0
Dimensions: 17 x 24.5cm
Page Count: 224 pages
Price: €38 / £30 / $45

Look inside and buy the book

How Stephen Shore’s Photographs Inspired Netflix’s Mindhunter

The Allan McKay Podcast: Tim Miller, Founder of Blur Studio

Allan McKay
July 5, 2022
The Allan McKay Podcast

Tim Miller is a Film Director, Animator, Creative Director, and VFX Artist. He was nominated for the Academy Award for Best Animated Short Film for the work on his short film Gopher Broke. He made his directing debut with Deadpool. He is also known for creating opening sequences for The Girl with the Dragon Tattoo and Thor: The Dark World.

In 1995, Tim co-founded Blur Studio with David Stinnett and Cat Chapman. Blur is where animators and artists can collaborate and be in control of their creative destinies. Since then, the Studio has evolved into an award-winning production company with work spanning the realms of game cinematics, commercials, feature films, and more. Committed to their clients, artists, and the telling of great stories, Blur continues to grow as a high-end animation studio and original content creator, having recently helmed Netflix’s first animated anthology Love Death + Robots.

In this Podcast, Allan McKay interviews Tim about the history of launching Blur, its legacy, Tim’s ongoing collaboration with David Fincher, directing Deadpool and Terminator: Dark Fate, and creating Love Death + Robots.

Listen to the podcast:

Apple Podcasts
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libsyn

Follow Allan on Twitter, Instagram, Facebook, and YouTube.

Pixel Perfection

Jarred Land / RED Digital Cinema

Adrian Pennington
April 2022
British Cinematographer

Jarred Land has spent his career in close collaboration and connection with filmmakers, supporting the execution of their vision with powerful and ground-breaking tools.

Jarred Land runs RED Digital Cinema, the company whose 4K camera went from scepticism to admiration on a run of prestige movies like David Fincher’s Oscar-winning Mank and series like The Queen’s Gambit. Since 2013, Land has led a team focused on precedent-setting technology for filmmakers.

Land didn’t found RED but joined Jim Jannard before the launch of the first camera and during the hardcore, technology banging sleepless nights part of the story, where a small group failed, learned, succeeded. From the first conversation Land had with Jannard and still today, the focus is on providing a more complete tool for filmmakers.

Born in Edmonton, Canada, Land’s father ran gas stations and shopping malls, imbuing in him an entrepreneurial spirit. The teenage Land’s passion was mountain biking which he segued into his own bike courier company in Vancouver.

A chance encounter with a client inspired him to take up videography using the Panasonic tape camcorder DVX100. “I couldn’t go to film school because I was running my company and biking 100km a day, so I set up a bulletin board for help,” he says.

Read the full profile

David Fincher Tries Animation in ‘Love, Death + Robots’

Fincher, left, directed the short under Covid protocols. “I didn’t quite realize how much I communicate through my face,” he said.

Noel Murray
May 19, 2022
The New York Times

The director made his first animated short for the new season of this Netflix anthology. “It was an incredibly freeing, eye-opening, mind-expanding way to interface with a story,” he said.

Before David Fincher became an A-list director and multiple Oscar and Emmy nominee — lauded for of-the-moment films like “Fight Club” and “The Social Network” and the TV series “House of Cards” and “Mindhunter” — he was one of the co-founders of the production company Propaganda Films. Propaganda was known for its visually dazzling TV commercials and music videos, and Fincher honed his craft in dozens of miniature movies made in myriad styles.

Yet until recently, he had never directed animation, even though he loves the medium so much that he signed on a few years ago to be an executive producer of the Netflix anthology animation series “Love, Death + Robots,” which returns for its third season on Friday.

Love, Death + Robots” sprung from the ashes of a project Fincher had been developing with the “Deadpool” director Tim Miller since the late 2000s: a revival of “Heavy Metal,” the animated movie series inspired by the adults-only science-fiction and fantasy comics magazine. The first season of “Love, Death + Robots” debuted in 2019, featuring 18 episodes (ranging in length from 6 to 17 minutes) that adapted short stories by genre favorites like Peter F. Hamilton, John Scalzi and Joe Lansdale. An eight-episode second season followed in 2021.

Despite his involvement, Fincher never made a short of his own until Season 3, when he and the screenwriter Andrew Kevin Walker (who wrote Fincher’s crime thriller “Seven”) tackled a tale by the British science-fiction author Neal Asher called “Bad Travelling.” Set on the high seas on a distant planet, the story follows a merchant ship as it is tormented by a giant, intelligent crab that manipulates the crew members and then eliminates them one by one. Fincher described the short as “like a David Lean movie crossed with ‘Ten Little Indians.’”

Read the full interview

Literally! With Rob Lowe: Steven Soderbergh

Rob Lowe
February 10, 2022
Literally! With Rob Lowe (Team Coco)

It’s Showtime! When Steven Soderbergh joins Rob, the two friends get to ask the questions they’ve never asked one another. In this episode find out about Steven’s new film Kimi, and how he thinks Sex, Lies, and Videotape now feels like a Jane Austen novel.

Listen to the podcast:

Apple Podcasts
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Spotify
Stitcher

David Fincher’s “The Goon”. Development Hell

Andrew S. Baldwin
January 30, 2022
Supervoid Cinema (YouTube)

The Unmaking Of Movies. In-depth accounts of the ‘Greatest Movies Never Made’, Prominent ‘what ifs?’. Behind the scenes looks at canceled movies, lost projects, and the reasons why some projects went down in flames of development hell… Superman, Batman, Iron Man, Spider-Man, He-Man, Aliens, Hellboy, Robocop, and many more!

David Fincher has long been signed to produce a movie adaptation of Eric Powell‘s cult comic book: The Goon, published by Dark Horse, to be co-directed by Tim Miller and Jeff Fowler of Blur Studios with an original screenplay by Powell.

Video contains test animation for the David Fincher / Blur Studios / Dark Horse Entertainment produced film The Goon. Based on the Dark Horse Comic series by Eric Powell. Clancy Brown and Paul Giamatti provided the voices for this test. All artwork & footage belongs to its respective creators.

Indie Film Hustle: Cinematographer Jeff Cronenweth, ASC

The Art of Cinematography & David Fincher

Alex Ferrari
December 14, 2021
Indie Film Hustle

Cinematographer Jeff Cronenweth, ASC, is the son of Jordan Cronenweth, ASC, one of the most influential cinematographers in history, most notable for Blade Runner.

He worked with his father as a camera loader and second assistant camera during high school, graduated from the USC School of Cinematic Arts, and worked his way up to first assistant camera and then camera operator until the mid-1990s. He also worked for legendary Swedish cinematographer Sven Nykvist.

The first major motion picture where he acted as a DP was for David Fincher‘s Fight Club. Other notable feature films on which he worked as a DP are One Hour Photo, directed by Mark RomanekK-19: The WidowmakerDown With LoveThe Social NetworkHitchcockThe Girl with the Dragon Tattoo, Gone Girl, and recently, Being the Ricardos, written and directed by Aaron Sorkin.

He was nominated twice for an Academy Award for Best Cinematography for his work on Fincher’s The Social Network (2010) and The Girl with the Dragon Tattoo (2011).

Listen to the podcast and read the transcript